Recognised as one of the most dynamic and internationally acclaimed conductors of his generation, Andrea Battistoni has conducted in many of the world’s leading opera houses, including Covent Garden and Deutsche Oper Berlin. He’s currently music director with Teatro Regio di Torino, chief conductor of the Tokyo Philharmonic Orchestra, and has just commenced another role – as Music Director of Opera Australia.

In this wide-ranging conversation, Andrea reflects on this appointment and the artistic vision he hopes to bring to a company he feels a great connection with, as well as a deep affection for the Australian way of working. While Italian opera remains central to his musical DNA, he speaks candidly about his desire to broaden his repertoire in Australia, exploring German, Slavic and contemporary works. He also offers fascinating insights into the role of a music director, from shaping orchestral sound and casting decisions to supporting singers in the unpredictable reality of live performance.

Andrea traces his own journey from a childhood in Verona inspired by summer nights at the arena and a fiercely determined mother who insisted on his musical training, to becoming the youngest conductor ever to appear at La Scala. He speaks openly about the challenges of authority, leadership and learning to manage the people as much as the music, as well as the instinct that’s needed on the podium. Alongside his conducting career, composition is playing an increasingly important role in his life, with a new opera and major works premiering in Europe later this year. With lovely honesty and humour, he reflects on family life on the road, his enduring love of Puccini, and even gently compares coffee in Australia to Italy.

Andrea Battistoni conducts Turandot and Madame Butterfly for Opera Australia until March 14.