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Stuck In The Middle - A Gen X Podcast

Stuck In The Middle - A Gen X Podcast

Von: Jason Ek
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Welcome to Stuck in the Middle - the podcast about the music, movies, and culture of Generation X.Copyright Jason Ek Kunst Musik Sozialwissenschaften
  • The Best of the Worst - The Razzies!
    Jan 21 2026
    Movies can suck. But movies that suck, are often the best!

    The Golden Raspebery Awards, aka, "The Razzies" started in the 1980s. This was the perfect time for Hollywood to get called out for its most excessive, over-the-top, and sometimes disastrous output, complete with a smirk and a deliberately tacky trophy made from a spray-painted golf ball.

    The deliberate anti-Oscars began as a sarcastic living-room gathering in 1981, sparked by a terrible double feature of Can't Stop the Music (fair) and Xanadu (how dare they!). It quickly turned into the annual roast of the decade's biggest cinematic failures. Disco musicals that should never have been made, bloated blockbusters that collapsed under their own weight, vanity projects, and action pictures that swung for the fences and missed badly. The 1980s supplied the Razzies with plenty of targets.

    It was a modest start - founder John J. B. Wilson passing out ballots in his Hollywood apartment, using a broomstick with a foam ball as a mock microphone. The event grew into something the press actually started covering by the middle of the decade. There were some recurring themes: musicals gone wrong, jungle-set misadventures, big-name stars stepping far outside their comfort zones, and the sheer nerve it took to release some of these films.

    No look at the Razzies of the 1980s is complete without Sylvester Stallone. He collected Worst Actor awards the way some people collect trophies: Rhinestone, Rambo: First Blood Part II and Rocky IV in the same year, Rambo III, and several others. He eventually earned Worst Actor of the Decade at the 1990 ceremony, covering the full 1980s output. His female counterpart for worst of the decade? The one and only, Bo Derek!

    Maybe the Razzies were right, but those same movies were the ones that played endlessly on VHS, get quoted in conversations, and still have some die hard audiences. This episode is about the laughs, the sheer absurdity of some of those productions, and the reminder that even in its most ridiculous moments, Hollywood in the 1980s was actually pretty awesome.
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    50 Min.
  • Sci-Fi TV of the 70's & 80's
    Jan 14 2026
    Nanu nanu, Slackers!

    This week is all about classic sci-fi and fantasy TV shows from the 1970s and 1980s. There was prime-time epics with space fleets on the run, bionic agents taking down threats, aliens settling into family life, talking cars outsmarting crooks, lizard-like invaders, starship crews solving cosmic problems, mysterious islands granting wishes with a catch, and anthology stories full of wonder.

    The conversation centers on the American series that dominated screens during those decades, in particular in the world of syndicated programming. Plus, there are several BBC productions included - seriously, what the heck is Blake's 7 or Doomwatch!? Admittedly, the British do sci-fi pretty well.

    These shows combined practical effects, ambitious ideas squeezed into weekly episodes, and characters that felt grounded even amid the extraordinary. Many of these were essential viewing at the time, but would they be as engaging and rewatchable today?
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    41 Min.
  • Variety Shows - A Lost Form of Entertainment
    Jan 7 2026
    It's 2026, Slackers!

    This episode kicks off with the usual New Year's Eve roundup - flipping between Dick Clark's countdown and the Nashville show, while my daughter belts out every word to today's country hits but shrugs off Dwight Yoakam like he's ancient history. My oldest came home early from Boston's First Night, which is basically a senior-citizen version of Times Square. We toasted anyway with sparkling grape juice and cider, all together before midnight, even if he wasn't home for the Stranger Things finale.

    Quick side note on Stranger Things: those classic 80s kid movies - Goonies, Stand by Me, Lost Boys, even Stephen King's IT—the kids always make it home safe, no matter the adventure. Stranger Things has always been an homage to those stories - something online critics should keep in mind.

    The main part of the show is all about those old-school variety shows from the 60s, 70s, and 80s, the ones that packed everything into one hour: comedy sketches, big musical numbers, dancers, surprise guests, the whole deal. Back then, a major star or family would anchor the night and give you this glorious mix of entertainment. Simpler times.

    The Carol Burnett Show is the gold standard - those wild characters, the way she'd lose it laughing with Tim Conway or Harvey Korman, the bits that still crack me up thinking about them. My personal favorites were the Mandrell Sisters! A little steel guitar, a little fiddle, and plenty of comedy, what's not to love?

    As the years went on, things started to change: music drifted off to MTV, comedy got sharper (meaner?) on SNL, and the talent-search format took over with shows like the original Star Search. It's a fun walk through when television variety meant anything could happen on any given week.
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    34 Min.
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