Painting, sculpture, installation, conceptual work—mediums are the building blocks of how art shows up in the world. But they’re rarely explained in a way that feels accessible or relevant.

In this episode, Mackenzie offers a clear, conversational introduction to the major art mediums you’ll encounter in galleries and museums today. We talk about what defines each one, how artists use them, and why medium matters—not as a rulebook, but as context.

This is not an art history lesson. It’s a guide to looking with more confidence and curiosity. You’ll leave with a clearer sense of how to approach different kinds of work, what questions to ask, and how to articulate your reactions without overthinking them.

Because understanding the medium doesn’t limit your response—it deepens it.

Resources & References

Artists & Works Mentioned in the Episode:

• Leonardo da Vinci, Salvator Mundi (c. 1500)

• Mark Rothko, Color Field Paintings (1940s–1960s)

• Vincent van Gogh, Paintings (1880s–1890s)

• Pablo Picasso, Drawings and Studies (1890s–1970s)

• Michelangelo, Drawings and Studies (1490s–1560s)

• Jeff Koons, Sculptures (1980s–present)

• Richard Serra, Steel Sculptures and Installations (1960s–2010s)

• Carl Andre, Equivalent VIII (1966)

• Yayoi Kusama, Infinity Rooms (1965–present)

• Do Ho Suh, Fabric House Installations (1990s–present)

• Marcel Duchamp, Fountain (1917)

• Piero Manzoni, Artist’s Shit (1961)

• Yoko Ono, Cut Piece (1964)

What medium surprised you the most? DM me or tag @LaCollector -- I’d love to see what caught your eye and what you’re curious to explore next.