It took three years for Anurag Kashyap’s Kennedy to secure a release after its Cannes premiere, and that, too, on the D-list tier streaming service ZEE5.

We discuss the film’s baffling narrative, vague rumination about corruption and power, and long stretches of inaction that don’t feel authentic to Kashyap.

We also spend way too much time discussing the ill-fitting costumes of Rahul Bhat and the underused Sunny Leone, and end with unverified rumours about the movie’s long-delayed release. Hint: It had something to do with a certain ‘Bade Papa’.

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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.

The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.

Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Sabar Bonda, the Marathi film that won a prestigious honour at Sundance last year, is either a poetic exploration of the road not taken or a pretentious try-hard desperate to feel important.

We discuss the film’s unconventional dramatic choices, the effects of its stillness, and the lacklustre quality of the central performances. We also debate its performative nature and wonder how it turned out to be so divisive.

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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.

The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.

Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Sthal, the Marathi-language feature from debutante director Jayant Digambar Somalkar, is one of the best films of 2025.

It’s a deftly written, confidently shot, and expertly performed psychological drama about the commodification of women.

We discuss the anger at the film’s core, its bleak view of Indian society, and the catharsis it provides with an instant-classic climax.

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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.

The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.

Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Tere Ishk Mein, the new film from director Aanand L. Rai and his longtime writer Himanshu Sharma, might be more offensive than anything Sandeep Reddy Vanga has ever made.

A misogynist, hate-mongering pile of slop, the movie exists to validate its incel male audience’s opinions about all womankind.

It would be foolish to question why Dhanush and Kriti Sanon agreed to make this film, but for A.R. Rahman and Mohammed Zeeshan Ayyub to participate in something like this says a lot about their politics.

We talk about the film’s unhinged story, the poor acting by the two leads, and its overall disdain for the audience.

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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.

The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.

Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Kalamkaval—the new investigative thriller in which Mammootty plays a serial killer—is a dull, dour, and deeply frustrating film.

We talk about director Jithin K. Jose’s indisciplined screenplay, which repeats the same information over and over again as if it knows audiences are going to tune out. We also discuss its lack of interest in the killer’s victims, whom it treats as mere plot devices.

We find that the performances of the two leads are entirely mismatched, and the movie is more interested in pulling the rug from under the audience’s feet than examining why people do what they do.

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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.

The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.

Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Haq, the new propaganda movie starring Yami Gautam Dhar and Emraan Hashmi, is even more insidious than Dhurandhar.

We talk about the film’s harmful stereotypes, the irresponsibility of presenting an entire community as savages, and drawing a direct line between bad behaviour and faith.

We also discuss the film’s sloppy storytelling, childish approach to complex ideas, and its constant need to spoon-feed its audience.

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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.

The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.

Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Is Raat Akeli Hai: The Bansal Murders more than just a way for director Honey Trehan to pay the rent, or is it actually worthwhile?

We talk about the film’s differences from and similarities to the first one, and the sociopolitical commentary that Trehan and writer Smita Singh are able to sneak into it.

We also discuss how the movie didn’t face any trouble despite naming and shaming the Uttar Pradesh administration.

Along the way, we touch upon Radhika Apte’s pointless presence, and wonder if the movie would’ve benefited from some more character development for the suspects.

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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.

The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.

Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Avatar: Fire and Ash is the weakest instalment of James Cameron’s trilogy.

We discuss the many ways in which the movie betrays the franchise’s core values, the illogical directions that Cameron sends Jake Sully in, and the loose ends that the film ends with.

We also talk about the lack of humour and self-awareness, the poor dialogue, and the incomprehensible third act action sequences.

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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.

The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.

Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.