Everywhere but their heads. Our fourth episode follows the travels of a cap that won't stay put.

The expert guest for “CAP” was Paul Ramirez Jonas.

Paul Ramírez Jonas is an artist in the public realm and Professor and Art Department Chair, at the College of Architecture, Art, and Planning at Cornell University. Paul Ramírez Jonas was born in Pomona, California in 1965 and raised in Honduras. Educated at Brown University (BA, 1987) and Rhode Island School of Design (MFA, 1989), Ramírez Jonas currently lives and works in Ithaca NY.

Over the last thirty years Ramírez Jonas has created works that range from large-scale public installations and monumental sculptures to intimate drawings, performances and videos. Through his practice he seeks to challenge the definitions of art and the public and to engineer active audience participation and exchange. His 2010 Creative Time project, Key to the City, for example, involved 20,000 participants and centered around a key as a vehicle for exploring social contracts pertaining to trust, access, and belonging. His most recent project, a large-scale participatory monument, was installed in the National Mall in Washington DC in the summer of 2023. Public Trust (2016) continues to show every year.

For more on Ramirez Jonas and his work

“Key to the City” project

“Let Freedom Ring” monument

For more on the cap:

Cap, French, c. 1790, The Metropolitan Museum of Art

Related objects of interest:

Sons of Liberty bowl, Paul Revere, Jr., 1768, The Museum of Fine Arts, Boston

William Hogarth, Portrait of John Wilkes (print), 1768, The British Museum

Thomas Crawford, Statue of Freedom, Dome of the US Capitol, 1863

Further reading:

Did you guess which six states have liberty caps on their seals?

Mystery solved: the six states are Arkansas, Iowa, New Jersey, New York, North Carolina, and West Virginia. Bonus points: the Liberty Cap is also on the state flags of Idaho, New Jersey, New York, and West Virginia.

For more about this episode, guests, further readings and previews of upcoming episodes - please visit us at https://www.thing4thingspodcast.com/cap-episode

Performance of Jopseph Haydn's Hob III:36 performed and recorded by Gregor Quendel. https://ko-fi.com/gregorquendel

A fringed shirt is not all it seems in our third episode.

The expert guest for “SHIRT” was Amanda Vickery.

Amanda Vickery is a Professor in Early Modern History at Queen Mary University of London. Her expansive research interests include: the history of British society and culture, gender and family, words and objects, love and power, consumerism and fashion, art and architecture, The Georgians, and post-war British society and culture. Vickery is a dynamic speaker and public figure, whose media work includes two major BBC television series based on her research, The Story of Women and Art (2014) and Suffragettes Forever: The Story of Women and Power (2015). Vickery’s upbringing in a British cotton town fostered her love of social and economic history, and fascination with the warp and woof of work and family, power and emotion, and a life-long love of clothes.

Her award-winning publications include:

• Behind Closed Doors: At Home in Georgian England (Yale University Press, 2009)
• The Gentleman's Daughter: Women's Lives in Georgian England (link is external) (Yale University Press, 1998).
• Ed, Gender, Taste and Material Culture in Britain and North America, 1700-1830 (Studies in British Art, Yale University Press, 2006).

For more on the shirt at the heart of this episode:

Hunting Shirt, c. 1780, United States of America, Museum of the American Revolution.

Related objects of interest:

• Verger, Jean Baptiste Antoine de (1762-1851), Soldiers in Uniforn, watercolor, made in Virginia,1781-84, Anne S.K. Brown Military Collection, Brown University.
• Reproduced hunting shirts

Further reading:

Anderson, Fred. Crucible of War: The Seven Years’ War and the Fate of Empire in British North America, 1754-1766 (New York: Alfred A. Knopf, 2000).

Anishanslin, Zara. “ ‘This is the Skin of a Whit[e] Man:’ Material Memories of Violence in Sullivan’s Campaign,” in Patrick Spero and Michael Zuckerman, editors, The American Revolution Reborn (University of Pennsylvania Press, 2016).

Baumgarten, Linda. “Hunting Shirts and Leather Leggings,” in American Material Culture: the shape of the field ed. by Ann Smart Martin and J. Ritchie Garrison (Knoxville: University of Tennessee Press, 1997).

Brown, Kathleen M. Foul Bodies: Cleanliness in Early America (Yale University Press, 2009).

Calloway, Collin G. The Indian World of George Washington: The First President, the First Americans, and the Birth of the Nation (Oxford University Press, 2018).

For more about this episode, guests, further readings and previews of upcoming episodes - please visit us at https://www.thing4thingspodcast.com/key-episode

Performance of Jopseph Haydn's Hob III:36 performed and recorded by Gregor Quendel. https://ko-fi.com/gregorquendel

The strange tale of a tail leads us into the history and art behind the revolutionary toppling of a king.

The expert guest for “MONUMENT” was Wendy Bellion.

Bellion is Associate Dean for the Humanities and the Sewell C. Biggs Chair in American Art History at the University of Delaware. Bellion's scholarship takes an interdisciplinary approach to American visual and material culture, focusing on the late colonial and early national United States and exploring American art within the cultural geographies of the British Atlantic world and early modern Americas. Her books include: Iconoclasm in New York: Revolution to Reenactment (2019) and Citizen Spectator: Art, Illusion, and Visual Perception in Early National America (2011), which won the Smithsonian American Art Museum’s Charles C. Eldredge Prize for Outstanding Scholarship. Bellion is also co-editor (with Prof. Mónica Domínguez Torres) of Objects in Motion: Art and Material Culture across Colonial North America (2011), a special issue of the journal Winterthur Portfolio.

For more on the tail:

Tail fragment of the Equestrian Statue of King George III, New-York Historical Society

Related objects of interest:

Additional Fragment of the equestrian statue of King George III

Yet another Fragment of the equestrian statue of King George III

Fragment of the equestrian statue of King George III taken by Alwina Wlodeck during a visit to the New-York Historical Society in the 1890s.

Johannes Adam Simon Oertel, Pulling Down the Statue of King George III, New York City (1852–1853), oil on canvas.

For more about this episode, guests, further readings, objects and previews of upcoming episodes - please visit us at https://www.thing4thingspodcast.com/monument-episode

Performance of Jopseph Haydn's Hob III:36 performed and recorded by Gregor Quendel. https://ko-fi.com/gregorquendel