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In this episode, I bring to a close my journey through Edna, His Wife by Pulitzer Prize–winning author Margaret Ayer Barnes, a novel that paints a hauntingly intimate portrait of a family navigating life in the shadow of the 1915 Eastland Disaster.

This final section steps past the catastrophe itself and into the tangled aftermath: the paperwork of loss, the quiet unraveling of marriages, and the daily rituals of mourning that linger long after the headlines fade.

Through Edna’s sorrow, Barnes reveals how loss reshapes who we are, transforms our connections, and changes the very tempo of our lives.

A mysterious letter from a figure in Edna’s past, with no return address, becomes a lifeline to her former self, a reminder that identity endures despite shifting circumstances. I also explore how memory, literature, and genealogy weave together, and why honoring history through careful research is so vital.

I recount the thrill of finding an autographed copy of Barnes’ novel and reflect on the deep responsibility storytellers and genealogists share to preserve history with honesty, compassion, and devotion.

Resources:

• “Miss Cornelia Otis Skinner Skillfully Presents ‘Edna His Wife,’” The Washington Daily News (Washington, D.C.), February 22, 1938, accessed via Chronicling America, Library of Congress.
• Edna His Wife, Broadway production, December 7, 1937–January 1938, Little Theatre, New York, Internet Broadway Database (IBDB).
• Margaret Ayer Barnes, Edna, His Wife: An American Idyll (Boston: Houghton Mifflin Company, 1935), accessed via Internet Archive.

• Book website: https://www.flowerintheriver.com/
• Substack: https://nataliezett.substack.com/
• LinkedIn: https://www.linkedin.com/in/natalie-z-87092b15/
• Instagram: https://www.instagram.com/zettnatalie/
• YouTube: Flower in the River - A Family Tale Finally Told - YouTube
• Medium: Natalie Zett – Medium
• The opening/closing song is Twilight by 8opus
• Other music. Artlist

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A single newspaper review from 1938 turned this story on its head.
Digging through Chronicling America, I stumbled upon a mention of Cornelia Otis Skinner's one-woman show—a performance inspired by Margaret Ayer Barnes's novel Edna, His Wife—and it included a "sensational scene" set on the Eastland. That brief reference shatters the myth that Chicago's 1915 disaster simply faded from memory. It never vanished. It lingered in novels, on stage, in film, and in poems.

I retrace that rediscovery, then plunge into vivid passages from Barnes's novel: morning chatter, a ringing phone, a name called out. The Chicago River teeming with people. A stranger thrusting a peach crate into a woman's arms. In the armory—now a morgue—the coroner pleading with a restless crowd to let grieving families pass. Headlines scrambling for blame. Two sisters selecting gloves, pews, and pallbearers.

These scenes press close because they ring true: the sound of shock, the way loss rearranges a room, a city returning to work beneath the glare of searchlights.

I also pause to ask a larger question: what other stories have been hiding in plain sight? Barnes won a Pulitzer, yet her Eastland chapter is rarely—if ever—mentioned today. Skinner crafted a powerhouse performance from that book, but her credit faded into the background. This story was waiting to be found.

Why wasn't it?

Here, genealogy, local lore, and literature intertwine—revealing how culture preserves memory even when research falls short.

Resources:

• “Miss Cornelia Otis Skinner Skillfully Presents ‘Edna His Wife,’” The Washington Daily News (Washington, D.C.), February 22, 1938, accessed via Chronicling America, Library of Congress.
• Edna His Wife, Broadway production, December 7, 1937–January 1938, Little Theatre, New York, Internet Broadway Database (IBDB).
• Margaret Ayer Barnes, Edna, His Wife: An American Idyll (Boston: Houghton Mifflin Company, 1935), accessed via Internet Archive.

• Book website: https://www.flowerintheriver.com/
• Substack: https://nataliezett.substack.com/
• LinkedIn: https://www.linkedin.com/in/natalie-z-87092b15/
• Instagram: https://www.instagram.com/zettnatalie/
• YouTube: Flower in the River - A Family Tale Finally Told - YouTube
• Medium: Natalie Zett – Medium
• The opening/closing song is Twilight by 8opus
• Other music. Artlist

Send us a text

In this episode, I finish reading “Catastrophe on the Chicago River,” a Czech-language article by Josef Mach Sr. from 1916. The piece delivers a searing, firsthand account of the Eastland Disaster’s impact on Chicago’s Czech community: families shattered by the loss of multiple members, a grieving husband driven to despair after losing his wife, and three hundred funerals unfolding in just three days.

But then, an unexpected detail rises to the surface.

Near the end of the article, a name appears: Anton J. Cermak. Chief Bailiff. President of the Czech Assistance Committee. The man who would later become Chicago’s first and only foreign (Czech) born mayor—and who would die after the 1933 assassination attempt that also targeted Franklin Delano Roosevelt.

Cermak didn’t just oversee a relief fund. According to a 1934 Czech publication, he rushed to the scene, worked without rest for days, and may have never fully recovered.

This was not a new discovery. The Eastland Memorial Society had already traced Cermak’s connection and shared it on their website. When the organization dissolved, that knowledge was left behind. It lingered, preserved yet hidden, waiting in the Internet Archive.

And this cycle repeats itself.

The research is out there. The documentation survives. But when groups dissolve, authors move on, and sites go dark, history sometimes slides back into the river—not because it was never found, but because research gets reduced to a highlight reel and bullet points.

As Elizabeth Shown Mills reminds us, genealogy requires reasonably exhaustive research. That standard doesn’t expire. It doesn’t end when a book gets published or when a historical organization closes its doors.

The Eastland story needs researchers who will keep digging, keep translating, keep connecting the dots, because the cycle of endlessly “rediscovering” what was already known is wearing thin.

Resources:

• Kalendar Hlasatel: Pro Čechy Americké na Obyčejný Rok 1934. Chicago: Tiskem a nákladem Denního Hlasatele, 1934.
• Náše Rodina, the journal of the Czechoslovak Genealogical Society International
• Amerikán Národní Kalendář (1916)—Chicago Czech annual almanac
• Eastland Disaster Victims on Find a Grave—where the restored photos are being added. (Note: Eastland Disaster Victims on Find a Grave is where you will most likely find bios for the majority of those who died on the Eastland. There, you can also contribute.)
• Scriptum.cz—the Czech d

• Book website: https://www.flowerintheriver.com/
• Substack: https://nataliezett.substack.com/
• LinkedIn: https://www.linkedin.com/in/natalie-z-87092b15/
• Instagram: https://www.instagram.com/zettnatalie/
• YouTube: Flower in the River - A Family Tale Finally Told - YouTube
• Medium: Natalie Zett – Medium
• The opening/closing song is Twilight by 8opus
• Other music. Artlist