Confession: We’ve been faking it… and THE WICKER MAN might be one of the most important horror movies we somehow never watched.

In this episode of Confessions of a Film Poser, we finally watch Robin Hardy’s THE WICKER MAN (1973) for the very first time, and we were not prepared for just how strange, funny, musical, unsettling, and completely unlike almost any other horror movie this thing is.

Starring Edward Woodward as Police Sergeant Neil Howie and Christopher Lee as Lord Summerisle, THE WICKER MAN follows Howie as he travels to a remote Scottish island to investigate the disappearance of a young girl named Rowan Morrison.

But the islanders insist she never existed.

And the deeper Howie digs, the stranger things get.

Very strange.

Extremely musical.

Directed by Robin Hardy and written by Anthony Shaffer, THE WICKER MAN became one of the defining films of folk horror, blending mystery, religion, pagan ritual, dark comedy, music, and an increasingly overwhelming sense that Sergeant Howie may have made a very bad decision coming to Summerisle.

Along the way, we talk about Edward Woodward’s performance, Christopher Lee in full Lord Summerisle mode, the bizarre residents of the island, the movie’s unforgettable songs, its clash between Christianity and paganism, and why THE WICKER MAN feels so different from almost every other horror movie of its era.

From its deceptively calm opening to its increasingly surreal rituals and one of the most famous endings in horror history, we break down our genuine first-time reactions, the moments that surprised us most, what worked, what didn’t, and whether this cult classic still deserves its legendary reputation more than 50 years later.

Is THE WICKER MAN one of the greatest folk horror movies ever made...

or is Summerisle just a very strange place to spend a weekend?

If you're into first-time movie reactions, classic horror, 70s horror movies, folk horror, cult films, Christopher Lee, movie discussions, and honest, unfiltered conversations about cinema, welcome to the Poser Movie Club.

🔥 What is the greatest folk horror movie of all time?

The Wicker Man?
Midsommar?
The Witch?
Blood on Satan’s Claw?
Something else?

Let us know in the comments.

🎬 Previous Episode: THE CHANGELING (1980) 👉

▶️ YouTube: Confessions of a Film Poser
📧 Email: confessionsofafilmposer@gmail.com
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🎧 Listen on Spotify, Apple Podcasts, and all major podcast platforms

Confession: We’ve been faking it… and THE CHANGELING might be one of the most respected haunted-house movies we somehow never watched.

In this episode of Confessions of a Film Poser, we finally watch Peter Medak’s THE CHANGELING (1980) for the very first time, and we were not prepared for how creepy, tragic, atmospheric, and genuinely unsettling this movie gets.

Starring George C. Scott as composer John Russell, THE CHANGELING follows a grieving man who moves into a massive old mansion following the devastating loss of his wife and daughter.

Unfortunately, he isn’t alone.

And whatever is inside that house really wants his attention.

Directed by Peter Medak and inspired by supposedly true events experienced by writer Russell Hunter, THE CHANGELING became one of the defining supernatural horror films of the early 1980s, famous for its slow-burn atmosphere, eerie sound design, séance sequence, mysterious wheelchair, and one incredibly ominous bouncing ball.

Along the way, we talk about George C. Scott’s performance, the mystery surrounding the house, the séance scene, the disturbing story of Joseph Carmichael, that staircase, the infamous bouncing ball, and why THE CHANGELING has influenced haunted-house movies for decades.

From its devastating opening to its escalating supernatural mystery and unforgettable final act, we break down our genuine first-time reactions, the moments that creeped us out the most, what worked, what didn’t, and whether this horror classic still deserves its reputation more than 45 years later.

Is THE CHANGELING one of the greatest haunted-house movies ever made...

or has its reputation become scarier than the movie itself?

If you're into first-time movie reactions, classic horror, 80s horror movies, supernatural horror, haunted houses, ghost stories, cult films, movie discussions, and honest, unfiltered conversations about cinema, welcome to the Poser Movie Club.

👻 What is the greatest haunted-house movie of all time?

The Changeling? The Haunting? The Shining? Poltergeist? The Others? Something else?

Let us know in the comments.

🎬 Previous Episode: THE HOWLING (1981) 👉

▶️ YouTube: Confessions of a Film Poser
📧 Email: confessionsofafilmposer@gmail.com
📸 Instagram: @confessionsofafilmposer
🎵 TikTok: @confessionsofafilmposer
🎧 Listen on Spotify, Apple Podcasts, and all major podcast platforms

Confession: We’ve been faking it… and THE HOWLING might be one of the most important werewolf movies we somehow never watched.

In this episode of Confessions of a Film Poser, we finally watch Joe Dante’s THE HOWLING (1981) for the very first time, and we were not prepared for how strange, dark, funny, and genuinely nasty this movie gets.

Starring Dee Wallace as television reporter Karen White, THE HOWLING follows Karen as she retreats to a secluded treatment center after a traumatic encounter with a serial killer. But something about the people living there feels very, very wrong.

