Ergebnis für "Erinnerungen" in Schauspiel & Theater

Nach dem Tod seiner Eltern zieht der mittellose dänische Adelige Malte Laurids Brigge um 1900 nach Paris, um als Dichter zu leben. Doch die Stadt seiner Träume entpuppt sich als Ort des Elends. Rilke umkreist in seinem Werk Die Aufzeichnungen des Malte Laurids Brigge die elementaren Fragen nach Schicksal, Identität und Kunst und schuf damit den ersten bedeutenden Roman der literarischen Moderne.

Arthur Miller's plays have held the world's stages for almost half a century. Among them are Death of a Salesman, The Crucible, and All My Sons, which have been read and performed countless times across the world. His memoir, Timebends, shows that the life of the man is as compelling as his plays. With passion, wit and candour, Miller recalls his childhood in Harlem and Brooklyn in the 1920s and the Depression; his successes and failures in the theatre and in Hollywood; the formation of his political beliefs....

From his agent's phone call offering him the role of Estragon, Lucian Msamati brings brilliantly to life the experience of co-starring with Ben Whishaw in James Macdonald's celebrated production of Waiting for Godot in London's West End. Through rehearsal room highs and lows, workaday laughs and tears, literal stumbles and grumbles, we journey with Lucian, his fellow actors and creatives, and Beckett's play, sharing in the personal and dramaturgical discoveries they make and the inevitable emotional contours of an experience as intense as this one.

Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.

Award-winning British playwright, composer and screenwriter Leo Butler looks back over 25 of writing for the stage and his extensive experience teaching and mentoring emerging playwrights. With honesty and humour, Leo Butler shares his experiences from his working-class upbringing in Sheffield, including his disastrous state education, his years on the dole, to his breakthrough into the professional theatre industry.

Thus begins the life story of one of the most celebrated characters in British theatrical history, in the first of Coward's autobiographies, first published in 1937. Displaying an early dedication to the theatre, Present Indicative hints at the success that would come to Coward as actor, playwright, novelist and performer. Each line is punctuated with his trademark effervescent wit, making this book a comic tour de force in it's own right, as well as a "must read" for anyone with an interest in the British stage.

The second and concluding volume of Noël Coward's legendary autobiography includes Future Indefinite and the unfinished Past Unconditional. With his trademark wit, Coward delivers anecdotes about his travels in South America, Hollywood encounters with an array of contemporary stars and directors, and his later theatrical successes, including the Broadway triumph of Design For Living.

In this book, acclaimed actor Paterson Joseph opens up the process of rehearsing and preparing for the RSC's 2012 production of Shakespeare's Julius Caesar and, by doing so, brings a greater understanding to the play's characters; its rhetoric and the power of rhetoric in general, both on and off stage; its setting and political context and how this can be interpreted and refreshed for the 21st century.

Pulitzer Prize-winner Sam Shepard's classic comedy is a story of estranged brothers Austin and Lee. Shepard compares and contrasts the reality of the two brothers by forcing them to come to terms with each other, with themselves, and with family.

Actor Julie Hesmondhalgh's working diary begins in November 2016 at the end of a full and exciting year of theatre-making with her company, Take Back. The company is a northern-based collective creating immediate script-in-hand responses to social and political events (of which there were many in 2016). Her work with Take Back fell between filming the third series of Broadchurch for ITV and starring in the award-winning play Wit at the Royal Exchange Theatre in Manchester.

I deserve all this because I did the worst thing a woman can do. The very worst. Jessica's wedding was like a fairytale. Her dress strewn with crystals. Her dad made a tearful speech. Her husband Matthew declared himself the luckiest man alive. But when their beautiful baby girl is born, Jessica is gripped by panic. She can't tell anyone how she feels. Even when her life starts to spiral out of control...

Toward the end of the Hundred Years War between France and England, as Merlin predicted, a great warrior emerged, uniting a beleaguered nation and leading it to improbable victories. It was said this warrior was a messenger of God. And it may have been, for a country was saved and a kingdom restored. This great leader of men, this messenger who united a nation, was a 17-year-old maiden named Joan.

Known as an actor-manager, Sir Henry Irving (1838-1905) took complete responsibility for season after season at London’s Lyceum Theatre, establishing himself and his company as representative of English classical theater. Beginning in 1878, author Bram Stoker worked for Irving as a business manager at the Lyceum for much of Irving’s career. Stoker revered Irving, and when he began writing Dracula, Irving was the chief inspiration for the title character.

In 1876, Poland's leading actress, Helena Modrzejewska, accompanied by family and friends, emigrated to Southern California to establish a utopian commune that soon failed. Within a year Modrzejewska made her debut in the title role of Adrienne Lecouvreur at San Francisco's California Theatre. She changed her name to Modjeska and quickly became a leading star on the American stage, where she reigned for the next 30 years.

Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her 40-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world.

Nessuno sa il mio nome è la seconda raccolta di saggi di James Baldwin pubblicata per la prima volta nel 1961 e scritta durante la sua permanenza in Europa, quando la distanza dagli Stati Uniti, fortissimamente voluta, gli aveva permesso di riflettere in modo nuovo sulla condizione delle persone nere in una società dominata dai bianchi. Trascendere la sterile categoria di blackness, sia essa quella imposta dal mondo bianco o quella eretta a scopo difensivo dalla comunità nera, divenne il nucleo dell’opera di Baldwin come scrittore.

Behind every fortune is a crime. Yet for young Philly Mob boss "Little Vinny" Veccuto in the 1980s, his crimes were his passion. Centralizing his business in the back of a steak shop in Ducktown, Atlantic City, Vinny illegally reaps the riches of early casino construction. After he becomes "King of the Jersey Shore", Vinny sees his success put to the test between unbearable federal investigation, a violent drug war erupting in his own inner circle, and those closest to him in one way or another, turning their back to him.

August 2, 1991, Twentynine Palms, California: a troubled Marine who has recently returned from the Gulf War savagely murders two young girls. One was about to turn 16, the other 21. Exquisitely and inexorably, Deanne Stillman uses this tragedy as a prism through which she examines a rootless culture of fatherless families, shattered dreams, and relentless violence. She also traces the family histories of each murder victim back for generations, in one case to the Donner Party and the other to a shack in the Philippines.

On a sunny spring day, in an ordinary kitchen, Rosemary answers an unexpected phone call. A car has hit her husband, Hugh. Rosemary arrives at the hospital just in time to see him before he's rushed into surgery. Thinking of their twin daughters, Rosemary pleads with her unconscious husband as he lies on a gurney. "Don't you leave me Hugh Rawlins. Anna and Mary need you. I love you." Overwhelmed, but determined to bring Hugh back home, Rosemary leans on family and friends as Hugh endures two emergency brain surgeries, a coma, and a confused awakening.

From award-winning NPR producer Joe Bevilacqua comes a rare and exciting collection of radio documentaries, features, and dramas.