Dive into the wild, improbable story of “Na Na Hey Hey Kiss Him Goodbye” by Steam, a 1969 B-side that stumbled into #1 glory. Join us as we unravel how a throwaway studio jam, recorded in one night by a fake band, became a million-selling chart-topper and a timeless sports anthem. From the spontaneous “na na” chant to the drama of a sidelined singer and a label’s marketing ploy, we explore the serendipity, betrayal, and cultural magic that turned this fluke into a phenomenon. Each episode digs into the song’s creation, its 1960s context, and why fans still chant it in stadiums today. Tune in for a tale of music, chance, and the power of a catchy hook!

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Marcus Hummon is a Grammy-winning singer-songwriter, multi-instrumentalist, composer, playwright, and author whose illustrious career has left an indelible mark on country music and beyond. Born on December 28, 1960, as the son of a career diplomat, Hummon's early years were a global odyssey, taking him from Italy and Africa to the Philippines—experiences that infused his work with a worldly perspective and emotional depth. After studying at Belmont University and briefly pursuing a recording deal in Los Angeles, he found his true calling in Nashville in 1986. There, he honed his craft at legendary spots like the Bluebird Café, securing a songwriting contract that launched a string of timeless hits.

Hummon's pen has crafted some of country's most enduring anthems, including three No. 1 smashes: "Cowboy Take Me Away" and "Ready to Run" (The Chicks), "Born to Fly" (Sara Evans), and "Bless the Broken Road" (Rascal Flatts, Nitty Gritty Dirt Band). Other chart-toppers and fan favorites from his catalog include "Only Love" (Wynonna Judd), "The Cheap Seats" (Alabama), "One of These Days" (Tim McGraw), and "Love Is the Right Place" (Bryan White). His songwriting prowess earned him a 2019 induction into the Nashville Songwriters Hall of Fame, a Grammy for Best Country Song, & two NSAI Songwriter of the Year nominations.

As a recording artist, Hummon debuted with the critically acclaimed All in Good Time on Columbia Records in 1995, followed by the faith-infused Looking for the Light in 1998 on his own Velvet Armadillo label. He also ventured into alternative country as part of The Raphaels alongside Big Country's Stuart Adamson, releasing Supernatural in 1998. His theatrical ambitions shine through in six musicals and an opera, including the folk-opera No Man’s Land (premiered at Belmont University in 2024), Surrender Road (staged by Nashville Opera), Warrior (about Jim Thorpe, earning a Native American Association of Tennessee award), Atlanta (a three-month run at LA's Geffen Playhouse), and The Piper (workshopped at NYC's Irish Rep). In literature, his children's book Anytime, Anywhere was published by Simon & Schuster in 2009.

In 2025, Hummon continues to push artistic boundaries with his acclaimed Songs for Emily project, a poetic fusion of Emily Dickinson's visionary verse and contemporary roots music. Kicking off with the 2024 EP on 3686 Records (founded by his son, artist Levi Hummon), featuring collaborations like Mary Chapin Carpenter on "I Dwell in Possibility," the series includes singles such as "I Never Saw A Moor," "Letter to the World" (with Darrell Scott), and "I Taste a Liquor Never Brewed" (with Sara Evans). Culminating in the full-length album Songs for Emily: The Album—released earlier this year—the project reimagines Dickinson's hymns to nature, spirituality, and imagination through Hummon's signature blend of country, folk, and balladry. "Emily's words were always meant to be sung," Hummon reflects, celebrating her as a quiet revolutionary whose 1,800 hidden poems continue to inspire.

A devoted family man living in Nashville with his wife, Becca Stevens, and their three sons (Levi, Caney, and Moses), Hummon's latest contributions— including songs on Jennifer Warnes's 2025 album Another Time, Another Place ("Once I Was Loved" co-written with John Legend, and "Freedom" from his Frederick Douglass musical)—affirm his role as a bridge between tradition and innovation. Whether penning chart-toppers, scoring films like the upcoming The Last Songwriter (featuring Garth Brooks

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In the electric haze of New York City, where dreams clash like subway cars at rush hour, Nikita Lev emerged—a force of indie-rock grace wrapped in folk's raw whisper. Born and raised amid the skyscrapers, she was weaned on chamber strings and '90s band riffs, picking up flute and piano as a kid before trading them for a guitar at ten, scribbling her first songs under bedroom posters of icons who dared to bare their souls.

Now, at 21, this multi-instrumentalist channels haunting authenticity into anthems of fleeting youth and adult shadows. Her 2023 debut "Elegance" pierced the veil, a Lana Del Rey-tinged lament for lost carelessness, followed by the brooding "We All Die Anyway"—a wry nod to life's chaos that's soundtracking hearts from Brooklyn lofts to Berlin nights. With her EP Clearly Misunderstood dropping soon and a European tour igniting this fall, Nikita's voice—rich, restless, unapologetic—reminds us: in a world that rushes to forget, she makes us feel it all, one lingering chord at a time.
Exclusive Interview with Nikita Lev.

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