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New Books in Eastern European Studies

New Books in Eastern European Studies

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 This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studiesNew Books Network Sozialwissenschaften Welt
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  • Shelley Puhak, "The Blood Countess: Murder, Betrayal, and the Making of a Monster" (Bloomsbury, 2026)

    Shelley Puhak, "The Blood Countess: Murder, Betrayal, and the Making of a Monster" (Bloomsbury, 2026)
    Feb 17 2026
    There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her. Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, in The Blood Countess: Murder, Betrayal, and the Making of a Monster (Bloomsbury, 2026) Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
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    52 Min.
  • Alexis Lerner, "Post-Soviet Graffiti: Free Speech in Authoritarian States" (U Toronto Press, 2025)

    Alexis Lerner, "Post-Soviet Graffiti: Free Speech in Authoritarian States" (U Toronto Press, 2025)
    Feb 16 2026
    Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
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    46 Min.
  • Colleen M. Moore, "The Peasants' War: Russia's Home Front in the First World War and the End of the Autocracy" (McGill-Queen's UP, 2025)

    Colleen M. Moore, "The Peasants' War: Russia's Home Front in the First World War and the End of the Autocracy" (McGill-Queen's UP, 2025)
    Feb 14 2026
    During the First World War, Russia relied on the mass mobilization of its peasant population. In the summer of 1914, approximately four million peasants answered the state’s call to arms, while the millions who remained at home donated labour and other resources to the cause. Within three short years these same peasants were refusing to pay taxes or turn over their grain, dooming the autocracy to collapse.The Peasants’ War: Russia's Home Front in the First World War and the End of the Autocracy (McGill-Queen's UP, 2025) argues that the experience of total war convinced peasants that the measure of a state’s legitimacy was its ability to safeguard the wellbeing of its subjects. When the autocracy failed to meet this standard, peasants rejected its authority by challenging four areas of wartime policy: the prohibition of vodka, the conscription of peasant families’ only workers, the redistribution of land belonging to enemy subjects, and the provisioning of the home front. The war awakened peasants to the reciprocal nature of the relationship between a state and its people. Colleen Moore investigates how peasants leveraged their wartime service to negotiate with the state for improved rights and privileges and how they used this power to shape the contours and legitimize the authority of the world’s first socialist state.The Peasants’ War charts the timing and success of the 1917 Russian Revolution by showing how total war flipped the script on peasant-state relations, transforming the state from something that peasants existed to serve into something that existed to serve peasants. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
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    56 Min.
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