Joe Lynch, director of Wrong Turn 2, Mayhem, and Suitable Flesh, joins us in the Crypt for a candid conversation about directing, nerves that never go away, and navigating a long career in Hollywood.

Joe discusses Wrong Turn 2, filmmaking struggles, leadership on set, yelling, chaos, and the behind-the-scenes drama on Suitable Flesh. We talk the good and bad of meeting heroes, talking shop with Guillermo Del Toro, and shaking hands with John Carpenter. He also breaks news on his upcoming films Buzzkill and Meatpaw, sharing cast and crew details about the new projects, and talks about staying hungry, rolling with punches, and more.

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Joe Lynch

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00:00:00 - Intro

00:00:31 - "Cold" Open? Still Being Nervous. Steven Spielberg and Working With Tony Todd.

00:09:15 - Working in Television with Disney and How It Differs From Filmmaking. Still Getting Nervous on The Movie Crypt After 600+ Episodes & Meeting Heroes

00:21:28 - "Never Meet Your Heroes," Meeting John Carpenter

00:28:02 - Joe Opens Up About Directing. Working on Wrong Turn 2 and G4. Why He Hasn't Written More.

00:37:59 - Breaking Down The Creative Process Behind Wrong Turn 2, His Directorial Debut. The "Most Hated" Director in Hollywood.

00:55:46 - Maintaining an Enthusiastic Attitude in the Film Industry, People That Are Not Cut Out For It, Learning All Jobs

01:11:26 - Getting Serious With Cast and Crew As a Director, Screaming on Set, Problems on Suitable Flesh, People Actually Having Sex on Mayhem

01:23:56 - Joe Breaks News On His Newest Features - Buzzkill and Meatpaw - and REVEALS the Creature and New Crew Members On the Film, Meeting Del Toro, Attending Masters of Horror Dinners - good title

01:58:52 - Not Being a "Veteran" and Staying as the New Kid On The Block, Staying Hungry. Truth In Journalism, Joe's Spider-Man Universe Short Film Inspired by Man Bites Dog

02:11:54 - Directors Must Roll With The Punches

02:21:26 - Outro

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Copyright Disclaimer (Fair Use Notice):

Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright law that might otherwise be infringing. All media used in this video are for the purpose of commentary, analysis, and education under fair use.

Chuck Russell, the legendary director behind The Mask, The Blob, and A Nightmare on Elm Street 3: Dream Warriors, joins us in the Crypt to talk about the wild ride of his illustrious Hollywood career – from nearly directing Child’s Play and almost turning The Mask into a horror film, to working with Jim Carrey, Arnold Schwarzenegger, and Frank Darabont – and to promote his newest film Witchboard.

Chuck opens up about UFO encounters, the paranormal, near-death experiences, and the forces that might be influencing Hollywood from behind the curtain. He breaks down practical effects, dream research, faith, simulation theory, and what it really means to create from both sides of the veil.

He also discusses his early years breaking into the industry, performing stunts, and writing screenplays in 1980s Hollywood. Chuck shares his views on the “Horror Ghetto,” why he declined Child’s Play, and how he feels about the later Nightmare on Elm Street sequels.

—

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Witchboard:

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—

00:00:00 - Intro

00:00:31 - Nightmare On Elm Street Pt. 3: Dream Warriors, Dreamscape, Frank Darabont, Hell Night, and The Blob

00:11:46 - Starting Out In Hollywood, Putting Yourself Into Screenplays, Working Stunts with Arnold Schwarzenegger

00:21:16 - Hollywood Is Changing, Movie Theaters, The Mask Was Originally A Horror Film, Working With Jim Carrey, and Chuck's Back Up Actors if Jim Said No to the Role, A Sequel to The Mask?

