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  • Playlist 19.04.26
    Apr 19 2026

    We got songs of all sorts tonight and non-songs for most sorts too. Take your pick!

    Abigail Snail – Good Grief
    Abigail Snail – Attach Bayonets
    Jungstötter – Overturn
    Massive Attack x Tom Waits – Boots on the Ground
    Loraine James – Flatline ft. Miho Hatori
    Naavikaran & Simo Soo – For You Page
    deafkids – REFLEXO
    james K – Doom Bikini (Hesaitix Remix)
    Zoë Mc Pherson – Bang Bang (Nziria remix)
    Zoë Mc Pherson – Ambient Snake (Yushh remix)
    ARTISOMA – Boraq
    OD Bongo – crystallinoron
    Haydn Douet Lukies – Amolador
    Tristan Arp – Forking Paths
    Yunzero – Cool Skunk
    Hora Lunga – Hearing through the Wall ft. Junge Eko
    Joseph Branciforte & Jozef Dumoulin – ⊐
    Jonas Cambien – Tre – RADIO EDIT
    Microfiche – Number 7
    Mariam Wallentin & Vestnorsk Jazzensemble – Basel
    Claire Dickson – Waterfeel
    Freda D’Souza – unravel (when ya comin back?)

    Listen again — ~214MB

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  • Playlist 12.04.26
    Apr 12 2026

    While the new world struggles to be born, people all round this dying old world cannot help but keep making music. Too many, frankly. Please stop.
    Anyway, I cannot help but keep playing you all this incredible music, postpunkindustrialdubjunglegamelanglitchjazzfolkclassical, as those in the know call it *taps nose*

    LISTEN AGAIN to the music of the spheres. Stream on demand from fbi.radio, podcast here.

    Laeter – Isolate
    Laeter – Leibowitz
    Damos Room – All Shall Go
    Damos Room – Gullet (Dirty Protest)
    Carl Gari – Pick’n’Peel
    Fez The Kid & BRUK – Original Secret
    A.Fruit – I Left You
    A.Fruit – Choice
    upsammy & Valentina Magaletti – Superimposed
    upsammy & Valentina Magaletti – It Comes To An End
    Hoavi – Song of the Forgotten
    Hoavi – Colossus
    Foote/Dickow – Underwater Welder
    Richard Pike – III. “August”
    Laurence Pike – Guardians of Memory
    David Norland – E-Car Soul reNYX
    Carl Stone & Asuna – Ulna As Ancestor
    Loom & Thread – Spheres
    Christian Wallumrød Ensemble – Not new to
    tokesmo – 02.02
    tokesmo – 01
    Whitney Johnson, Lia Kohl, Macie Stewart – paper folding | disappearing
    Whitney Johnson, Lia Kohl, Macie Stewart – laundry | blood
    Hara Alonso – A Second is a Choir (feat. Lia Kohl)
    Daniel O’Toole – Breathing Colour
    Euan Alexander Millar-McMeeken – Nothing Moves In Me

    Listen again — ~217MB

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  • Playlist 05.04.26
    Apr 5 2026

    Songforms of conventional and highly unconventional sorts tonight, taking in folk traditions from around the world, jazz, the outer limits of metal and more, plus strange twistings of clubforms, impressionist composition of the early 20th century, field recordings and more…

    LISTEN AGAIN, unconventionally. Stream on demand from fbi.radio, podcast right here.

    Wendy Eisenberg – Take A Number
    Wendy Eisenberg – Curious Bird
    Margareth Kammerer – Gift
    Margareth Kammerer – Amor
    Espen Reinertsen – Til noens dype muskelvev
    Espen Reinertsen – Skal jeg følge deg til havet
    Marianna Sangita Angeletaki Røe & Trondheim Jazz Orchestra – Kori
    Mayssa Jallad – Taamir (Bahriyyeh)
    Radwan Ghazi Moumneh & Frédéric D. Oberland – Squeal Of Swine خنخنة خنازير
    Maryam Saleh – Nedaa نداء
    Taroug – Sirocco
    Wraz. – Twist
    Battery Operated – Stutter
    Battery Operated – Casting Shadows
    THUGWIDOW – IT DIDN’T NEED EXPLAINING
    THUGWIDOW – pristine heart
    CRZKNY – 009
    deafkids – CICATRIZES
    Lint – Balsam of Peru
    Roman Rofalski – Ondine (radio edit 1)
    OD – Arrival
    sandscape – half closed eyes
    Stine Janvin, Morten Joh – Leaving home – O Verden, Hav Da Gode Nat! (feat. Lucy Railton)
    Stine Janvin, Morten Joh – Before the burial site – Jeg Raader Eder Alle

