I’ve been covering Amanda Seyfried’s work consistently since starting my career — particularly starting the best part of my career, focusing on interviews. In fact, one of my very first press days was for Atom Egoyan’s Chloe, which Seyfried headlines alongside Julianne Moore. With every press day that followed, I was constantly struck by Seyfried’s general warmth and her passion for her work, but especially by her openness while talking about it. About 25 years into her career, I’m still wowed by those same qualities, but a new one surfaced during our latest conversation, our very first Collider Ladies Night interview. It’s the importance Seyfried puts on being there for actors on the rise, like her The Housemaid co-star, Sydney Sweeney.

The two star in the highly anticipated adaptation of Freida McFadden’s incredibly popular novel. Sweeney plays Millie, a young woman who accepts a job working as a housemaid for Seyfried’s character, Nina Winchester, and her family. Initially, it seems like a dream gig. The Winchester home is beautiful and Nina appears to be a lovely employer. However, on day one of the job, things take a turn. Or rather, Nina takes a turn.

In celebration of The Housemaid’s release this weekend, and The Testament of Ann Lee’s upcoming rollout, Seyfried joined me for a Collider Ladies Night conversation to discuss the experiences that led her to this moment — a truly exceptional moment during which she has two wildly different films hitting theaters at about the same time, both featuring breathtaking work from her.

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Ever since we started hosting live Collider Ladies Night panels at San Diego Comic-Con, we’ve been tempted to explore doing group editions of the show, and what better ensemble to start that with than the women of the new Knives Out movie?

Mila Kunis, Cailee Spaeny and Kerry Washington are some of the latest to join Rian Johnson’s growing Knives Out family. In the third installment of the Oscar-nominated franchise, Wake Up Dead Man: A Knives Out Mystery, Spaeny and Washington play two of Monsignor Wicks’ (Josh Brolin) parishioners. Washington’s Vera Draven is a lawyer whose father was a close friend to Wicks before he passed, and Spaeny plays Simone Vivane, a renowned concert cellist struggling with health concerns.

When Monsignor Wicks is suddenly killed in the middle of a service while totally alone in the storage closet, Kunis’ Police Chief Geraldine Scott calls upon Benoit Blanc (Daniel Craig) to investigate. Could Vera or Simone have killed Wicks? Or perhaps it was another member of his flock? Or, what about the church newcomer, Josh O’Connor’s Father Jud Duplenticy? This time around, Blanc will have to do the impossible — solve a locked-room murder mystery.

The Knives Out movies have become highly regarded for their summer camp-like sets and for their unparalleled rosters of talent, and Wake Up Dead Man is no different. Not only are Kunis, Spaeny and Washington fantastic additions to this cinematic world, but they also rock a wonderful group dynamic in an interview setting, one oozing with enthusiasm for each other as people and artists, feelings that left them eager to reunite for another film.

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Since wrapping her 137-episode run on Riverdale about two years ago, Lili Reinhart’s been determined to craft a filmography with intention. As she noted during our Collider Ladies Night conversation, she’s always been picky about the work she takes on, but in this next stage of her career, her time on Riverdale is giving her the opportunity to say no and only do films and shows “that make sense or speak to me in certain ways,” and she’s going to take it.

Thus far, that mentality is working in Reinhart’s favor big time. This year she celebrated the release of American Sweatshop, a wildly intense and deeply chilling tale of a social media moderator responsible for ridding the internet of the most offensive content, and the toll that job takes on her. That movie, which features a exceptional lead performance from Reinhart is available to buy or rent on digital platforms. Next year the one to keep an eye on is Forbidden Fruits, in which Reinhart plays Apple, the leader of a coven called The Fruits that operates out of a Free People-like store in the mall. With an ensemble that includes Reinhart, Victoria Pedretti, Alexandra Shipp, and Lola Tung, there’s no doubt Forbidden Fruits will make waves when it hits theaters in 2026.

But, a very special something you don’t have to wait for? Hal & Harper, a limited series that’s quietly one of the best new shows of 2026. From the mind of Cha Cha Real Smooth writer, director, and star, Cooper Raiff, Hal & Harper stars Reinhart opposite Raiff as the title brother and sister. Throughout eight episodes, the show explores Hal and Harper’s codependent relationship, digging into the benefits of having an impossibly loving and supportive sibling, while also showing how that dynamic is holding them back. In order to do that to the fullest, the show also cuts back to pivotal points in Hal and Harper’s childhood, scenes during which Raiff makes the bold decision to have him and Reinhart play the seven and nine-year-old versions of their characters — to great effect.

Between American Sweatshop and Hal & Harper, Reinhart doesn’t just go two-for-two in 2025, but she starts to lock in the fact that she’s an undeniable star, an actor with range that Riverdale only scratched the surface of. Plus, it also proves that that pickiness is paying off. “Where you have maybe 25% control of your career, in that industry, I want to feel that I milked that percentage of what I could control.” So far, so good in that respect.

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