Summary

In this engaging conversation, Savitha Sri Ram, a renowned Carnatic musician and Abhang artist, shares her musical journey from Bombay to Chennai, her experiences with Abhang and Nama Sankirtanam, and the spiritual significance of Pandharpur. She offers valuable advice for the younger generation pursuing music, emphasizing the importance of a classical foundation and consistent practice. The discussion culminates in a heartfelt performance of a special Abhang, reflecting her deep connection to the genre and its roots.

Art Therapy Research Project

Meet Janhvi Sairam, a freshman at UT Dallas with a heart full of rhythm, melody, and meaning. A trained Bharatanatyam dancer in the Pandanallur style under Dr. Sarita Venkataraman, Janhvi’s journey into classical arts began when she was barely old enough to walk—insisting she learn to dance before most teachers would even consider it. That passion still fuels her today.

But Janhvi is more than just a dancer. She is also a classically trained Carnatic vocalist, an accomplished visual artist, and a budding researcher in music and art therapy. Her Nrithyarpanam performance stood out not only for its technical brilliance but for the emotional storytelling—especially her depiction of Sita’s swayamvara through the eyes of a sakhi, a fresh perspective that moved the audience.

Equally compelling is her dedication to art as a healing force. Janhvi conducted a research project in high school where she interviewed music therapists and created a handbook that introduces the concepts and templates for applying art and music therapy in healthcare settings. Her drive to make a difference shines through every note, step, and sketch.

Beyond the stage and studio, Janhvi explores the world of social media marketing and digital design, managing promotions for clubs and artistic projects. Her future aspirations blend creativity with compassion—using art not just as expression, but as empowerment.