Hans Christian Andersen didn’t just write fairy tales — he became one.

In this episode, we step away from individual stories to talk about the strange, brilliant, deeply complicated man behind The Little Mermaid, The Ugly Duckling, and The Emperor’s New Clothes. From poverty and relentless ambition to self-mythologizing autobiographies, impossible romances, and a life that reads like one of his own tragedies, Andersen may be the most fascinating figure in fairy-tale history.

This is not a tidy hero’s journey. It’s a story about obsession, creativity, loneliness, and the kind of determination that refuses to be told “no.”

This week Joe, Matthew, and Emma dive into Tom Tit Tot: Joseph Jacobs’ delightfully unhinged English version of Rumpelstiltskin. We talk pies (too many), imps (also too many), flax (never enough), and kings who really need to chill out about domestic textile production.

We compare it to Grimm’s Rumpelstiltskin, break down its 19th-century dialect, explain why kobolds ruined the mining industry, and debate the morality of eating five hand pies in one sitting.

If you enjoy a good “guess my name or I steal you” story, this one’s a classic.

This week, Joe and Matthew dig into one of the Grimms’ smallest, but strangest, tales: The Straw, the Coal, and the Bean. From the chaos of a kitchen fire to an exploding bean and a tailor with great aim, it’s a story that’s equal parts absurd and oddly insightful. We explore its fable roots, the lost 1548 source text, and even how the Grimms’ students kept its spark alive centuries later. Also: bean breath, Cartoon Network songs, and survivorship bias.

A humble worker, a mountain spirit, and a chain of wishes that goes way too far. In this episode, Joe and Matthew break down The Stonecutter, a Japanese folktale that might actually have Dutch roots.

It’s a story of ambition and discontent, where one man wishes his way from stonecutter to everything from a prince to a cloud, only to discover that happiness doesn’t come from power, it comes from perspective.

Along the way, we trace how Andrew Lang’s Crimson Fairy Book spread the tale worldwide, talk about its connection to The Fisherman and His Wife (ATU 555), and yes — detour briefly into a folktale called The Bullock’s Balls. You’ve been warned.

Joe, Emma, and Matthew discuss The Forest Bride from Mighty Mikko: Finnish Fairy Tales Retold by Parker Fillmore (1922). The trio explores the tale’s origins, parallels to The White Cat (Madame d’Aulnoy, 1698), and what makes Fillmore’s storytelling so distinct from his playful narration to his gentle, "certified non-toxic" characters. Expect tangents on Nordic bread culture, animated mice, and why this might just be the most wholesome love story involving a rodent ever told.

This is our first-ever Read Aloud episode, a new series from Once Upon a Podcast that brings you full, unabridged fairy tales told the old-fashioned way: out loud.

Today’s tale is an Irish whirlwind: talking bulls, magical ear-napkins, fire-breathing giants, a secret identity, and a dragon that gets exactly what’s coming to it. Billy Beg and His Bull is told here by Danny Oaks and originally comes from Irish collector Seumas MacManus.

Let us know — do you like this kind of storytelling? Want more tales like this? Would you want them on another "extra" platform like Patreon?

Your feedback helps us shape the future of this new series. And as always, thanks for listening!

Narrated by: Danny Oaks (Plotfather Publishing)

The tragic conclusion of Hans Christian Andersen’s fairy tale, The Little Mermaid, is here. Joe, Matthew, and Emma wade through sea witches, knife-blade footsteps, heartbreak, and Andersen’s unexpected ending. Along the way, they dig into the Little Mermaid’s impossible choices, the prince’s questionable treatment of her, and the strange “daughters of the air” twist that closes the tale. Is this one of Andersen’s greatest stories—or his most brutal?

Hans Christian Andersen’s The Traveling Companion is one of his strangest early fairy tales (if you can even call it that): a road trip, a horror story, and a Sunday-school parable packed into one, we break down its bizarre mash-up of goblins, puppets, riddles, and skeleton gardens, and debate whether Andersen was telling a Christian allegory, a comedy, or just having fun throwing every motif at the wall. We had so much fun in this episode so we hope you enjoy!

Audio/music credits:

"Ashton Manor" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/