This week we’ll look a little deeper under the charts, focusing on the year 1959, a time when teenage targeted music encouraged new dances, new forms of self-expression and a sound whose influence went beyond the sweetheart, white bread sounds of middle America. To say the least, older generations associated it all with some sort of moral decline. But the sounds of the post-rock explosion laid the foundation for everything that followed: the rise of the teen market, generational conflict as a defining social theme and a sound that was a vehicle for identity and change. Adolescence itself was being redefined. We’ll tune into one of our favorite themes: under the charts. Songs you likely haven’t heard but a few I’m sure you have; tune in for music from Robin Luke, Tommy Sands, Chuck Berry, Carl Mann, Joe Antel and over two dozen others in a two hour sock hop blast here on KOWS Community Radio.

We’re going to be excavating the country archives, dusting off the 45s and 78s with abandon and making it a morning of deep tracks while the dust on the needle collects. Country music storytelling was often smeared with the tangled webs of cheatin’, drinkin’ and Sunday mornin’s blinding gleam of redemption…and the stories would start all over Sunday night. This week’s show doesn’t look for the hits so much as it looks for examples of classic themes from the late forties right into the seventies. Post-war hillbilly developed into what we know as country music and you’ll be treated this morning to the likes of Tony Douglas, Carl Butler, Anita Carter, Carl Belew and a host of others…some known, some hardly recognized. The selections are a special lot. So drop in why don’t you?

Another free form musical delight is ready and waiting for your ears this coming Friday morning. We dig into some mid-century nuggets from the country genre with Red Foley and Ernest Tubb as well as Merle Haggard, Asleep at the Wheel and Joe Ely. That, of course, hardly covers the two hours. There’s also some hot rhythms from NRBQ, Daddy Cleanhead, Slim Harpo, Fats Domino and the sweet and brassy sounds from Billie Holiday, Johnny Mercer, and Babs Gonzales. Our new year won’t make promises but our hopes are all we’ve got, remembering that hate will never win if you don’t let it. There’s been wars fought for much less.

This week’s Deeper Roots, our first show of 2026, is most appropriately built for fresh starts and open horizons—a musical reset button for the soul. Our Friday morning journey will wind its way across gospel, folk, jazz, swing, and Americana, all tied together by the promise of new beginnings and the belief that tomorrow can be better than today. You’ll hear voices of resilience and joy including The Staple Singers, poetic reinvention from Bob Dylan, the irrepressible optimism and swing of Louis Prima, the elegant, forward-moving guitar lines of Herb Ellis, and the border-crossing storytelling of Carrie Rodriguez. Settle in as we welcome brand new days with music that lifts spirits, opens doors, and reminds us that hope is always worth tuning in for. And you can do just that this Friday morning on KOWS.

We bring you part 2 of our 2025 remembrance where we pay tribute to another group of performers and contributors who left us with an Americana legacy. Over the past century, American music has been shaped by rare combinations of talent, wit, wisdom, and deeply personal approaches to arrangement, rhythm, and delivery. This year we reflect on the contributions from artists and architects of sound whose work continues to resonate. In this episode, we will move from the pop sounds of Jane Morgan and Richard Chamberlain to the legendary late century performers like the Grateful Dead, Sly Stone, and Bad Company. We'll also take some time to remember Joe Ely, Ozzy Osbourne, Johnny Tillotson and Tom Lehrer. Hope you can drop in for this second, and last chapter of 2025. You can listen live, online, at 9 Pacific each Friday at www.kowsfm.com/listen.

Another year turns, and once again we pause to honor the legacies that aren’t left behind so much as carried forward—alive in the music itself. Over the past century, American music has been shaped by rare combinations of talent, wit, wisdom, and deeply personal approaches to arrangement, rhythm, and delivery. This year we reflect on the contributions from artists and architects of sound whose work continues to resonate: voices and visionaries such as Raul Malo, Flaco Jiménez, Steve Cropper, Phil Upchurch, Jerry Butler, Brian Wilson, David Johansen, Tony Bennett, and Garth Hudson. Their influence spans genres, generations, and countless records that still speak loud and clear. With just two hours, hard choices have to be made—so this tribute begins as Part 1 of a two part reflection. We hope you’ll tune in for a thoughtful look back at the artists whose legacies defined the soundtrack of our lives.

Long before you ever knew his name, Steve Cropper’s music was a part of your life if you grew up with a radio tuned to soul, rock, or R&B. You were already absorbing his fingerwork: that clipped, chiming guitar on “Green Onions,” the taut groove that made Wilson Pickett sound ten feet tall, or the unmistakable snap of Stax rhythm sections he helped shape. We lost a giant who contributed to the Americana musical landscape this past week and our show this week will reflect on his body of work. He wasn’t just part of the soundtrack of our lives, he was part of the atmosphere, a presence whose playing taught you—quietly and consistently—what feel really meant. To grow up with Steve Cropper’s music is to realize, eventually, that he helped define not just a sound but a sensibility—one where the groove is tight, the soul runs deep, and the guitar part is always exactly what the song needs and not a note more.

This week’s show leans into the rougher side of the tradition: the places where bruised pride, bad decisions, and raw truth find their way into song. “The down and dirty blues” isn’t a stylistic claim so much as a shared attitude — the kind shaped by rent coming due, lovers turning cold, and the kind of trouble that sits heavy in the gut. Across the past century, singers and players have used these stories to put plainspoken feeling into motion, building grooves that don’t promise comfort so much as recognition. Across two hours, we’ll move through voices that carried this edge with conviction — men and women from the 1930s onward who weren’t at all shy about calling out mean mistreaters or confessing their own missteps. You’ll hear hard-driving cuts where guitars sting, pianos roll, and vocals land with a certain bruising weight. Tune in for the likes of Victoria Spivey, Lonnie Johnson, Dirty Red, Little Joe Blue, Howlin’ Wolf and a couple dozen others. The ‘dirty dozen’ doesn’t get much dirtier than this.