On this episode, the brothers break down the Lifetime classic Death of a Cheerleader, a movie that turns high-school insecurity, Catholic guilt, and one truly awful cheer tryout into a full-blown murder tale. From Kelly Martin actually delivering a great performance to Tori Spelling playing the most believable mean girl imaginable, the movie somehow makes you feel bad for the killer and annoyed at the victim—and we have some things to say about that.

As we sit on the pink couch with mismatched coffee cups, Matt admits he’s now addicted to Lifetime movies, Brett questions why anyone would cut cucumbers in a car, and Brandon tries to make sense of larks, larking, and whatever larking is supposed to accomplish. We also wander into side debates about Hallmark hunks, Sabrina the Teenage Witch, Stranger Things neck thickness, and why this film plays like it was directed by someone who watched Pulp Fiction once and took the wrong notes. Somehow we even fit in a coach's 9/11 speech.

This week, the brothers take a big red-nosed dive into Killer Klowns from Outer Space (1988), a cult classic that wears its absurdity proudly on its grease-paint sleeve. Brandon, Brett, and Matt question the mysteries of the universe—ancient astronaut clowns, popcorn monsters, and why the movie spends so much time explaining its own popcorn physics.

Along the way they spiral into delightfully off-track tangents:

• debating whether the Chiodo Brothers deserved an Ernest Scared Stupid-style franchise run,
• pitching sequels like Killer Klowns Go to Africa and Killer Klowns Enter the Drag Show,
• comparing Burn Notice casting to horror leads,
• and wondering why we got 15 Leprechaun sequels but not a single clown encore.

It’s equal parts horror nostalgia, chaotic improv, and late-night sibling banter—served with extra cotton candy and just a pinch of Motown raisins.

🎧 Tune in wherever you get your podcasts, and remember: aim for the nose.

This week, the Mayo brothers dive headfirst into Halloween Kills — a sequel with more flashbacks than frights and more “Evil Dies Tonight!” chants than actual evil dying. Brandon, Brett, and Matt break down the body count (verified? absolutely not), debate whether Michael Myers teleports or just power-walks like a spooky Olympian, and imagine a Haddonfield economic collapse after the plumber, electrician, and tailor all meet the business end of a butcher knife.

Along the way, the guys detour through Ace of Base, Stuart Little’s questionable adoption paperwork, and the glory days of AMC’s “Spooktober.” They even manage to ponder AI, trauma bonding, and why Paul Rudd should’ve been the one to finally kill evil (or at least charm it to death).

If you’ve ever yelled “Evil dies tonight!” at your TV—or wished Michael Myers would just take a PTO day—this episode’s for you.