🎧 Film scholar Matthew H. Bernstein marks his final semester at Emory University by curating “Matthew H. Bernstein’s Farewell Favorites,” a 14-film Emory Cinematheque series running through April. He reflects on why communal moviegoing still matters, the care behind archival screenings and the themes of resistance shaping the lineup. 🎬

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At Dad’s Garage Theatre, competition isn’t really the point. The TheatreSports Tournament returns Jan. 9–31, turning improv into a fake rivalry shaped by audience reaction. WABE Arts & Culture Editor Sherri Daye Scott talks with ensemble members Ronnie Johnson-Lopez and Amanda Lee Williams about how the tournament works, where it came from, and why live, participatory theater still matters.

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Jewish storytelling is rooted in tradition, but it isn’t fixed. As the Atlanta Jewish Storytelling Festival returns Jan. 8–11, WABE Arts explores how stories move across generations, cultures, and lived experience. Festival coordinator Audrey Galex and featured storyteller Laura Simms reflect on storytelling as a living practice shaped by memory and place.

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A new permanent public artwork is now part of Piedmont Park. Atlanta artist Gregor Turk walks WABE Arts through “Myriad,” his latest mirrored installation near the Meadow entrance off the Atlanta Beltline. Recorded just days after the unveiling, this episode explores how movement, reflection, and shared space shape the experience of public art in Atlanta’s most visited park

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Holiday traditions don’t look the same for everyone. “A Drag Queen Christmas,” now in its 11th year, has become a seasonal ritual for audiences across the country. WABE Arts speaks with host Nina West and first-time tour performer Suzie Toot about how the show blends spectacle, humor and deeply personal holiday traditions — from Hanukkah numbers to chosen-family celebrations on the road. As the tour returns to Atlanta Symphony Hall, the performers reflect on why audiences come back year after year, and why joy itself feels especially meaningful right now.

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A final exhibition, finished without its creator. At SCAD FASH in Atlanta, “André Leon Talley: Style Is Forever” reflects years of collaboration — and the challenge of honoring a fashion icon after his death. WABE Arts & Culture editor Sherri Daye Scott spole with Rafael Gomes, creative director of the SCAD fashion museums, about curating Talley’s wardrobe, preserving his exacting standards, and designing an exhibition meant to make visitors feel his presence. From custom mannequins to a deeply personal soundtrack, the show asks what it means to complete someone else’s vision — and get it right.

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Marlon Wayans has been coming to Atlanta for 30 years—and now he's considering making it permanent. The comedian and actor discusses filming “Scary Movie 6” at Tyler Perry Studios, why Atlanta audiences supported his work before Georgia became a film hub, and what he learned about respect on set from Tom Hanks and Sandra Bullock. Wayans also shares how his brother Keenen's advice to "think like an industry" shaped his approach to building a creative empire—one he hopes to base in Atlanta.

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A new PBS/POV Shorts documentary is shining national attention on a youth orchestra rooted along one of Atlanta’s most diverse immigrant corridors. “La Orquesta” follows retired music teacher Juana Alzaga and the children of the Buford Highway Orchestra through a full school year of rehearsals, concerts, and community.

WABE Arts & Culture Editor Sherri Daye Scott talks with Alzaga and filmmaker Monica Villavicencio about what the documentary captures, the trust behind the film, and the logistical challenges families navigate to keep the music going.

Podcast Tags / Keywords: La Orquesta, Buford Highway Orchestra, Juana Alzaga, Monica Villavicencio, Stephanie Liu, We Love Buford Highway, Latino Public Broadcasting, POV Shorts, PBS, Atlanta immigrant communities, youth orchestra, Atlanta arts, WABE Arts

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