Florida’s Favorite Creep Sabrina Ace and The Evil Barbie Edy head straight into the worst tourist trap in America: Derry, Maine — where balloons float, morals don’t, and Pennywise is basically the HOA president.

The duo tears into Welcome to Derry, dissecting how this prequel ties back to IT, why the town itself should be declared a biohazard, and which characters desperately need therapy, relocation, or both. They dive into the messy friendship drama, the racial tension baked into the story, Marge’s struggle to fit in, and Lily’s ongoing commitment to making terrible life choices.

They also break down the personalized fears haunting the group, the questionable military involvement (because of course the government shows up late and confused), and the moment Pennywise steps onto the scene to remind everyone why Derry never has a full graduating class.

Class is back in session, and the phone won’t stop ringing...so naturally, Mista Malave and Sabrina Ace decided to answer it. This week, your unqualified educators of evil dive headfirst into The Black Phone 2, Blumhouse’s latest reminder that sometimes it’s better to let unknown numbers go to voicemail.

The Grabber’s back with a more “hands-on” curriculum, Ethan Hawke’s giving full Freddy Krueger exchange-student energy, and somehow Finney’s too busy training dragons to show up for class, so the spotlight falls on Gwen, the only one still doing the homework.

We’re talking missing kills, overactive grabbers, and Blumhouse’s undying love for milking sequels until the audience develops Stockholm Syndrome. So grab your rotary phone, ignore the static, and let’s see if this call is worth answering…

Tonight at Night School Horror, class is in session, and the lesson? Never let Netflix do your homework for you. We’re diving headfirst into Monster: The Ed Gein Story, a show so “based on true events”.

The faculty tears into everything from Charlie Hunnam’s Oscar-worthy audition for Creepiest Mama’s Boy Alive to the series’ creative “liberties” (read: lies so bold they deserve their own SAG card). Along the way, we unpack the messy blend of mental illness, media exploitation, and true crime clickbait that somehow turned a grave robber into binge-worthy content.

From Psycho to Texas Chainsaw Massacre, we follow Ed Gein’s nasty fingerprints across horror history, asking the hard questions: why do women always get the short end of the shovel, and how much sensationalism is too much when the truth was already nightmare fuel?

And honestly.... do you believe “Owner of a Lonely Heart” fit that final Titanic/Stairway to "HELL" scene?