    Listen again — ~208MB

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  • Playlist 29.03.26
    Mar 29 2026
    Quite a journey today, through genres, countries & continents, emotions and BPMs. This is how we do it in the house of Utility Fog. LISTEN AGAIN & travel with me. Stream on demand at fbi.radio, podcast here. Snakeskin – Lost Today [Tunefork Studios/Bandcamp] The Bunny Tylers – Let There Be Light [Tunefork Studios/Bandcamp] Akram Hajj – Day 2 [Tunefork Studios/Bandcamp] SANAM – Aykathani Malakon (SAFA remix) [Tunefork Studios/Bandcamp] While the US & Israel’s misdirected, pointless, intensely damaging war on Iran continues, Israel has taken the opportunity to advance into southern Lebanon – very much not for the first time, but driven by the far right’s power in government and the impunity of the IDF & settlers’ accelerating ethnic cleansing of the West Bank, this is now becoming a territorial takeover. “Greater Israel” was once just a gross fantasy of the worst elements of the Zionist right, but now they’re grabbing their chance to enact it in reality. Under the pretext of disarming Hezbollah, Israel is flattening areas of Lebanon including neighbourhoods in Beirut, and as a result there are more than 1 million displaced people in Lebanon. Over. One. Million. Beirut, as you may have noted from these playlists over the last few years, has an unreasonably rich experimental music scene, and Tunefork Studios has been a hub for musicians ranging from postpunk & shoegaze bands to noise, chaotic industrial rock and electronica. The studio was founded by the ever-present producer Fadi Tabbal, who’s also one half of Snakeskin with Julia Sabra and one half of The Bunny Tylers with Charbel Haber, and associated musicians manage (Sabra) & work there. In December 2024, Tunefork released a big compilation of amazing Lebanese music called Land 01 – A Compilation for the Displaced in Lebanon, materially supporting people with living spaces & more. The current situation has severely deepened this humanitarian crisis, and fortunately Tunefork had not one but TWO compilations of music by Lebanese musicians ready to go. Like 01, all tracks are exclusive to the compilations, totalling 58 new tracks. If you don’t already have the first, you can purchase all three at once for a discount, but however you choose, you’ll know that you’re helping raise money for Beit Aam, a community space in Beirut that’s providing housing and food for displaced people. The tracklists are extremely varied, from a touching piece by Snakeskin to the post-industrial lurch of The Bunny Tylers, the swirling noise of Akram Hajj and an unreleased remix of Beirut supergroup SANAM (now signed to Constellation) by London-based sound-artist and researcher Mhamad SAFA, and so much more. dälek – By the Time We Arrive in El Salvador [Ipecac Recordings/Bandcamp] Last year, Will Brooks, also known as MC Dälek of the eponymous noise-hop outfit dälek, collaborated with the legendary postpunk/art-rock drummer/composer/singer Charles Hayward, a project dubbed HAYWARDxDÄLEK. It was one of those things which seems completely out of leftfield, but works surprisingly well. It was also charmingly odd that it was released on renowned metal label Relapse Records, but Relapse has of late also supported Kevin Martin & JK Broadrick’s Techno Animal remasters and their newer project Zonal… And more to the point, dälek in their first incarnation (with producer Alap Momin aka The Oktopus) and their 2016 reformation (now with longtime fellow traveller Mike Mare aka Destructo Swarmbots) have always been metal-adjacent, their boom-baps and Brooks’ conscious, politically-informed raps generally supported with shoegaze-noise-drone that references the Bomb Squad’s innovations with Public Enemy but also the washed-out intensity of My Bloody Valentine. New album Brilliance of a Fallen Moon follows their other recent albums on Mike Patton’s Ipecac Recordings with claustrophobic environments, noise textures and social commentary. “By the Time We Arrive in El Salvador” flips Public Enemy’s masterpiece “By The Time I Get To Arizona“, itself a riff on Jimmy Webb’s “By The Time I Get Phoenix“, to reference the appalling deportation by the Trump regime of mostly Venezuelans – many American citizens – to the notorious high-security CECOT prison in El Salvador. Brooks’ lyrics poetically circle his subject matter, often buried in the mix, part of the cyberpunkish malaise. james K – N’Balmed (JASSS Purple Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Spanish producer JASSS, whose Eager Buyers album last year featured james K on one of its best tracks, takes “N’Balmed” into something equally ’90s-influenced but on a more head-noddin’ electro-pop tip. There’s a plethora of interesting artists involved here, and I look forward to further offerings. Antoine Ferris – shame’s coming ft. natacha kanga [...
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  • Playlist 22.03.26
