Ergebnis für "Aleister Crowley" in Anthologien & Kurzgeschichten

Edward Alexander Crowley was born on 12th October 1875 to wealthy parents in Royal Leamington Spa in Warwickshire. He was educated at Malvern College, Tonbridge School, Eastbourne College and finally Trinity College, Cambridge where he focused on his passions of mountaineering and poetry and published several volumes. His literary works were both prolific and covered many topics. In the early part of his career he published many poetry books, even plays, before his darker and more forceful works came to dominate his output.

Love. Perhaps the one word solution for everything. An emotion, a state of mind that we strive for, search for. A wondrous force that binds, inspires, and a force that can spin out of control; unbalanced and fragile. Love reflects, changes and embraces us all. The capture of love in this life is a very special happening, it may only strike us once, and for some perhaps never. But what if those on the ‘other side’ have designs on us? What if their desire is just so strong that we can’t resist? Can true love survive?

Aleister Crowley desarrolló con mucho éxito actividades en aparienciatan disímiles y distantes como la poesía, el alpinismo, el ajedres, el ocultismo, el espionaje político, el arte, el teatro experimental, la literatura, las drogas y el uso de enteógenos como propulsores de la conciencia...

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

Edward Alexander Crowley (1875-1947) was a British occultist and writer who wrote as Aleister Crowley. His stories and novels shocked Victorian England with their focus on demonic magic and sexual deviance. The Vixen is a traditional werewolf story but with Crowley's typical cruel and savage erotic twist on the classic theme.

Since its inception in the 19th Century photography has been a trusted source capturing both truth and reality. It cannot lie. Our eyes may deceive us, but the camera cannot. In this volume whilst our classic authors are at the early edge of photography’s development, they use it in ways that are both innovative and atmospheric as very often the camera and the photographer become a central part in many fascinating stories.