After the triumph of Prufrock and other Observations, TS Eliot almost steered the car into the ditch, poetically and personally. Under the influence of his friend, the fascist poet Ezra Pound - a man who later achieved notoriety for his enthusiastic support of Hitler during the Second World War - Eliot’s second collection of poems reveled in antisemitism, misogyny and willful obscurity. He even wrote poems in French. Pretentious, moi?

In this episode, we show how just in the time - with the beret almost on his head - Eliot managed to cast it aside, regain control of the wheel, and steer the vehicle away from the boulevards of Paris into the waste land. As ever, our question is: how?

In the hyperbolic spirit of a Discovery channel documentary, we think it’s fair to say that The Waste Land, published in two magazines in1922, then by Virginia Woolf’s Hogarth press in 1923, changed the world FOREVER.

For readers at the time, Eliot captured the spiritual malaise of Europe after the first World War. Nobody could definitively explain the poem - although many had their theories - but it captured more than any realist novel the spirit of the age. It influenced many of the greatest books of the 20th Century, including The Great Gatsby, Evelyn Waugh’s A Handful of Dust, Raymond Chandler’s The Long Goodbye and many books of poetry. We ourselves are guilty of having written utter bollocks about this poem during our undergraduate years. In consequence of which, we tremble before our microphones for this week’s episode.

Become a subscriber by signing up at Apple: http://apple.co/slob

Or join our Patreon community here: https://www.patreon.com/c/secretlifeofbookspodcast

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

T.S. Eliot was a mid-west American living in London in the first decades of the 20th century, who wrote Dickens-inflected poems about fog, wind, damp evenings and the general gloom of English life (if you were a young, neurotic, over-educated, American male, that is).

Eliot’s remembered in the same breath as Ezra Pound as a founding father of literary Modernism, but while very few people could quote a line from Pound, almost everyone will recognize some of these evergreen phrases from Eliot’s lugubrious output. “April is the cruellest month,” “I have measured out my life in coffee spoons,” “do I dare eat a peach?”; “I grow old, I grow old, I shall wear the bottoms of my trousers rolled” and “this is the way the world ends, not with a bang but a whimper.” But thing about Eliot is that he had an ear for a crowd-pleasing line, which is why he also ended up being one of the most important editors of the 20th century at the publishing house Faber and Faber, making the careers of many poets including WH Auden and Marianne Moore.

Today you’ll be hearing about Eliot’s penchant for amateur theatricals, Paris, and the philosophy of Henri Bergson; and his pivot from being a high-minded Philosophy PhD student at Harvard to a wanker-banker at Lloyds in London. Next week we’ll focus on his turbulent relationship with the unhappy and unstable Vivienne, his first wife, his complicated feelings about Victorian and Elizabethan literature, and his conversion to high Anglican Christianity, which caused his good pal Viriginia Woolf to announce, “Tom is dead to me.”

We claim whenever possible that all literary roads lead to the 1980s and Andrew Lloyd Webber. TS Eliot’s greatest poetic achievement is neither Prufrock nor The Waste Land, but Old Possum’s Book of Practical Cats, which provided the Cats! Songbook.

Genius as Mcavity the Mystery Cat and Rum-Tum Tugger are, TS Eliot’s immortality was truly sealed with the ubiquitous and appalling 80s soft rock ballad “Memory,” sung by Grizabella the once-beautiful feline who has fallen on hard times amid a load of oversized garbage bins. Memory is a mash-up of lines from Eliot’s early poems, and today we’ll find out exactly what it was that so attracted this young American to the burnt out ends of smoky days in early 20C London.

Become a subscriber by signing up at Apple: http://apple.co/slob

Or join our Patreon community here: https://www.patreon.com/c/secretlifeofbookspodcast

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

SLoB Book Club is back as Sophie and Jonty dive into Charles Dickens’ Bleak House with the help of special guest Bret Walker, SC – one of Australia’s most renowned lawyers.

Dickens’ sprawling vision of a nation caught in the fog of corruption, in which human kindness and connection is almost but never quite extinguished, is as relevant today as ever. It contains some of his greatest characters - including the original virtue-signaller Mrs Jellyby, the sinister Mr Krook who collects women’s hair and Inspector Bucket - arguably the first fully-rounded detective in English fiction. It’s a social satire, a murder mystery and a comedy - all tied together by the nefarious Court of Chancery and the interminable case of Jarndyce & Jarndyce.

This episode is devoted solely to Chapter 1. Sophie and Jonty look at what Dickens was up to immediately before and during its composition and ask: what exactly is the famous fog drifting over London in the opening lines? In the second half, as the fog curls into the Court of Chancery, we are joined by Bret Walker SC who explains what Chancery is, how it differs from other law courts, why there were real cases like Jarndyce & Jarndyce which lasted many decades, and why Dickens was so incensed by it all.

If you want to read along with us over the next four months, then please subscribe – we will release fortnightly episodes from now on.

Become a subscriber by signing up at Apple: http://apple.co/slob

Or join our Patreon community here: https://www.patreon.com/c/secretlifeofbookspodcast

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.