    Mar 22 2026
    World is fukt. Music, not surprisingly, reflects that. But there’s joy and dancing and energy to be found here as well as anger and only a bit of sorrow. Dance a new world into being! LISTEN AGAIN and enjoy something whyoncha. Stream on demand from fbi.radio or podcast here. Oh and by the way, I DJed on Friday night (March 20th) at White Bay Power Station for Art After Dark / Sydney Bienalle, curated by Liquid Architecture. Mara Schwerdtfeger did a beautiful set, and we were graced by a performance from Tujiko Noriko as headliner. I recorded my first set, which opened the evening, a pretty wide-ranging mix that I’m sure you’ll like if you’re a follower of this show! raven · "Omphalo Centric Mixture", live @ White Bay Power Station for Liquid Architecture Youniss – TakeThat ft. Pink Siifu [VIERNULVIER/Bandcamp] Youniss – Gits Worse ft. Petite Noir [VIERNULVIER/Bandcamp] Sometimes it’s good to become acquainted with the underground & cutting edge in odd corners of the world. I was lucky to perform at the brilliant dunk!festival last year with my band Black Aleph, a festival in Europe’s best-kept secret, the lovely northern-Belgium city of Ghent. Specifically, the festival occurs in a few theatres and venues around an arts centre / platform / community called VIERNULVIER (404), which itself has a phenomenally-curated boutique record label. It’s from this connection that I discovered Antwerp-based multi-instrumentalist, producer, singer & taxi driver Youniss Ahamad. In a fair world, Youniss would be as big as other genre-crossing punk/indie/hip-hop acts, or at least would have the critical recognition he deserves. In this dizzying world of non-stop (bad) news and constant interconnectedness (unless you’re under Iran’s internet blackout or myriad other less-advantaged or more-oppressed populaces), it’s hard for anything to cut through, but I wish that Good Effort! would do so. It’s loosely themed around gentrification, which as it always does is pushing the multicultural residents of the area of Antwerp where Youniss lives out of their homes and community centres. But it’s full of great songwriting, switching between post-punk, jazz and hip-hop on a dime. Youniss plays most of the instruments as well as singing & rapping, but he does also invite some top tier guests, including Belgian clarinettist Dienne, Congolese/South African singer Petite Noir, and underground rappers like Quelle Chris and Pink Siifu. Do yourself a favour and stick this in your ears asap. Kim Gordon – No Hands [Matador/Bandcamp] OK, we all know by now that Kim Gordon is the coolest, releasing now a series of albums (PLAY ME is her third since 2019) in collaboration with Justin Raisen, a producer comfortable in the pop world as well as the more leftfield. Gordon’s delivery has always been more drawled than sung, and her fragile voice somehow suits these simple, bass heavy grooves to a tee. I don’t have much more to say: her social commentary is compact because she knows the words to say. Her style is both now and then, because she’s always been the Kool Thing after all. BAYANG (tha Bushranger) & Kuya Neil – Copy + Paste [CONTENT.NET.AU/Bandcamp] BAYANG (tha Bushranger) & Kuya Neil – Luzon Bleeding Heart (ft. Sevy) [CONTENT.NET.AU/Bandcamp] You know this will be the shit, with Eora’s BAYANG mixing together his love of punk/metal with underground hip-hop, and Naarm’s Kuya Neil as usual throwing plenty of experimental club sounds from all over – bits of jungle, uk bass, baile funk, anything. Another CONTENT.NET.AU affiliate, Sevy, lends a verse to “Luzon Beating Heart”. Grasps_ – Dream On [Grasps_ Bandcamp/Nina Protocol] Christian Grasps_ might be known for his ambient & beat-based electronic productions, including credits with the likes of BAYANG (tha Bushranger), but you might also find him playing piano & singing, or on this new single, playing guitar and singing. There’s a nice bit of a surge in the middle that hints at mayhem that never quite arrives, but that’s by design. A touching little piece. Travis Cook – unfinished symphony [Travis Cook Bandcamp] It’s Travis Cook, on Kaurna land, still bringing a track per week to Bandcamp. Most of them are fragments, as unfinished as this one, but also fun, good production. Laces – Doormen [NLV Records/Bandcamp] Naarm musician Laces is touring UK & Europe with Ninjarachi, and has released his Oekno I EP to accompany them, released by Nina Las Vega’s NLV Records (also home to Ninjarachi). Laces shares with Ninjarachi meticulous electronic production, but this is far more abstract. It was presented to me as “ambient”, but that’s only half the story – there’s beautiful sound design, but also glitchy beats and glitched vox. world’s end girlfriend & samayuzame – Sweet Suicide (Syndrome) [Virgin Babylon Records] So, vocals aren’t usually a prominent part of the music of World’s End Girlfriend, the Japanese master ...
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  • Playlist 15.03.26
