In this episode, we dive deep into the 1972 British science fiction horror cult classic, The Asphyx (also known as Spirit of the Dead or The Horror of Death). Set in the Victorian era, this unique period chiller follows a wealthy philanthropist and amateur scientist, Sir Hugo Cunningham, who stumbles upon a way to photograph the "Asphyx"—the Ancient Greek spirit of death that appears at the precise moment of a person's demise.

Before we get into the meat of the film, we have to address the elephant in the room: the visuals. Throughout the episode, you’ll hear us absolutely tear into the "pan and scan" and the ropy, grainy picture quality of the version we watched.

Full disclosure: We’ve since realized we were watching a particularly bottom-of-the-barrel DVD. It turns out there are actually stunning, high-quality HD versions of The Asphyx available for free on YouTube! From the Todd-AO 35mm widescreen transfers to beautifully restored prints, the real film looks pretty good. If you want to see what Freddie Young actually intended, go search for it—it’s easy to find and looks worlds better than the disc we suffered through.

Despite our technical hurdles, The Asphyx is a fascinating piece of British cinema history. We explore the career of director Peter Newbrook, who rose from a messenger boy to the second unit photographer for the legendary mirage shot in Lawrence of Arabia.

Key Discussion Points:

• The Legend Freddie Young: How a three-time Academy Award-winning cinematographer ended up shooting a 70s mad scientist flick.
• The Ghostbusters Connection: We examine the theory that this film’s spirit-trapping tech was the direct blueprint for the 1984 Ghostbusters equipment.
• The Remake That Never Was: Details on the failed 2011 reboot that was set to star Bond girl Alison Doody.
• Music: Composer Bill McGuffie (of Daleks' Invasion Earth 2150 A.D. fame) and his incredible story of overcoming a childhood injury to master the piano.

The acting pedigree in this film is surprisingly high, featuring some of the most recognizable faces in British television and film:

• Robert Stephens: The star of The Prime of Miss Jean Brodie and The Private Life of Sherlock Holmes. We discuss his marriage to Maggie Smith and his iconic work in The Box of Delights.
• Robert Powell: From Jesus of Nazareth to fighting rats in Doomwatch, Powell brings a certain intensity to the role of Giles.
• Jane Lapotaire: A Tony-winner and star of The Crown (as Princess Alice). We also take a detour into her role in One of Our Dinosaurs Is Missing.
• Fiona Walker & Ralph Arliss: Spotting familiar faces from Doctor Who, I, Claudius, The Abominable Dr. Phibes, and the classic series Survivors.

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In this episode, we explore the 1981 television pilot K-9 and Company, a unique and historic entry in the Doctor Who universe. Produced as a proposed Doctor Who spin-off, K-9 and Company stars the legendary Elisabeth Sladen as investigative journalist Sarah Jane Smith alongside the robotic dog K9, voiced by John Leeson. While both were iconic former companions of the Fourth Doctor in Doctor Who, they had never appeared together on screen until the K-9 and Company pilot episode, titled A Girl’s Best Friend. Broadcast on BBC1 as a Doctor Who related Christmas special on 28 December 1981, K-9 and Company remains a vital piece of the Doctor Who franchise history despite not being commissioned for a full series.

The existence of K-9 and Company was largely due to Doctor Who producer John Nathan-Turner, who wanted to bring Elisabeth Sladen back to the Doctor Who family. His initial 1980 plan for the actress would have seen Sarah Jane Smith travel in the TARDIS during the Doctor Who transition from Tom Baker to Peter Davison. However, Sladen wanted a role that evolved beyond her previous Doctor Who narrative. Simultaneously, the Doctor Who production team was struggling with the logistics of K9. While K9 was a massive hit with Doctor Who viewers, the prop was technically awkward and made the Doctor Who heroes too capable. The solution was K-9 and Company, a child-orientated Doctor Who spin-off where Sarah Jane Smith would be the central heroic lead.

Before K-9 and Company, Elisabeth Clara Heath Sladen built a career in theatre and television, appearing in Z-Cars and Doomwatch. Her work on Z-Cars led directly to her casting in Doctor Who. Interestingly, the Doctor Who role of the new companion for The Time Warrior was originally cast with April Walker. However, Doctor Who lead Jon Pertwee felt the chemistry was wrong, leading to Sladen being cast as the definitive Sarah Jane Smith. She played the role in Doctor Who from 1973 to 1976, eventually returning for the K-9 and Company pilot. Her Doctor Who legacy continued in 2006 with David Tennant and the successful Doctor Who spin-off The Sarah Jane Adventures. Following her death in 2011, Doctor Who aired a tribute during The Impossible Astronaut, proving her status as a Doctor Who icon.

The voice behind the metal dog in K-9 and Company, John Leeson, first voiced K9 in the 1977 Doctor Who serial The Invisible Enemy. While Tom Baker had a difficult relationship with the K9 prop, he worked well with Leeson. Leeson briefly left Doctor Who to avoid being typecast but returned for K-9 and Company and later the Doctor Who anniversary special The Five Doctors. The K-9 and Company pilot also featured Colin Jeavons, known for his work in The Hitch Hiker’s Guide to the Galaxy and the Doctor Who serial The Underwater Menace, and Mary Wimbush, a stalwart of The Archers. Written by Terence Dudley, a writer and director for Doctor Who stories like Meglos, the K-9 and Company pilot stands as a fascinating "what if" in the wider Doctor Who mythology.

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