Sid talks with Lawrence Quill, one of the most brilliant and inventive of thinkers, whose inquiries run from the use of nostalgia in politics to governments' recourse to secrecy. Professor of Political Science at San Jose State University, Lawrence has been a Technology and Democracy Fellow at the Center for Research in the Arts, Social Sciences, and the Humanities at Cambridge University. He is also the Co-Director of the (wonderfully named) Loneliness Project at his university. The discussion ranges from the idea that our so-called reality might just be a simulation, to the pleasure of having conversations not just with the living but with the dead as well. Quill's inspiration here was Machiavelli's "Letter to Vettori" of 1513.

Sid talks with Susan Cerasano, the Edgar W. B. Fairchild Professor of Literature at Colgate University. Now, when Susan “talks” about Shakespeare, or Marlowe--for that matter, the words flow from her like some joyous, fast-moving stream, eager to flood its banks. Wonderfully perceptive parallels are made, insights into the characters rooted in Susan's love of the script. Little wonder that she is so popular with students and her colleagues. This is only half the story. Susan is no less interested in the physical Renaissance theatre, its role in the social and political life of the community, as in a piece she contributed to my first collection of essays: "Theatre Inside and Out: Early Modern Playhouse Yards as Liminal Space." Susan’s next big project is the story of the business partnership of the actor Edward Alleyn and the theatre entrepreneur Philip Henslowe.

Sid talks with Brian Rhinehart, Professor of Theatre at the Actors Studio Drama School in New York. Old friends for years now, they have been each other’s actor and director (and had great fun doing so), in everything from improv to the plays of Sam Shepard. Brian directed the award-winning Butoh Medea on Theatre Row in Manhattan, was named “Best Director” for Einstein’s Dream at New York’s International Fringe Festival, and was awarded a Fullbright for his Dispersal: A Gentrification Story. He is most interested these days in Site-Specific, Landscape, Citizen, and Devising theatre, and has given seminar and workshops in acting, directing, and improv all over world.