This is a very special meeting of Tony Slattery’s Rambling Club. It’s Christmas Day, and we find ourselves once again in the company of our much-loved and much-missed President, Tony Slattery. His absence is felt, of course — how could it not be? — but so is his presence: in the laughter, the mischief, the curious turns of thought, and the unmistakable warmth that shaped this club from the very beginning. Today’s ramble is offered with affection, gratitude, and a quiet smile, just as Tony would have wanted.

And so, gloves on, collars up, we set off as normal, guided by Tony’s enchanted bingo machine and the familiar rhythms of the club. The shed door swings open, Sir Stephen Fry’s omniscient voice settles in above us, and the ramble begins.

Our first destination is 702: Fine and Decorative Art. Almost immediately we’re into the strange and wonderful world of surreal bingo, followed by recollections of Tony breaking a priceless ornament on television — an act that somehow manages to be both horrifying and completely inevitable. From there, the conversation drifts into the long and symbiotic relationship between art and religion, before taking a diarist’s turn toward Samuel Pepys, proving once again that no subject is ever truly finished, only temporarily paused.

Next, the bingo machine whirs and delivers us to 621: Applied Physics — a category that sounds orderly enough until it isn’t. Before we quite realise what’s happened, we find ourselves stumbling into the Whose Line Is It Anyway? studio, encountering a dentist with an infamous skull structure, and grappling with the very real dangers of misremembering the words to the Lord’s Prayer. Physics, it turns out, is less about equations and more about consequences.

And then, as always, we drift back toward the shed — a little wiser, a little warmer, and grateful for the company. On Christmas Day especially, this feels like exactly where we’re meant to be.

Presented by Tony Slattery, Paul Carmichael & Allan Lear

Music composed and performed by Michael Livesley & Andy Frizell

The voice of Pwfthhh- Michael Livesley

www.michaellivesley.com

Series Researcher- Soula Carmichael

Series Producers- Erica Lear and Mark Hutchinson

Producers- Alan Dyebing & Stuart Morris

Series Executive Producer- Mark Strickson

Join the rambling club and receive your club membership card, badges, exclusive content and access to early release episodes, an exclusive extra podcast you won't hear anywhere else and exclusive club-only perks!

www.patreon.com/SlatteryLive

Official Website- www.tonyslattery.com

Twitter/X: @SlatteryLive

Instagram: tony_slattery_official

BlueSky: @ramblingclub

Paul's Twitter: @PaulCarmichaelV

Paul's Bluesky: @paulcarmichaeluk

© Fanfaronade Productions 2025

Hosted on Acast. See acast.com/privacy for more information.

This Christmas, we are honoured to share a very special recording: Tony Slattery’s reading of The Tell-Tale Heart.

Recorded in December 2024, this was the final performance Tony ever gave. It stands as a profound testament to his extraordinary gifts as an actor — his musicality with language, his emotional precision, and his instinctive understanding of character and rhythm. In this recording, Tony brings a rare intimacy and control to the piece, guiding the listener deep into its fractured psyche with clarity, menace, and compassion.

The Tell-Tale Heart, written by Edgar Allan Poe and first published in 1843, is one of the most enduring works of Gothic literature. A study of guilt, obsession, and the unreliability of the human mind, it unfolds as a confession from a narrator who insists on their sanity while revealing the very madness they seek to deny. Its power lies not in spectacle, but in voice — making it uniquely suited to a performer of Tony’s calibre.

To hear Tony inhabit this story is to be reminded of his command of language and his fearless emotional intelligence. This is not simply a reading, but a performance of rare stillness and intensity — one that lingers long after the final line.

We present this recording with love, gratitude, and deep respect, in memory of our friend Tony, and in celebration of a remarkable artist at the height of his craft.

Hosted on Acast. See acast.com/privacy for more information.

Would you believe it? Our Presidential shed door barely has time to creak before it bursts open, and in strides Stewart Pearson, uninvited, overconfident, and radiating an alarming quantity of managerial nonsense. There is bafflement. There is bullshit. There are hand gestures. And then — mercifully — the penny drops. It’s not Stewart Pearson at all, but Stewart Franklin in human form: the brilliant character actor Vincent Franklin, star of The Thick Of It and currently lighting up screens in The War Between The Land and The Sea.

Once order is restored (and the shed has been reassured it is not about to be “restructured”), we pull on our coats and set off on another ramble. President Franklin guides us through three destinations selected, as tradition demands, by Tony’s enchanted bingo machine — a device that appears to enjoy irony almost as much as Sir Stephen Fry enjoys observing us from his omniscient perch above proceedings.

Our first destination is 424: English and Old English. Accents emerge immediately, as they always must. From Dickensian voices to the rhythms of everyday speech, we wander into why we write at all, how language shapes character, and what it means to build a life as a character actor — inhabiting voices that feel ancient, borrowed, or stubbornly your own. Somewhere along the way, Old English peers in, looks unimpressed, and leaves again.

Next, we head into the unexpectedly rich territory of 060: General Organisation of Museology. This opens the door to captivating ancient places, the strange afterlives of buildings, and the lasting echoes of the dissolution of the monasteries. Chickens are blessed. Pigs are drowned. History proves itself to be a practical, messy business. From there, the conversation takes a sharp turn into how The Thick Of It was actually made — the precision beneath the chaos, and the craft required to make confusion feel terrifyingly real.

Our third and final stop is 777: Photography and Photographs. President Franklin reveals that he doesn’t let the grass grow under his feet, having recently completed a City & Guilds qualification in Photography. Images, framing, and the act of really looking lead us naturally into the rehearsal room, and finally to the quiet, enduring importance of language — particularly the words of Alan Bennett, and why they demand attention, patience, and absolute respect.

And then it’s back to the Presidential shed, where the jargon has been cleared away, the history filed (badly), and Stewart Pearson has finally been escorted from the premises — at least until next time.

Tony Slattery’s Rambling Club is a free-associating conversation, involving very special guests. It drops every Friday on every podcasting outlet known to man. We’d love it if you came along for the walk. If nothing else, it’ll help you get your steps in!

Presented by Paul Carmichael & Allan Lear

Music composed and performed by Michael Livesley & Andy Frizell

The voice of Pwfthhh- Michael Livesley

www.michaellivesley.com

Series Researcher- Soula Carmichael

Series Producers- Erica Lear and Mark Hutchinson

Producers- Alan Dyebing & Stuart Morris

Series Executive Producer- Mark Strickson

Join the rambling club and receive your club membership card, badges, exclusive content and access to early release episodes, an exclusive extra podcast you won't hear anywhere else and exclusive club-only perks!

www.patreon.com/SlatteryLive

Official Website- www.tonyslattery.com

Twitter/X: @SlatteryLive

Instagram: tony_slattery_official

BlueSky: @ramblingclub

Paul's Twitter: @PaulCarmichaelV

Paul's Bluesky: @paulcarmichaeluk

Vincent's Instagram: @vincentfranklin

Vincent's Twitter: @vincentfranklin

© Fanfaronade Productions 2025

Hosted on Acast. See acast.com/privacy for more information.