Welcome to Mostly Arthouse, a worldwide movie club dedicated to independent and arthouse cinema from around the globe. Each episode we select and discuss one film that received the coveted five star rating on Letterboxd from our host. Join the club!

Today, we discuss juxtaposition, pacing, and feminine alienation in Queen Of Diamonds (1991), directed by Nina Menkes (Phantom Love, Brainwashed: Sex, Camera, Power). Available to stream on Mubi + Kanopy.

Join the club on Instagram and Patreon for support, exclusive content, and more. 

Hosted by Brian Austin.

Patreon: patreon.com/mostlyarthouse

Instagram @mostlyarthouse 

Letterboxd: bigfat

Mostly Arthouse is brought to you by Big Fat Films. Music by beep.

Welcome to Mostly Arthouse, a worldwide movie club dedicated to independent and arthouse cinema from around the globe. Each episode we select and discuss one film that received the coveted five star rating on Letterboxd from our host. Join the club!

Today, we discuss storytelling, politics, and power in Swept Away (1974), directed by Lina Wertmüller (Seven Beauties, Love & Anarchy). Available to stream on Metrograph At Home + Kanopy. Join the club on Instagram and Patreon for support, exclusive content, and more. 

Hosted by Brian Austin.

Patreon: patreon.com/mostlyarthouse

Instagram @mostlyarthouse 

Letterboxd: bigfat

Mostly Arthouse is brought to you by Big Fat Films. Music by beep.

Welcome to Mostly Arthouse, a worldwide movie club dedicated to independent and arthouse cinema from around the globe. Each episode we select and discuss one film that received the coveted five star rating on Letterboxd from our host. Join the club!

Today, we discuss honesty, celebrity satire, and technical filmmaking in Lost In London (2017), directed by Woody Harrelson (Ed TV, The People Vs. Larry Flynt). Available to stream on Metrograph At Home + Kanopy. Join the club on Instagram and Patreon for support, exclusive content, and more. 

Hosted by Brian Austin.

Patreon: patreon.com/mostlyarthouse

Instagram @mostlyarthouse 

Letterboxd: bigfat

Mostly Arthouse is brought to you by Big Fat Films. Music by beep.

Welcome to Mostly Arthouse, a worldwide movie club dedicated to independent and arthouse cinema from around the globe. Each episode we select and discuss one film that received the coveted five star rating on Letterboxd from our host. Join the club!

Today, we discuss addiction, sobriety, and honesty in Tommaso (2019), directed by Abel Ferrara (The Driller Killer, Ms .45, Bad  Lieutenant ). Available to stream on Mubi + Kanopy. Join the club on Instagram and Patreon for support, exclusive content, and more. 

Hosted by Brian Austin.

Patreon: patreon.com/mostlyarthouse

Instagram @mostlyarthouse 

Letterboxd: bigfat

Mostly Arthouse is brought to you by Big Fat Films. Music by beep.

Welcome to Mostly Arthouse, a worldwide movie club dedicated to independent and arthouse cinema from around the globe. Each episode we select and discuss one film that received the coveted five star rating on Letterboxd from our host. Join the club!

Today, we discuss dreams, movies, and memories in Long Day's Journey Into Night (2018), directed by Bi Gan (Kaili Blues). Available to stream on Mubi. Join the club on Instagram and Patreon for support, exclusive content, and more. 

Hosted by Brian Austin.

Patreon: patreon.com/mostlyarthouse

Instagram @mostlyarthouse 

Letterboxd: bigfat

Mostly Arthouse is brought to you by Big Fat Films. Music by beep.

Welcome to Mostly Arthouse, a worldwide movie club dedicated to independent and arthouse cinema from around the globe. Each episode we select and discuss one film that received the coveted five star rating on Letterboxd from our host. Join the club!

Today, we discuss independent filmmaking, counterculture, and freedom in Easy Rider (1969), directed by Dennis Hopper (The Last Movie, Out of the Blue). Join the club on Instagram and Patreon for support, exclusive content, and more. 

Hosted by Brian Austin.

Patreon: patreon.com/mostlyarthouse

Instagram @mostlyarthouse 

Letterboxd: bigfat

Mostly Arthouse is brought to you by Big Fat Films. Music by beep.

Welcome to Mostly Arthouse, a worldwide movie club dedicated to independent and arthouse cinema from around the globe. Each episode we select and discuss one film that received the coveted five star rating on Letterboxd from our host. Join the club!

Today, we discuss death, poetry, and the American dystopia in Dead Man (1995), directed by Jim Jarmusch (Down By Law, Only Lovers Left Alive). Join the club on Instagram and Patreon for support, special access, and more. 

Hosted by Brian Austin.

Patreon: patreon.com/mostlyarthouse

Instagram @mostlyarthouse 

Letterboxd: bigfat

Mostly Arthouse is brought to you by Big Fat Films. Music by beep.

Welcome to Mostly Arthouse, a worldwide movie club dedicated to independent and arthouse cinema from around the globe. Each episode we select and discuss one film that received the coveted five star rating on Letterboxd.

Today, we discuss gender identity, body horror, and the Virgin Mary in TITANE (2021) Dir. by Julia Ducournau (RAW). Follow on Instagram and Patreon for support, special access and more. Tune in for the next movie of the week. 

Hosted by Brian Austin.

Instagram @mostlyarthouse & @bigfatbaustin

Letterboxd: bigfat

Mostly Arthouse is brought to you by Big Fat Films. Music by beep.