Episode 150 and we have a legend on. It’s David Zucker, he of The Naked Gun and Airplane fame.

He is as funny and witty and irreverent as you would hope he would be.

David tells us the story of how he got Airplane made, we talk about the puns of it all and why he doesn’t like the new Naked Gun movie.

He talks about spoofs, his new project the Star of Malta and the self-confidence to move to Hollywood.

We hear about when he was king of Hollywood, how they tricked the DGA into letting three of them direct a movie and his new course - Master Crash - https://mastercrash.kit.com/join

A fittingly insightful conversation for episode 150 with a true Hollywood legend.

Rogue One writer Gary Whitta returns to the podcast and we talk…podcasts.

The British writer explains why he decided he needed to make a scripted podcast, casting Jon Boyega and how bad Hollywood is at the moment.

He talks us through where he sees the industry, the process of pitching this show and his views on taking notes.

In his usual witty, sardonic style, we also cover advice for writers, the frustrations of projects falling apart and the joy of creating again.

A very fun, irreverent and insightful romp around Hollywood with one of its sharpest minds.

Check out his pilot at www.seeyouinhell.tv

The magical Craig Thomas returns to the podcast.

The How I Met Your Mother co-creator comes on to talk about his heart-warming novel That’s Not How It Happened.

Craig talks about why he wrote the book, disability in Hollywood and the tortuous process of writing a novel.

He explains his personal journey with his son’s rare disability, why it was so important to write this book and how he used his tv writing skills to help finish the novel.

A genuine, heartfelt and important episode about a passionate man wanting to tell a story properly. Must listen material.

We talk to filmmaker Martyn Robertson and sports surgeon Gordon Mackay about the inspiring feature doc Make it to Munich.

In a crossover episode we talk Hollywood and whisky, pioneering surgeries and telling stories with heart.

They explain how the extraordinary story of a young man’s courage to overcome life-changing injuries has ended up at the Chinese Theatre in Hollywood - the adventures they had along the way and the importance of real life heroes.

He was told he had no future in the entertainment business and yet Australian Nick Verso has gone on to have a stellar career.

In this episode we talk about dealing with such raw rejection, how he found his place in the business and also the other early project that was turned down - and the apologies he has had about that since.

We talk about why he started directing, how we got good at writing and managing the Australia-Los Angeles divide.

A raw and candid episode from a smart and driven creator. And Noah gets excited when Nick starts talking about DJ'ing.

We talk to the incredible, passionate and enthusiastic James Eason-Garcia, co-EP of Ironman and his Awesome Friends.

Noah and I geek out a little and cover both James' career while also asking superhero and Jedi questions of a man who has special access to both of those worlds.

We talk about his journey from fan to working on these projects, the excitement of actually of walking through the doors of Disney to work and taking notes on established franchises.

James talks about the state of the industry, the ongoing fascination with superheroes and collecting memorabilia.

A really insightful discussion full of pure joy (from all three of us) of such fascinating worlds.

We talked to Australian showrunner and writer Tony Ayres.

He talks about his Netflix show The Survivors, comparing himself to others and the balance between commerce and art.

We explore his Chinese-Australian roots, the benefits and disbenefits of being niche and how Australia sees Hollywood and Hollywood sees Australian.

We also cover the changing language of Hollywood, how he has changed to adapt to the industry and the blessing and the curse of being attached to The Slap.

We bring on the fascinating Daniel Casey.

He tells us his Hollywood origin story, giving up directing to get a script moving, his route to F9 and the excitement of working on a serious franchise.

Daniel talks about the exciting of being on the set of a $250m movie, how nice Fast and Furious fans were and how close he came to running out of money and giving up.

He talked about some huge projects - including a Batman film - that got away, directing short films and being told to kill himself on social media when announcing his new show.

Insightful, honest and specific, a great chat about what a writing career can really look like.