James’s father’s dying wish was for his ashes to be spread on the 18th hole of a fancy private golf course. That was 16 years ago. In this episode, James, Jonathan, and their friend Howard attempt a golf heist to get into the club and set things right.

In today's update, Jonathan calls up James for one last interview. Just when James thinks he's out, we pull him back in!

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This episode was produced by Jonathan Goldstein, Wendy Dorr, Chris Neary, and Kalila Holt, with editing by Jorge Just and Alex Blumberg. Special thanks to Emily Condon, Stevie Lane, Derek Hurst, Stephen Hughes, and Jackie Cohen. The show was mixed by Haley Shaw. Music by Christine Fellows, Paul De Jong, Blue Dot Sessions, Benny Reid, Caspar Babypants, and Hew Time. Our theme song is by The Weakerthans courtesy of Epitaph Records. Mixing on this update by Sarah Bruguiere, with production by Lisa Wang.

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Jonathan and Kalila go toe-to-toe as guests on the children’s debate podcast, Smash Boom Best, where they debate the merits of phone calls vs. texting. We had a lot of fun doing it, and—if it’s not too bold to presume—we think you will have fun listening to it.

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In grade 8, Julia was bullied so badly by a group of girls that she changed schools without telling anyone. Soon after, the girls from her old school showed up at her house and rang her doorbell. She didn’t answer it. For the past 20 years, Julia’s been wondering what those girls wanted.

Ten years after the release of this episode, we check back in with Julia, to hear how her life changed in the aftermath of the episode.

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This episode was produced by Jonathan Goldstein, Chris Neary, and Kalila Holt, with senior production by Wendy Dorr. Editing by Alex Blumberg and Jorge Just. Special thanks to Emily Condon, Maya Goldberg-Safir, Lina Chambers, Emily Kennedy, Laura Scott, and Jackie Cohen. The show was mixed by Haley Shaw. Music for this episode by Christine Fellows, with additional music by Blue Dot Sessions and Keen Collective. Our theme song is by The Weakerthans courtesy of Epitaph Records, and our ad music is by Haley Shaw. Mixing on this update by Sarah Bruguiere, with production by Lisa Wang.

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Throughout high school, Brandon was a misfit. Then one day, out of the blue, one of the school’s prettiest, most popular girls asked him to prom. Fifteen years later, Brandon wants to know: why him?

Four years after the release of his episode, we check back in with Brandon to learn what's changed and get an update on his underwear situation.

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This episode was produced by Stevie Lane and Mohini Madgavkar. The senior producer is Kalila Holt. Special thanks to Emily Condon, Alex Blumberg, Sharon Mashihi, Mimi O’Donnell, Jessica Yung, and Jackie Cohen. The show was mixed by Bobby Lord. Music by Christine Fellows, John K Samson, Michael Hearst, the Jacobi Family Band, Podington Bear, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Mixing on this update by Sarah Bruguiere, with production by Lisa Wang.

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Maia found a painting in the garbage and took it home. But as it turned out, it wasn’t just any painting.

In this update, Kalila learns that she might have been looking at the painting all wrong.

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This episode was hosted and produced by Kalila Holt, along with Jonathan Goldstein. Our supervising producer is Stevie Lane. Production help from Damiano Marchetti. Special thanks to Sam Reisman, Emily Condon, Alex Blumberg, Lydia Polgreen, Marcy Flynn, Karl McCool, Caitlin Kenney, and Kayla Lattimore. The show was mixed by Bobby Lord. Music by Christine Fellows, John K Samson, Blue Dot Sessions, Michael Hearst, Sun Shapes, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Mixing on this update by Sarah Bruguiere.

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When Christina was in 11th grade, her foster mother made her quit playing basketball. After that, she felt like her life never got back on course. And so, she’s always wanted to ask her foster mother: why’d you make me quit?

Now, 9 years after the episode originally aired, we check back in with Christina, and she tells us about seeing her foster mother one last time.

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This episode was produced by Jonathan Goldstein and Kalila Holt, with editing by Jorge Just, Alex Blumberg, and Wendy Dorr. The senior producer is Kaitlin Roberts. Special thanks to Emily Condon, Stevie Lane, and Jackie Cohen. The show was mixed by Kate Bilinski. Music by Christine Fellows, John K Samson, and Edwin, with additional music by Blue Dot Sessions and Hew Time. Our theme song is by The Weakerthans courtesy of Epitaph Records. Mixing on this update by Sarah Bruguiere.

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When Skye was in middle school, her best friends showed up at her home one night and wrote “f*ck you” on her garage door. After that, they never spoke again. Decades later, at the urging of her eleven-year-old son, Clark, Skye sets off to finally ask them why.

In this update, Skye tells us how that confrontation has shaped her and Clark in the years since.

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This episode was produced by Jonathan Goldstein, Kalila Holt, Peter Bresnan, and Stevie Lane, with editing by Jorge Just and Alex Blumberg. Special thanks to Emily Condon, Devon Taylor, Annika Pillsbury, and Jackie Cohen. The show was mixed by Bobby Lord. Music by Christine Fellows, John K Samson, Bobby Lord, Edwin, Blue Dot Sessions, Michael Hearst, and Hew Time. Our theme song is by The Weakerthans courtesy of Epitaph Records. Mixing on this update by Sarah Bruguiere.

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This week, Jonathan joins the ranks of A-list celebrities as a guest on NPR's Wild Card with Rachel Martin. Death, ghosts, the pleasures and perils of talking to strangers... Rachel and Jonathan talk about it all.

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