Ergebnis für "Gespräche" in Musik & darstellende Künste

Ray has trouble at home, and he has trouble at school - until he’s permanently excluded and ends up sleeping on the floor of a record shop. What happens to a boy like Ray? If he’s lucky, maybe he gets a chance to shine. The story of three boys who aren’t easy. They don’t fit in. They seem to attract trouble. But they know what they want, and they’ve got the talent to back it up.

Aya is 11 years old and has just arrived in Britain with her mum and baby brother, seeking asylum from war in Syria. When Aya stumbles across a local ballet class, the formidable dance teacher spots her exceptional talent and believes that Aya has the potential to earn a prestigious ballet scholarship. But at the same time, Aya and her family must fight to be allowed to remain in the country, to make a home for themselves and to find Aya's father - separated from the rest of the family during the journey from Syria.

In the 1930s, Black singer Marian Anderson was not allowed to perform at Constitution Hall. But with help from Eleanor Roosevelt, Anderson staged an amazing concert at the Lincoln Memorial and became an activist for civil rights.

In a new city, at a new school, 12-year-old Emmy has never felt more out of tune. Things start to look up when she takes her first coding class, unexpectedly connecting with the material - and Abigail, a new friend - through a shared language: music. But when Emmy gets bad news about their computer teacher, and finds out Abigail isn't being entirely honest about their friendship, she feels like her new life is screeching to a halt. Despite these obstacles, Emmy is determined to prove that, for the first time ever, she isn't a wrong note, but a musician in the world's symphony.

Although it is debated when and where capoeira—an art form that blends martial arts, dance, acrobatics, music, and spirituality—originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for malandros—what people in power called the poor Black communities they disdained.