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When a string of young queer men turn up dead in grisly murders, all signs point to the ex-boyfriend - but what should be an open-and-shut case is fraught with tension when BPD homicide detective Malcolm Khalaji joins up with a partner he never wanted. Rigid, ice-cold, and a stickler for the rules, Seong-Jae Yoon is a watchful presence whose obstinacy and unpredictability constantly remind Malcolm why he prefers to work alone. Seong-Jae may be stunningly attractive, a man who moves like a graceful, lethal bird of prey...but he's as impossible to decipher as this case.

Don’t miss the next Will Trent thriller, This Is Why We Lied, coming this August! WATCH WILL TRENT ON ABC! Will Trent is a brilliant agent with the Georgia Bureau of Investigation. Newly in love, he is beginning to put a difficult past behind him. Then a local college student goes missing, and...

The terrible conflict that dominated the mid-19th century, the Crimean War, killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land.

It's said the simplest solution is usually the right one—but there's nothing simple about the complications that arise when their primary suspect for the white rabbit killer shows up on Malcolm and Seong-Jae's doorstep, dead and mutilated beyond recognition. All it takes is one body to make their entire case timeline fall apart.

A stage play turns into high drama when the leading man's mutilated body takes center stage—and the remorseful note pinned to his chest is Malcolm and Seong-Jae's only clue to finding the killer. What should be a simple case is complicated by secrets and lies; as more and more of Seong-Jae's past surfaces, every deflection and careful half-truth builds the walls between partners-turned-lovers higher still. When Malcolm and Seong-Jae can no longer see eye to eye . . . will the closing act of their story turn into a tragedy?

A murdered night club mogul unlocks a web of infidelity and deceit. The most likely suspect? The daughter of the richest family in Baltimore, if only Detectives Malcolm Khalaji and Seong-Jae Yoon can piece the evidence together. The clues just aren't lining up—but Malcolm can't tell if he's missing a piece of the puzzle or completely missing the mark. The McAllister case still haunts him. So many dead. So many he couldn't save. It's throwing him off his game. And the only one who really understands is his strange, coldly aloof partner.

Malcolm Khalaji is missing. And Seong-Jae Yoon is the only one who can find him. But to do so means walking paths he swore he would never tread again. Descending into the blackest hallways of a twisted and sadistic mind. Breaking down every wall he's ever built around himself, to try to predict what Sila will do next. Yet not even Seong-Jae can anticipate the outcome of this deadly game.

Rising tensions between Malcolm, Seong-Jae, and Aanga Joshi reach a tipping point—and send our devilish duo on a rogue mission. Mal and Seong-Jae are off the radar, off the rails, and determined to track down the connection between Sila and the Golden Ratio Killer, no matter who stands in their way.

Emery Hazard and his boyfriend, John-Henry Somerset, just want to enjoy the day at the Dore County Independence Fair. At the shooting gallery, though, Hazard comes face to face with one of his old bullies: Mikey Grames. Even as a drugged-out wreck, Mikey is a reminder of all the ugliness in Hazard’s past. And Mikey seems to know something Hazard doesn’t - something about the fresh tension brewing in town. When the Chief of Police interrupts Hazard’s day at the fair, she has a strange request. She doesn’t want Hazard and Somers to solve a murder. She wants them to prevent one.

NEW YORK TIMES BESTSELLER A former star athlete turned deputy coroner is drawn into a brutal, complicated murder in this psychological thriller from a father-son writing team that delivers “brilliant, page-turning fiction” (Stephen King). Natural causes or foul play? That’s the...

There are four ways to die, and only one of them requires an intruder. Suicides, accidental, and natural deaths can occur without any evidence from outside the room. But murders typically involve suspects external to the crime scene. If there's evidence of an outside intruder, homicide detectives have to prepare for a chase. Intruders turn death scenes into crime scenes.