We are thrilled to welcome Susan Shillinglaw, the preeminent John Steinbeck scholar, to discuss one of Hemingway’s contemporaries and fellow Nobel laureates.

Although Hemingway and Steinbeck are not discussed comparatively as frequently as some of his other fellow literary titans, Prof. Shillinglaw talks about Steinbeck’s life, career, and temperament in ways that will inspire us to remap the overlaps between these two men. We explore Steinbeck’s fondness for “The Butterfly and the Tank,” Hemingway and Steinbeck’s different paths during the 1930s, the way The Red Pony’s Jody Tiflin functions as a Nick Adams-like character, and much more.

Make sure to tune in to the very end of the episode! In honor of Steinbeck, our friend Michael Kim Roos treats us to a version of Woody Guthrie’s “Tom Joad.” For more information about Mike’s music, see: https://mikeroos.com.

Throughout the course of this year, we will celebrate the centenary of The Sun Also Rises by inviting guests on the show to talk about fascinating aspects of the book and its rich history.

In this episode, we explore how the book was actually written—from a sloppy first draft to a modernist masterpiece. What will tracing this composition history tells us about the evolution of The Sun Also Rises and Hemingway’s own development as a writer?

To help us explore this topic, Carl Eby joins us once again! Eby is the former President of the Hemingway Society and has focused much of his research on Hemingway's posthumous work. He has joined us previously for episodes on Islands in the Stream and The Garden of Eden, and he also inaugurated our One True Sentence series with One True Sentence #1, a discussion of Hemingway's "Paris 1922" sketches.

Thanks to the support of Simon & Schuster, this episode also includes an audio portion from William Hurt's narration of The Sun Also Rises. Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner’s Sons. Used with permission of Simon & Schuster, Inc.

One True Podcast is back with a look at another Hemingway short story, an under-discussed gem from Winner Take Nothing. One of the weirdest works in his career, “Homage to Switzerland” is a Modernist experiment that tells a similar story three times, each one set in a different Swiss train station.

To walk us through this bizarre tale, we call on excellent Hemingway scholar and actual citizen of Switzerland, Boris Vejdovksy, professor at the University of Lausanne. Vejdovksy explains the story’s structure, its setting, its Modernist qualities, the way the iceberg principle functions in the story, and even its “Swiss-ness.”

Join us as we explore this fascinating triptych!