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The Observing I Podcast

The Observing I Podcast

Von: David Johnson
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Award winning podcast about philosophy, psychology, and the human experience. New episode every Tuesday.

theobservingi.comDavid Johnson
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  • Nikolai Federov: The Librarian who declared war on Death
    Feb 24 2026

    What if your acceptance of death isn't wisdom? What if it's surrender with better branding? What if the most dangerous idea humanity ever had wasn't pride or violence or the will to power, but the quiet, civilized, deeply respectable decision that death deserves our peace rather than our resistance? Nikolai Fedorov, illegitimate son of a Russian prince, ascetic librarian, and the most demanding philosopher you've never heard of, spent his entire life arguing exactly that. He called our acceptance of death the original moral failure. He called the project of reversing it the Common Task. And he meant every word of both.

    This episode traces Fedorov's life from his birth as an unnamed, illegitimate child to his death in a Moscow hospital having refused a coat, and everything in between: the library that became his cathedral, the philosophy that shook Tolstoy and shaped the Soviet space program, the theology that turned the resurrection of Christ into an engineering assignment rather than a gift, and the transhumanist movement he predicted a century early and would have found morally catastrophic.

    If something in this episode makes your peace with death harder to keep, that's not a side effect. That's the whole point.

    Much love, David x



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    48 Min.
  • Jan Patočka and the Philosophy of Living in Truth
    Feb 17 2026

    Jan Patočka was a Czech philosopher who spent thirty years banned from teaching, running illegal philosophy seminars in private apartments, passing hand-typed manuscripts through networks of people who understood that ideas could get you arrested. In 1977, at sixty-nine years old, he co-signed Charter 77. A document simply asking the Czechoslovak government to honor the human rights commitments it had already made on paper. The secret police interrogated him for eleven hours. He suffered a brain hemorrhage and died ten days later.

    In today's episode, we go deep into Patočka's three movements of existence, his concept of living in truth, his influence on Václav Havel and the Velvet Revolution, and his most quietly explosive idea - the solidarity of the shaken. The bond that forms not between people who agree, but between people who have all had their certainties destroyed and refused to rebuild the comfortable lie over the rubble.

    The shaking is not the enemy. That is what he knew. This episode is about what that costs, what it makes possible, and what it is asking you right now.

    Much love, David x



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    53 Min.
  • Mikhail Bakhtin and the Unfinished Self
    Feb 10 2026
    You are not one person. You never were.This is not a metaphor about complexity or depth. This is not inspirational content about containing multitudes. This is a structural diagnosis of how consciousness actually works, and the moment you understand it, the monologue you call your identity starts to crack.Mikhail Bakhtin understood something so fundamentally destabilizing about human consciousness that Stalin’s regime tried to bury it. He understood that the self is not a singular, coherent narrative. The self is a dialogue. A conversation with no final word. A collision of voices that never resolves into one clean answer. And every day you spend performing coherence, curating a finished identity, optimizing yourself into a brand, you are committing a small act of violence against the most alive thing about you.We live in a culture obsessed with the finished self. The optimized self. The self that has figured it out, that posts the proof, that performs completion like a product launch. LinkedIn is a graveyard of finished selves. Instagram is a museum of people who have already arrived. And every single one of those selves is a lie. Not because people are dishonest. Because the self was never meant to be finished.The Dialogue That Makes You RealBakhtin called it polyphony. Multiple voices. Not the inspiring kind where everyone gets heard and we all feel validated. The uncomfortable kind where voices contradict, compete, refuse to resolve. You think you have one voice, one coherent position, one true self. But you contain multitudes. You are the person who wants to be good and the person tired of being good. The person who loves your life and the person who wants to burn it down and start over. These are not phases. These are not glitches. These are voices. And the more you silence them, the louder they scream from the basement.You did not build your self alone. Every opinion you hold, every value you defend, every fear that keeps you awake at night was given to you by someone else first. Your mother’s voice. Your teacher’s expectation. Your friend’s judgment. The stranger who looked at you a certain way when you were seventeen and something inside you shifted forever. You are not a monologue. You are the echo chamber of a thousand voices that spoke to you before you even knew you were listening.This is what Bakhtin called addressivity. Every thought you have is addressed to someone. Even when you are alone. Especially when you are alone. You are always speaking to an imagined listener. You are always performing for an invisible audience. And that audience shapes what you say before you say it. Your internal monologue is not a monologue at all. It is a dialogue where you play both parts and pretend you are in control.The Authoritative Word vs. The Internally Persuasive WordThere are two kinds of voices living inside you. The authoritative word arrives with credentials, with institutional backing, with the collected wisdom of everyone who came before you and decided how things should be. It does not negotiate. It announces itself and waits for you to comply. Your parents spoke it. Your religion spoke it. Your culture spoke it. And you absorbed it so completely that by the time you were old enough to question it, you could not tell where the voice ended and you began.The internally persuasive word is different. It emerges from dialogue. From the messy, uncertain process of testing ideas against experience. It is the thought that keeps coming back even when you try to ignore it. The question that will not let you sleep. The feeling that something is wrong even though you cannot articulate what or why. The internally persuasive word does not give you answers. It gives you better questions.You change through dialogue. Through conversation where neither person walks away the same. Where words move between you and transform in transit and come back different than they left. But most people never make it past the authoritative word. Because the internally persuasive word is uncomfortable. It says maybe everything you were told was wrong. Maybe the life you built is not the life you want. Maybe the person you have been performing is not the person you are.The Threshold: Where You Actually ExistBakhtin had a word for the place where you are actually alive. He called it the threshold. Not the self you perform or the identity you curate. The threshold is the space between. The edge of one thing becoming another. The moment before the decision. The second after the mask cracks. The threshold is where you stand when you do not know who you are anymore and you have not yet figured out who you are going to become.Dostoevsky’s characters live on thresholds. In doorways. In stairwells. In prison cells and streets at midnight. They exist in spaces where the normal rules of social performance collapse and something raw breaks through. Raskolnikov does not confess in a church. He confesses in a crowded square ...
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    44 Min.
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