    Mar 15 2026
    Electro-acoustic sound-manipulation rubs shoulders with extended techniques on acoustic instruments, while influences from ’80s industrial, ’70s krautrock, ’00s folktronica and ’90s dub techno can be found alongside indie rock, breakbeat, and good ol’ classic freeform noise. It’s Sunday. It’s Utility Fog. LISTEN AGAIN to good ol’ classic freeform ‘fog. Stream on demand at fbi.radio, podcast here. Bibi Club – A Different Light [Secret City Records/Bandcamp] Bibi Club – Le Styx [Secret City Records/Bandcamp] The Montréal duo of Adèle Trottier-Rivard and Nicolas Basque are Bibi Club, a name which presumably makes more sense to French speakers, but their songs are split fairly evenly between French & English. Their quirky indie pop, part jangly guitars and part electronic, owes something to the British-French band Stereolab (who they covered last year), as well as Francophone indie music that often gets tagged with “chanson”, the French word for “song”. From their lovely third album Amaro, I started tonight with a driving piece of postpunk that clearly shows their debt to Blonde Redhead, which segues into an instrumental that loops part of the krautrocky groove and introduces hovering drones and sampled operatic voices. This might just be the emotional avant-garde indie rock you’ve been looking for. The Notwist – The Turning [Morr Music/Bandcamp] In 2001, German band The Notwist, having begun as hardcore punks and transitioned through emo to some kind of indie rock, released their breakthrough album Neon Golden – a significant date only in that a couple of years later was when I started Utility Fog on the newly-official FBi Radio. Arguably with their 1998 album Shrink, The Notwist were well on the way to their hybrid genre that we perhaps briefly called “indietronica”, with influences from IDM, drum’n’bass and techno as well as krautrock combined with indie rock. Meanwhile, Thomas Morr founded his Morr Music label in 1999, which quickly became a home to a similar clade of indie/IDM, shoegaze-tronic bands – many of which involved members of The Notwist, particularly brothers Micha and Markus Acher. It wasn’t actually until 2020 that The Notwist themselves signed to Morr Music, but it’s always seemed their spiritual home. The band’s new album News from Planet Zombie is perhaps their most “rock” album for some time, intentionally splitting from their studio-mediated workflows by bringing the whole band together to write & perform these songs in person. 10 years ago Superheroes, Ghostvillains + Stuff documented The Notwist’s live setup at the time, with modular synths & other electronics prominent alongside the (kraut)rock instruments; here the electronics are less prominent but clearly an integral part of whatever The Notwist does; but it’s the undeniable, distinctive songwriting that can’t help but shine through. Daniel Jumpertz – I Would Never Do That To You [Feral Media/Bandcamp] In the early days of Utility Fog/FBi, Danny Jumpertz was a strong supporter of Utility Fog, and the indietronica, folktronica and postrock sides of the playlists were reflected in the sorts of music he released on his Feral Media label. For a while now the in-the-family indie rock band Clairaudience has been his main musical outlet, but he’s now begun releasing a cache of solo songs, I believe once a month, starting with the stirring “Everything Is Lost” and now followed by the pretty krautrocky “I Would Never Do That To You“. From Jumpertz’ time in NYC, producer Abe Seiferth contributes “wig-out Moog mayhem”, which you’ll recognize as soon as you listen to the song! Looking forward to more in coming months. Praed – Assarab السراب [Ruptured Records/Bandcamp/Annihaya Records/Bandcamp] Now 20 years old, Praed is the combination of two Lebanese musicians, clarinettist/composer/more Paed Conca (part-Switzerland-based) and bassist/sound-artist/more Raed Yassin (part Berlin-based). The music – sometimes billed as “PRAED Orchestra” with friends from the MENA/SWANA region and Europe – draws from Egyptian street music (Shaabi, now mutating into Mahraganat) and the traditional Sufi spiritual/trance music Mulid, both in their ways based around hypnotic, repetitive beats. It’s always psychedelic, swirling, extremely rhythmic, a free jazz of Lebanese & Egyptian music. While new album Al Wahem الوهم is back in duo formation, they are still joined by many talented Beirut musicians (the album was recorded at Tunefork Studios in Beirut). As always this music is full of joy and yearning, and neverending forward motion. Simo Cell & Abdullah Miniawy – Living Emojis [Dekmantel/Bandcamp] Simo Cell & Abdullah Miniawy – Easing The Hearts [Dekmantel/Bandcamp] In 2020, French beatmaker Simo Cell and Egyptian singer, poet, trumpeter, composer & more Abdullah Miniawy teamed up for a frankly game-changing mini-album, Kill Me Or Negotiate. Simo’s ...
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  • Playlist 08.03.26
    Mar 8 2026

