Natasha Kermani talks about casting Sophie Turner in her latest film “The Dreadful” https://www.imdb.com/title/tt30842022/ and it’s amazing how she connected with Sophie and demonstrated why this project was a great fit for her trajectory as an actor.

But when Matt and Oren dig into the details of the one thing Natasha said in her letter that sealed the deal, they get a big surprise.

This is a great episode that explores Natasha’s love for the details, discovering Cornwall, and finding the right combinations of textures, imagery and dialect to tell this story. With Kit Harington and Marcia Gay Harden also on board, this was a film that had to deliver. And Natasha shot it in just 18 days.

Finding the right connection with a DP to make such a tight schedule work, without having to panic, can be tricky. And Natasha talks about how she never threw out the shotlist, but always stayed committed to rewriting each day, to keep the creative work intact with the vision.

From specialized dialects developed just for this film, to finding locations to which she specifically wrote scenes of the film, it’s an amazing story of an auteur at work. And through all of this she brought her daughter into the world, and you get to see her on the pod!

This is the episode that shows great work can be done while raising a family in LA. Yes, you too can find the time to make family and work as a filmmaker a lifestyle!

Find Natasha on IG @natakerm

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Help our Patreon! https://www.patreon.com/JustShootItPod

Matt's Endorsement: Italian Paperclips from Dell'era Giuseppe https://www.delleragiuseppe.com/en/stationery/paper-clips/

Oren's Endorsement: Get a DIT who will upload to iCloud as you go without waiting til the end of the shoot.

Natasha's Endorsement: KUSC classical radio https://www.kusc.org/ and just listening t o the radio in general.

Chuck Kinnane's Endorsement from last time: Riehle's Select Popcorn https://www.selectpopcorn.com/

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Chuck Kinnane joins directly from Little Compton, Rhode Island. And he comes out straight on sharing the credit and pay from their latest feature, “Solo Mio”, starring Kevin James.

The Kinnane brothers have been living the dream as filmmakers. And they’re proof that years of work with YouTube videos, closed caption documentaries, and just making shorts, writing scripts and pitching ideas, can and does pay off, even today.

It’s the story of Chuck, who started by just shooting his first films at 10 years old. Then he was fortunate enough to share tastes, aspirations, and the willingness to tough it out, suck up your ego, and collaborate all in the name of what is best for the creative work product. It just so happened he didn’t have to go to film school to find his 7 partners and lifelong collaborators.

Through luck, doing the work, and getting the work out there, the Kinnane brothers met Kevin James, became his co-creator, and then found themselves making an Adam Sandler picture along the way.

This is a fabulous interview. If you like listening to humble, grateful people share the story of how success found them, you won’t want to miss this episode!

Find them on IG: @kinnanebrothers

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Help Matts' film: https://wefunder.com/badfeeling

Help our Patreon! https://www.patreon.com/JustShootItPod

Matt's Endorsement: Sound Guy on YouTube https://youtube.com/playlist?list=PLFH3phl5yd1WWTwZyLbn1tcCo0k-gB8BY&si=0PMQnRpXrarngzLV. Top Seedz Crackers. https://topseedz.com/collections/crackers

Oren's Endorsement: Trader Joe's Buffalo Ranch Popcorn. https://www.traderjoes.com/home/products/pdp/buffalo-ranch-popcorn-080927 Grok AI for video https://grokvideo.ai/

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Producer Jonathan Burns https://www.linkedin.com/in/jonathanaburns talks about his methods for selecting the vibe that he presents to brands and agencies. And the different considerations that drive his every choice from kraft, to restaurants, crew decisions, and more.

Matt and Oren have worked with Jonathan on multiple occasions. And they talk about what separates a production manager who’s graduated “in title” to producer, from a producer who really can be more than a better production coordinator, and box checker.

It’s being good at being client-facing. And as an expert, Jonathan has gained a lot of knowledge about ways in which directors lose clients. And there are some missteps you’ll want to avoid.

How can you be compromising and easy to work with, and still be a commercial director that gets asked back? Should you do animatics, and does anyone care? What does it mean to stand up for your vision and not be a pain in the a** director?

If you’ve been dying for some mentorship as a commercial director, you won’t want to miss this episode!

Connect with Jonathan on IG: @jburnsfilm

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Help Matts' film: https://wefunder.com/badfeeling

Help our Patreon! https://www.patreon.com/JustShootItPod

Matt's Endorsement: Klizia 97 Stapler https://www.amazon.com/s?srs=20289756011&rh=p_89%3AEllepi

Oren's Endorsement: GQ Jordan Nutrition's recipe on Instagram for a power bar. After the Hunt VFX breakdown. https://www.youtube.com/watch?v=v3faJNPWE9Q

Jonathan's Endorsement: Lemon Posset recipe on TikTok https://www.tiktok.com/@s_johnson_voiceovers/video/7377164596550896939?lang=en

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