The Girls Are Fighting, the Docs Are Dropping, and the Tea Is Boiling — Episode 4 The Girls Are Fighting, the Docs Are Dropping, and the Tea Is Boiling — Episode 4 (The Shadier Cut)

Netflix really woke up one morning and said, “Let’s traumatize the girls again,” because that America’s Next Top Model exposé didn’t just drop — it detonated. Every dark secret we side‑eyed for years is now in 4K, and Tyra is somewhere pretending she’s never heard of the show. Mama, the internet has a dissertation with your name on it.

Over in Potomac, Ashley Darby is being dragged back into her Mean Girls era like it’s a limited‑time Bravo Vault re‑release. She got called out at the reunion, and suddenly, she’s blinking like she forgot the cameras were on. And that next trailer? Oh, the mess is metastasizing. Growth is cute, but accountability is where the wigs get snatched.

Meanwhile, Dorinda Medley is sliding into Jill “KKK” Zarin’s old RHONY reboot spot, and the energy shift is so dramatic it could qualify for its own Emmy category. The girls are already bracing themselves because Dorinda doesn’t “make it nice,” she makes it necessary.

And tell me why Bravo is out here playing hopscotch with timelines. RHORI before RHOA? At this point, the franchise is being scheduled by a malfunctioning multiverse generator.

On The Traitors, the castle is thinning faster than a Housewives' friendship after a sponsored event. Who’s lying, who’s crying, and did Rob really set up Eric to flop like a clearance‑rack wig. The paranoia is Michelin‑star delicious.

Beverly Hills is also in chaos — a new lead Housewife is emerging, and let’s be clear: it is absolutely, unequivocally, undeniably not SCAM‑Manda. The diamonds are shifting and some people are about to get cut. And finally, Drag Race. Mia walked in, giving star power, presence, and “I’m here to collect my check and leave you girls pressed” energy. The rest of the cast should probably stretch, because she’s running laps around them.