A hidden structure on the lunar surface. A chill that says you’re being watched. We dive into John Wyndham’s The Moon and use its eerie pull to explore how vintage radio drama survives—sometimes crystal clear in sound, sometimes blurred where the credits should be. We share why this story sits within Wyndham’s fix‑up novel The Outward Urge, how the original title Idiot’s Delight would have shaped expectations, and what gets lost and found when archives scatter across the internet.

From our side of the mic, we pull back the curtain on how we make these classics feel alive today. Fran films along the South Coast—woodland paths in Eastleigh, quiet coastal light in Hampshire—then we pair those images with clean archival audio to build a mood that honours the original production. We talk about the joy of discovery, the frustration of missing cast lists and dates, and the small victories when a listener says a long‑lost favourite finally found its way back to them. Along the way, we highlight Wyndham’s wider legacy, from The Day of the Triffids to The Midwich Cuckoos.

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A starship caught in slow time, a character who bridges generations, and the strange comfort of hearing a classic story with fresh eyes—that’s where our journey begins. We shine a light on The Time Stealer, the 1975 Star Trek radio drama that renders a temporal anomaly in audio, and we use that premise to ask what Star Trek does best: how do stories travel through time without losing their heart? From the captain’s log delivered at half‑speed to the hum of instruments that can’t quite keep up, the radio format makes you lean in and imagine the bridge for yourself.

Chekhov takes centre seat in our conversation. We trace the role from Walter Koenig’s spirited navigator—shaped in part by a family history rooted in Russian‑Jewish immigration—to Anton Yelchin’s 2009 reboot performance as a gifted, earnest prodigy. We speak candidly about Yelchin’s tragic passing and JJ Abrams’ decision not to recast, a choice that turned a production detail into a memorial. That legacy changes how we watch the reboot films and how we listen back to older recordings; performances become keepsakes, timelines become personal, and fandom becomes a living archive.

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A contagious case of laughter on the Enterprise opens a surprising door to legacy, language, and the power of audio storytelling. We unpack a little‑known Star Trek radio adventure from 1975—“To Starve a Flever”—and trace how a playful premise with Kirk and Spock can lead to a bigger conversation about performance, sound design, and the intimacy of radio drama. Along the way, we shine a bright light on Uhura’s role and Nichelle Nichols’ far-reaching influence, from groundbreaking representation on American television to her real-world work with NASA inspiring women and people of colour to pursue STEM careers.

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Step into the shadowy world of spoken word horror as we explore Vincent Price's captivating 1973 recording "Old Sal's Curse." This gem from the "Coven of Witches Tales" collection showcases Price's unmatched narrative talents, bringing to life the story of a woman condemned as a witch.

Vincent Price's legacy deserves celebration. Born in 1911, this iconic American actor became synonymous with horror, gracing over 100 films and earning two Hollywood Walk of Fame stars for his contributions to both film and television. His distinctive voice brings an unmistakable gravitas to "Old Sal's Curse," demonstrating why he remains beloved by horror enthusiasts worldwide.

#vincentprice #ghoststories #witches

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Literary classics find new breath in our exploration of Roald Dahl's darkly ingenious "Dip in the Pool." Originally published in The New Yorker in 1952, this macabre tale follows an American gambler aboard a transatlantic liner who hatches a desperate scheme to win a betting pool—by deliberately falling overboard to slow the ship's progress.

We peel back the layers of this brilliant story while sharing fascinating insights about Dahl himself. Born in Wales in 1916 and leaving us in 1990 with the touching final words, "I'm not frightened, it's just that I miss you all so much," Dahl's legacy continues through his unforgettable narratives. The featured adaptation comes from the beloved British television series "Tales of the Unexpected," which ran from 1979 to 1988 and still captivates viewers on British television today.

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Step into the shadows with us as we unearth Angela Carter's mesmerising 1976 radio play "Vampirella" – a haunting feminist reimagining of vampire lore that later transformed into her acclaimed short story "The Lady in the House of Love."

Most vampire tales follow the menacing male vampire, but Carter brilliantly shifts focus to Count Dracula's daughter, the Countess. Through this female vampire's perspective, we explore themes of isolation, desire, and the possibility of true love. The original BBC Radio production features stellar performances from Anna Massey as the Countess, Richard O'Callaghan as Hero, and David March as Count Dracula himself. The dramatic sound effects create an immersive atmosphere that transports listeners straight into this gothic world – fair warning to headphone users, the audio journey intensifies as the story progresses!

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Step aboard the USS Enterprise and journey back to 1975 with us as we uncover a forgotten gem from Star Trek's audio history. "The Logistics of Stampede" – the sixth in a series of eleven Star Trek radio dramas produced by Peter Pan Records – follows Kirk, Spock, and McCoy on a mission to an outpost colony world.

Our exploration goes beyond just retelling the story as we delve into the fascinating character of Mr. Spock. Did you know his actual Vulcan name is considered unpronounceable by humans? Or that Leonard Nimoy portrayed this iconic character for nearly 50 years? Born to Jewish Ukrainian immigrants in Boston, Nimoy brought depth and nuance to the half-human, half-Vulcan science officer who eventually retired from Starfleet to serve as a Federation ambassador. We even touch on Spock's complicated relationship with Romulus – a planet he ultimately tried to save from destruction.

This episode marks the beginning of our second season at Melancholy Mentor, where we continue our mission to breathe new life into classic radio dramas.

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Step into the void with us as we journey through John Wyndham's captivating science fiction tale, "The Space Station." We unravel this gem from his 1959 fix-up novel "The Outward Urge," published under the curious dual authorship of Wyndham himself and his alter ego, Lucas Parks.

The story whisks us away to a futuristic station orbiting Earth, where the darkness of space holds both mystery and menace. Like much of Wyndham's work, it beautifully explores themes of isolation, the pioneering spirit of exploration, and the remarkable resilience humans display when faced with the unknown. The story's cosmic setting becomes a perfect backdrop for examining our deepest fears and highest aspirations.

We dive into Wyndham's fascinating literary background, from his early days writing for American pulp magazines in the 1920s to his evolution as one of Britain's most influential science fiction voices. Did you know these pulp magazines got their name from the cheap wood pulp paper they were printed on? Or that Mary Shelley's Frankenstein from 1818 is widely considered the first true science fiction novel? These historical threads connect us to a rich tradition of using scientific concepts to explore profoundly human questions.

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