    Experimental songs, experimental strings in almost-psych rock, acoustic & electronic settings, contemporary composition, avant-jazz, experimental electronics heading into footwork and jungle hybrids, weird bass music, experimental techno and noise… and hey, probably more!

    LISTEN AGAIN & fuck war. Stream on demand @ fbi.radio, podcast here.

    Tanya Tagaq – Razorblades
    Tanya Tagaq – Ikualajut
    Fabels – Akron
    TOUT BLEU – Technosapiens
    tangent mek – immutable traveler
    Bushra El-Turk, Dudok Quartet – Three Tributes: Portrait II
    Nima Aghiani – Live excerpt from eavesdrop festival, 2024
    Taupe – Interlude (Stride)
    Taupe – allcapsallbold
    tigran hamasyan – Prelude for all seekers
    Flying Lotus – Brobobasher
    Flying Lotus – Big Mama
    Annebel – Yavegard
    Rivs & Matt Scratch feat. Mandidextrous – Friday Night
    Jensen Interceptor – Four4 Diva Loop
    Duffy x Tecta – False Teachings
    Rainforest – Boycott
    Only Now x Jaijiu – Rebel Cry
    OD Bongo – monsieur fils
    Nats – BLKDRM
    Yellow Swans – The Lab
    Simiskina (Adrian Myhr & Jonas Cambien) – Pitfall
    Oker – Equinoctial Tide (Radio Edit)
    Asteroid Ekosystem – Open To
    Claire Edwardes & Gemma Peacocke – I Promise Not to Poison You xoxo II. Hemlock
    Jasmine Guffond – Approaching Chaos

    Listen again — ~220MB

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  • Playlist 01.03.26
    Mar 1 2026

    An experimental focus tonight, with a lot of contemporary jazz that slides into electronic experimentalism, contemporary classical and almost-pop songwriting. There are a few beats of the very leftfield sort, and some abstractly beautiful sound-art. I’m premiering two tracks from saxophonist & sound-artist Caroline Davis from her incredible album Fallows, which is out on Ropeadope on March 27th.

    LISTEN AGAIN & you might blow your mind. Stream on demand @ fbi.radio, podcast here.

    Kee Avil – un
    Marianna Sangita Angeletaki Røe & Trondheim Jazz Orchestra – Trouble
    Karoline Wallace – Klokkestein
    David/David – sedem
    Taroug – Najet
    Azimuth Compass – Anti-social Climbers
    vic bang – Curva
    POD & Edward Richards – Temporal Loop Transcendance
    GLOK/Timothy Clerkin – Nothing Ever Reprise (Xylitol Remix)
    Nondi_ – Rejection Lily
    Nondi_ – Leaded Pipe
    Nondi_ – Leather Guitar
    Ben Vince – Sentient Kinetics
    Caroline Davis – Flower Sway
    Caroline Davis – Mars
    Loom & Thread – Spheres
    Caterina Barbieri & Bendik Giske – Intuition, Nimbus
    Machinefabriek – Stemcassette
    Machinefabriek – Cirkel 2
    Amuleto – Fumo Ogni Cosa, Vento Che Ha Fame
    Toninato & Thiessen – Hot blood flow
    Helena – Hera
    Elisabeth Klinck & Nils Vermeulen – Cocoon

    Listen again — ~204MB

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