In this bonus episode, co-producers Wassan Al-Khudhairi, Michelle Dezember, and Misa Jeffereis look back at Radio Resistance with Lara Hamdan, Producer of St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. The four trace connections between episodes, share behind the scenes insights, and celebrate the power of radio.

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As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.

What is the power of writing to carry a voice, or many voices, particularly defiant ones? In this final episode, we return to the impetus for this series, the exhibition Stories of Resistance, as an invitation to consider the medium of words and storytelling. Artist Banu Cennetoğlu and poet Treasure Shields Redmond discuss their work attending to the writings of American Civil Rights activist Fannie Lou Hamer and Kurdish freedom fighter Gurbetelli Ersöz, respectively. They acknowledge the responsibility of caring for the words of activists, especially those who gave their lives to struggle for what’s right.

Banu Cennetoğlu is a cross-disciplinary artist whose practice incorporates methods of collecting and archiving and enquires into the politics of the production, classification, and distribution of knowledge. Her work Gurbet’s Diary (27.07.1995–08.10.1997) inscribed words from Gurbetelli Ersöz’s diary—which Ersöz kept while she was a Kurdish freedom fighter before she was killed—onto 145 press-ready lithographic limestone slabs. Cennetoğlu lives and works in Istanbul, where she founded BAS, an artist-run space dedicated to artists’ books and printed matter.

Dr. Treasure Shields Redmond is a St. Louis metro-based poet, performer, and educator. She has been featured at the Nuyorican Poets Café, and published poetry in such notable anthologies as Bum Rush the Page: A Def Poetry Jam, Breaking Ground: A Reader Celebrating Cane Canem’s First Decade, and in journals that include Obsidian and The African American Review. A Cave Canem fellow, Treasure has received an MFA from the University of Memphis, and a PhD from Indiana University of Pennsylvania.

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As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.


Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

How can we move beyond the dominant narrative, to hear stories that have been erased? Artist Tuấn Andrew Nguyễn and curator and public historian Gwen Moore find similarities in growing up in communities that were violently transformed or completely erased. Building on earlier discussions of trauma in this program, the two talk about how their practices of storytelling and public memory are a response to damage leveled on Ho Chi Minh City in Vietnam and Mill Creek Valley in St. Louis. Their mutual interests point to listening to the voices of ancestors, the testimonial power of objects, and our collective responsibility to understand history.

Tuấn Andrew Nguyễn’s artistic practice explores strategies of political resistance enacted through counter-memory and post-memory. Extracting and re-working narratives via history and supernaturalisms is an essential part of Nguyen’s video works and sculptures where fact and fiction are both held accountable.

Gwen Moore is the Curator of Urban Landscape and Community Identity at the Missouri Historical Society focusing on race, ethnicity, race relations, and social justice issues in St. Louis. An important part of her work has been documenting the Ferguson protest movement, which includes a collection of physical materials along with an oral history project. Gwen was also the curator for the Missouri History Museum exhibition, #1 in Civil Rights: The African American Freedom Struggle in St. Louis. 

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As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.


Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.