And before long, things get hairy.

Very hairy.

Directed by Joe Dante and based on the novel by Gary Brandner, THE HOWLING arrived during an incredible era for werewolf movies and became famous for its grotesque practical effects, disturbing transformations, dark humor, and unforgettable creature design.

Along the way, we talk about Rob Bottin’s legendary effects work, Dee Wallace’s performance, the bizarre residents of “The Colony,” the movie’s twisted sense of humor, and how THE HOWLING stacks up against some of the biggest werewolf films ever made.

From its slow-burn opening to its wild transformations and unforgettable ending, we break down our genuine first-time reactions, the moments that surprised us most, what worked, what didn’t, and whether this horror classic still deserves its reputation more than 40 years later.

Is THE HOWLING one of the greatest werewolf movies ever made...

or has it been overshadowed by the other monsters of 1981?

If you're into first-time movie reactions, classic horror, 80s horror movies, practical effects, cult films, werewolf movies, movie discussions, and honest, unfiltered conversations about cinema, welcome to the Poser Movie Club.

🐺 What is the greatest werewolf movie of all time?

The Howling?
An American Werewolf in London?
The Wolf Man?
Dog Soldiers?
Something else?

Let us know in the comments.

🎬 Previous Episode: FREAKED (1993) 👉

https://youtu.be/ub6rNdsudLM

▶️ YouTube: Confessions of a Film Poser
📧 Email: confessionsofafilmposer@gmail.com
📸 Instagram: @confessionsofafilmposer
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🎧 Listen on Spotify, Apple Podcasts, and all major podcast platforms

Confession: One of us has been faking it… and somehow Eli completely missed the John Ritter movie where SATAN SUCKS PEOPLE INTO A TELEVISION.

In this episode of Confessions of a Film Poser, we finally watch Stay Tuned (1992) for the very first time and nothing could’ve prepared us for 24 hours of Hellvision.

Directed by Peter Hyams, Stay Tuned stars John Ritter and Pam Dawber as Roy and Helen Knable, a married couple already having problems when Roy’s obsession with television leads him to accept a suspicious new satellite dish. Before long, they’re literally sucked into a demonic TV universe where they have to survive twisted versions of television shows and movies if they ever want to make it home.

From killer game shows and cartoon chaos to wrestling, westerns, movie parodies, and Jeffrey Jones having the time of his life as the devilish Spike, we break down our raw first-time reaction, the jokes that landed, the ones that didn’t, and the completely bonkers imagination behind this forgotten piece of ’90s weirdness.

Is Stay Tuned an overlooked ’90s cult classic that was ahead of its time… or should Hellvision have stayed canceled?

If you’re into first-time movie reactions, forgotten ’90s movies, cult classics, and honest, unfiltered discussion—welcome to the Poser Movie Club.

🎬 Previous Episode: Freaked 👉 https://youtu.be/ub6rNdsudLM

▶️ YouTube: Confessions of a Film Poser
📧 Email: confessionsofafilmposer@gmail.com
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🎧 Listen on Spotify, Apple Podcasts, and all major podcast platforms

Confession: One of us has NEVER seen Freaked.

In this episode of Confessions of a Film Poser, we finally watch Freaked (1993) for the very first time and we were absolutely not prepared for whatever the hell this movie is.

Directed by Alex Winter and Tom Stern, Freaked is a completely unhinged cocktail of mutant monsters, gross-out comedy, insane practical effects, MTV-era chaos, and jokes flying at you faster than you can process them.

And somehow… it works.

From Alex Winter’s transformation into a hideous freak to Randy Quaid’s completely deranged Elijah C. Skuggs, we break down our raw first-time reaction, our favorite mutants, the practical effects, the jokes that absolutely destroyed us, and the bizarre story of how a movie THIS weird ever got made by a major studio.

Because Freaked isn’t just strange.

It feels like someone gave a bunch of lunatics millions of dollars, locked the studio executives out of the building, and told them to make the weirdest movie imaginable.

So why did Freaked disappear?

Was it simply too bizarre for audiences in 1993… or is this one of the most criminally overlooked cult comedies of the ’90s?

If you’re into first-time movie reactions, forgotten cult movies, practical effects, movie history, and honest, unfiltered takes… you’re in the right place.

Welcome to the Poser Movie Club.

▶️ YouTube: Confessions of a Film Poser
📧 Email: confessionsofafilmposer@gmail.com
📸 Instagram: @confessionsofafilmposer
🎵 TikTok: @confessionsofafilmposer
🎧 Listen on all major podcast platforms: Spotify • Apple Podcasts

Confession: We’ve been faking it… and CRUISING might be one of the most controversial films we've completely overlooked.

In this episode of Confessions of a Film Poser, we finally watch William Friedkin's CRUISING (1980) for the very first time, and we were not prepared for how provocative, unsettling, and strangely hypnotic this movie still feels more than 45 years later.