00:40:45 - Putting New Actors on the Map (Patricia Arquette and Cameron Diaz), How Chuck Feels About Nightmare on Elm St. Sequels, The "Horror Ghetto," Why He Declined the Offer To Direct Child's Play

00:49:12 - Bless The Child, Writing Good And Evil, Pure Despair, Mistrust for Authority

00:56:25 - Eraser with Arnold Schwarzenegger, Working With CIA Advisors, Does The Government Control Hollywood? Working With Dream Researchers for Dreamscape

01:02:21 - Secret Societies, Chuck's Real Sightings of UFOs, Is There Alien Life In The Universe? The Moon Landing

01:16:23 - God, The Paranormal, Near Death Experiences, Lucid Dreaming, The Simulation Theory, AI, We're Living In A Sci-Fi Movie

01:27:10 - Embracing The New, Chuck's Early Usage of CGI

01:32:34 - Chuck's Return to Horror with Witchboard, Filming in New Orleans, Pendulum Boards vs. Ouija Boards, Hypocrisy of the Catholic Church

01:41:11 - How Chuck's Catholic Upbringing Inspired Elements Within Witchboard, Hallucinogenics, Working with Animals

01:48:21 - Reimagining Older Films, The Cast of Witchboard, Drugs as a Metaphor for Magic

01:55:47 - Practical Effects In Witchboard, Watching Coolest Scenes from Witchboard and Bless The Child

02:09:46 - Chuck Would Never Recommend Becoming an Actor

02:20:46 - Working With Legendary DP's, Working in Thailand and India with a Tribe of Elephants, Directing a Non-English Script, Blocking Action Scenes

02:32:57 - Outro

—

Copyright Disclaimer:Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

Erick Wessel and Terri Rivera are the creators of The Mystic Museum and The Horror Boodega, two of LA’s most unique horror destinations.

In this episode, we trace the journey from punk rock beginnings and getting drunk in Vegas to how a small oddities shop grew into the Mystic Museum and how the Horror Boodega was built in just four months. We talk about nostalgia, wearing horror on our sleeves, and designing immersive spaces that celebrate the genre and bring fans deeper into the experience.

We get into the paranormal side of the Mystic Museum — from hauntings and séances to visitor encounters and even a true crime event tied to the building. We reflect on belief vs. skepticism, how fear of death connects to our love for horror, and why these stories resonate so deeply with fans.We also cover the state of horror film culture today: the best and worst films of the year, remakes and reboots, mean-spirited horror, critics, and the movies we defend even when everyone else hates them.

Along the way, we talk about the first horror films that shook us, casting mega-stars in horror, and the exhibits that keep the Mystic Museum evolving — from Horror High Reunion to Total Grotesque Live, their Evil Dead collaboration, and partnership with Eli Roth’s Horror Section Studios.

—

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The Mystic Museum:

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The Horror Boodega:

https://www.instagram.com/thehorrorboodega

https://thehorrorboodega.com

—

00:00:00- Intro - Getting Drunk, Punk Rock

00:03:16 - The Genesis of The Mystic Museum

00:11:28 - Creating The Horror Boodega

00:20:39 - Nostalgia, Wearing Horror On Our Sleeves

00:27:24 - Building Immersive Experiences

00:34:13 - The Mystic Museum Is Haunted? Paranormal Experiences, Believing in the Paranormal, and Addressing Skepticism of the Paranormal

00:50:41 - A "True Crime" Event Happened at The Mystic Museum? Evil Spirits and The Paranormal Experiences of Visitors.

01:07:07 - Fear of Dying and How This All Ties Into Our Love For Horror

01:12:28 - Best Horror Films This Year

01:21:10 - Don't Take Horror Too Seriously

01:26:40 - Least Favorite Horror Movies of the Last Year

01:35:09 - Horror High Reunion, Films We Want to See, Where Remakes/Reboots Go Wrong, Mean Spirited Horror

01:51:40 - Film Critics - Good or Bad? Films We Love That Everyone Hates

02:02:22 - Expectations Ruining Movies, Henry: Portrait of a Serial Killer

02:07:53 - Films That Deserve A Remake/Reboot/Spin-Off

02:21:17 - First Horror Films That Really Shook Us

02:31:42 - Casting Mega Celebrities and Horror Icons - Does it Ruin the Movie?

02:39:42 - The Mystic Museum's Exhibits: TGL, Horror High Reunion, 90s Slasher

02:48:48 - Expanding The Mystic Museum and The Horror Boodega

02:56:07 - Total Grotesque Live, Evil Dead Experience, Partnership With Eli Roth's Horror Section Studios

03:02:51 - Outro

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Copyright Disclaimer:Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.