From the dial‑up days of 1993 to today’s data‑rich cultural landscape, historian and technologist Tim Sherratt has been rewiring how we see public collections. In this SLV Lab Conversation with State Library Victoria's Chief Digital Officer Paula Bray, Tim retraces a 30-year career so far shaped by dashboards and digitisation, political interventions and playful data experiments – a body of generous, open practice that treats interfaces, notebooks and APIs as scholarship in their own right. Along the way, he champions sector collaboration and the courage to experiment, and sharing his code and thought process so others can build on them.

About Tim Sherratt:
Calling Tim Sherratt a historian undersells him slightly. Calling him a hacker does the same. Over the past thirty years, historian and hacker Tim Sherratt has moved between research, cultural institutions and code, building tools that sit in the space between official infrastructure and individual curiosity. In 1993, in the early days of the web, he worked on the Australian Science Archives Project based at the University of Melbourne, which led to the development of Australia’s first archives website. This sparked his interest in GLAM collections and how the affordances of the then fledgling web could allow people to access history and communicate about it in different ways.

In 2007, while at the National Archives of Australia, Tim realised that applying computational methods to collections could open new avenues for analysis and exploration – an insight that became a major turning point in his career. Since then, his projects have ranged from dashboards (PROV Data, NAA Digitisation) and searchable digitised journals, to political interventions (The Real Face of White Australia, Historic Hansard) and playful data experiments (Operation Random Words, redacted). Most recently, he was Associate Professor of Digital Heritage at the University of Canberra, and before that, Manager of National Library of Australia’s online research portal Trove.

At the centre of Tim’s practice nowadays is the GLAM Workbench, a sprawling, carefully documented collection of scripts, notebooks and examples designed to help people work with data from galleries, libraries, archives and museums. The Workbench reflects his philosophy: that institutions cannot do everything themselves, and that access depends on a commitment to openness.

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We caught up with Dr Fiannuala (Finn) Morgan to talk about her fascinating project, Historic Fires Near Me – an experimental visualisation of nineteenth century bushfire reporting which forms part of her ongoing research reconstructing Australian bushfire records from 1850 to 1900. The idea was sparked by the devastation of the Black Summer bushfires in 2019–20 and the troubling media narratives that downplay the growing severity of bushfires in Australia. Finn wanted to dig deeper into the historical record to see what the past could tell us.

As a librarian by trade with a passion for literature, Finn turned to Trove’s enormous archive of newspapers and journals. To extract and synthesise this data, she taught herself to code, using a mix of techniques – from simple searches to more advanced methods like Named Entity Recognition Block Field. The result is a browser-based tool that reveals where fires occurred and how often, across the colonies, over a fifty-year span.

In this conversation with SLV LAB’s Innovation Lead, Sotirios Alpanis, Finn shares what inspired her research and how anyone can learn to wrangle messy cultural data as she did. She also spoke about the distinct fire histories of different Australian colonies and the ways fire was used as a tool of colonisation in Victoria.

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Galleries. Libraries. Archives. Museums. Every day, artists and cultural workers face tough ethical calls on AI. Could artists show us a new way forward?

What if ethics wasn’t about ticking boxes, but about how we act, care and respond in the moment? In their new book Decentring Ethics: AI art as method (Open Humanities Press, 2025), Vanessa Bartlett, Jasmin Pfefferkorn and Emilie K. Sunde explore how artists using AI are raising new questions about responsibility and creativity. The book challenges the idea of ethics as a fixed code, instead showing how it plays out in real practice.

In the following podcast recording with Vanessa and Jasmin, we discuss how the GLAM sector – galleries, libraries, archives and museums – navigates these ethical choices, and how artists and arts workers can help us imagine new ways forward.

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