In this special biography episode of Life With Strings Attached we explore the life and legacy of one of the most significant luthiers of our time, John Monteleone.

Born in Manhattan and raised in Islip, John grew up in a world shaped by sculpture, architecture, and music, thanks to a family deeply rooted in the arts.

From his early work repairing instruments at Mandolin Brothers to creating the Grand Artist mandolin and his celebrated archtop guitars, John developed a voice unmistakably his own. Musicians, collectors, and peers immediately recognized the “thumbprint” of a Monteleone.

His Four Seasons guitars entered the permanent collection of the Metropolitan Museum of Art, and his craftsmanship inspired artists like Béla Fleck, Eric Clapton, and Mark Knopfler, who even honoured John with the song Monteleone.

Today, we trace the story of a maker whose curiosity, discipline, and joy have shaped a remarkable life in guitars.

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Today I’m joined by Max Spohn, a luthier whose path into guitar making has been unusually intentional.

While many makers discover the craft by accident, Max set out early with a clear plan: a childhood surrounded by music and art, formal training in Markneukirchen, and a pivotal apprenticeship with Raymond Kraut, drawing from the Somogyi lineage.

His work reflects that depth: modern acoustic guitars shaped by design thinking, informed by early influences like Kandinsky and Klee, and rooted in the emotional connection players form with their instruments.

In our conversation, we trace Max’s journey from those early artistic foundations to finding his own visual language, learning to trust his instincts, and navigating the world of guitar shows where his work first gained real visibility.

Max says, “I think it’s okay to have a journey,” and today we explore exactly that. How intention, experimentation, and personal expression come together in the guitars he builds.

Watch the video version on YouTube:
🔗 YouTube Channel – Life With Strings Attached

Learn more about Life With Strings Attached and Boutique Guitar Showcase:
🔗 Boutique Guitar Showcase

Support the deeper conversations:
🔗 The Business of Guitar – Patreon

Thank you for listening and supporting the ongoing conversation between music, makers, history and the future.

In this episode of Life With Strings Attached, I’m joined once again by Italian luthier Giulio Negrini. Someone who sits right at the intersection of tradition, innovation, and the changing culture of music.

Today, we’re stepping back from the bench and looking at the bigger picture: how music is evolving, what novelty means in a post–rock-era world, and why the legacy of the great musicians of the 50s through the 90s still shapes the way we think about instruments today.

We talk about the shift that’s happening right now, a shift toward new sounds, new experiences, and new expectations from players of every generation. And we explore what it means for musicians whose physical relationship with their instrument is changing, and how builders like Giulio respond to a culture that’s always moving forward.

It’s a conversation about where we’ve been, where we’re going, and why the desire for something new has never been stronger.

Watch the video version on YouTube:
🔗 YouTube Channel – Life With Strings Attached

Learn more about Life With Strings Attached and Boutique Guitar Showcase:
🔗 Boutique Guitar Showcase

Support the deeper conversations:
🔗 The Business of Guitar – Patreon

Thank you for listening and supporting the ongoing conversation between music, makers, history and the future.