Starring Al Pacino in one of the most unusual roles of his career, CRUISING follows an undercover NYPD officer who infiltrates New York City's underground leather bar scene to investigate a series of brutal murders. As the investigation deepens, the line between his assignment and his identity begins to blur in ways that are disturbing, mysterious, and endlessly debated.

Loosely inspired by real events, the film sparked major controversy before its release and has remained one of the most divisive entries in William Friedkin's filmography ever since. Along the way, we discuss Al Pacino's performance, Friedkin's direction, the film's haunting atmosphere, its legacy, and why audiences are still arguing about what the ending actually means.

From its unforgettable opening moments to its ambiguous final scene, we break down our genuine first-time reactions, the moments that shocked us the most, and whether this infamous cult classic deserves a second look.

Is CRUISING an unfairly misunderstood masterpiece...

or is it one of the most controversial thrillers ever put on film?

If you're into first-time movie reactions, classic movies, psychological thrillers, cult films, movie discussions, and honest, unfiltered conversations about cinema, welcome to the Poser Movie Club.

🎬 Previous Episode:
Rosemary's Baby (1968) 👉

▶️ YouTube: Confessions of a Film Poser
📧 Email: confessionsofafilmposer@gmail.com
📸 Instagram: @confessionsofafilmposer
🎵 TikTok: @confessionsofafilmposer
🎧 Listen on Spotify, Apple Podcasts, and all major podcast platforms

Confession: We’ve been faking it… and ROSEMARY'S BABY might be one of the most influential horror films we've completely overlooked.

In this episode of Confessions of a Film Poser, we finally watch Roman Polanski's ROSEMARY'S BABY (1968) for the very first time, and we were not prepared for how unsettling, clever, and surprisingly modern this movie still feels nearly 60 years later.

Starring Mia Farrow in a career-defining performance, ROSEMARY'S BABY follows a young woman who moves into a new apartment with her husband, only to become increasingly convinced that something is terribly wrong with the people around her. What begins as a slow-burning psychological thriller gradually transforms into one of the most disturbing and influential horror films ever made.

Based on the bestselling novel by Ira Levin, the film helped redefine horror by replacing monsters and jump scares with paranoia, dread, and the terrifying fear that nobody will believe you. Along the way, we discuss Mia Farrow's unforgettable performance, the film's eerie atmosphere, its shocking themes, and why so many filmmakers still cite it as a major influence today.

From the unsettling dream sequences to the unforgettable final act, we break down our raw first-time reaction, the moments that genuinely creeped us out, and whether this classic lived up to its legendary reputation.

Is ROSEMARY'S BABY one of the greatest psychological horror films ever made...

or did we just discover why this movie has been haunting audiences for nearly six decades?

If you're into first-time movie reactions, classic horror films, psychological thrillers, movie discussions, and honest, unfiltered conversations about cinema, welcome to the Poser Movie Club.

🎬 Previous Episode:
ROAD TO PERDITION (2002) 👉

https://youtu.be/BVTdf4quOds

▶️ YouTube: Confessions of a Film Poser
📧 Email: confessionsofafilmposer@gmail.com
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🎧 Listen on Spotify, Apple Podcasts, and all major podcast platforms

Confession: We’ve been faking it… and ROAD TO PERDITION might be one of the greatest crime dramas we completely overlooked.

In this episode of Confessions of a Film Poser, we finally watch Sam Mendes’ ROAD TO PERDITION (2002) for the very first time, and we were not prepared for how powerful, emotional, and beautifully crafted this movie is.

Starring Tom Hanks in one of the most unexpected roles of his career, ROAD TO PERDITION follows Michael Sullivan, an enforcer for an Irish mob family whose life is shattered after his son witnesses a murder. What follows is a gripping story of revenge, fatherhood, loyalty, and redemption set against the backdrop of Depression-era America.

Based on the graphic novel by Max Allan Collins and illustrated by Richard Piers Rayner, the film combines gangster-movie tension with a surprisingly emotional father-son story. Along the way, we discuss Tom Hanks' incredible performance, the unforgettable work of Paul Newman, the haunting score, and the stunning cinematography from legendary cinematographer Conrad L. Hall.

From its shocking violence to its heartbreaking moments, we break down our raw first-time reaction, the scenes that hit us the hardest, and why so many people consider this one of the best films of the 2000s.

Is ROAD TO PERDITION a modern masterpiece...

or did we just discover the gangster movie we've been missing for the last 20 years?

If you're into first-time movie reactions, crime dramas, classic gangster films, movie discussions, and honest, unfiltered conversations about cinema, welcome to the Poser Movie Club.

🎬 Previous Episode:
POLICE STORY (1985) 👉

▶️ YouTube: Confessions of a Film Poser

📧 Email: confessionsofafilmposer@gmail.com

📸 Instagram: @confessionsofafilmposer

🎵 TikTok: @confessionsofafilmposer

🎧 Listen on Spotify, Apple Podcasts, and all major podcast platforms