The Moors have never looked like this. 🗳️

For the third month in a row, our CinemaShock+ members have flexed their voting power to determine our schedule. In a major upset over the slasher and sci-fi heavy hitters, the community decided it was time to get "Gothic-erotic" with one of the most talked-about films of the year.

This week, we are reviewing WUTHERING HEIGHTS.

Directed by Emerald Fennell (SALTBURN, PROMISING YOUNG WOMAN), this is far from a traditional Brontë adaptation. With Margot Robbie and Jacob Elordi stepping into the iconic roles of Catherine and Heathcliff, the film sparked intense debate before the first frame even flickered. We explore Fennell’s decision to trade Victorian stuffiness for a punky, hyper-stylized aesthetic and whether this version captures the true, toxic heart of the original novel.

In this deep dive, we debate how Fennell’s specific directorial lens handles the classic themes of obsession and class warfare. We also look at the visual language of the film — from the "silver walls" aesthetic to the modern soundtrack — and discuss whether this is a bold reimagining or a bridge too far for literary purists.

Note on Spoilers: There are light spoilers for the movie throughout this episode. We do openly discuss the plot and ending of the original book—it’s been out for over 150 years, so we’re assuming the statute of limitations has expired—but we’ve kept the biggest creative swings Emerald Fennell takes in this adaptation spoiler-free (or very vague). We believe those moments should be discovered on your first viewing.

If you want to have a say in what we watch next month, join the community at CinemaShock+! Members get exclusive voting rights on our New Release reviews, plus access to our ongoing coverage of Twin Peaks: The Return and other bonus series.

Join now at cinemashock.net/plus

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster, asotirov, Benjamin Yates, courtland ashley, curtcake5k, Elton Novara, Interzone78, Jackson_Baker, Jvance325, KDurden, LillymckY, Lucy Lawson, MagicBloat, mcdudely, Nate Izod, Nathan Kelley, Robert, Robert Stinson, Spacemonkey73

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Yates | courtland ashley | curtcake5k | Elton Novara | Interzone78 | Jackson_Baker | KDurden | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Nathan Kelley | Tim G

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

More than 25 years since TWIN PEAKS was unceremoniously taken off the air by ABC, the series was resurrected for a third season by creators David Lynch and Mark Frost. The result is TWIN PEAKS: THE RETURN, an 18-hour cinematic event that many consider to be Lynch’s magnum opus. Fire Shock With Me is back to guide you through every surreal moment of this landmark television achievement.

Before we dive into the premiere, this introductory episode explores the long, winding road to the 2017 revival. We take a deep dive into how TWIN PEAKS: THE RETURN actually came to be, analyzing the decades of rumors, the false starts, and the intense negotiations that nearly saw David Lynch walk away from the project. From the "I'll see you in 25 years" prophecy to the final green light at Showtime, we’re breaking down the history of the show's resurrection.

TWIN PEAKS: THE RETURN is finally here, and this is just the beginning. While this introductory deep dive is available to everyone, the rest of the season — featuring our episode-by-episode recap and analysis — is exclusive to members of CinemaShock+. If you want to follow along with us as we deconstruct every part of David Lynch’s masterpiece, head over to cinemashock.net/plus now. Join the community to unlock the full season of Fire Shock With Me: The Return, along with extended episodes and exclusive bonus content. Don't leave us hanging in the Red Room — subscribe today.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster, asotirov, Benjamin Yates, courtland ashley, curtcake5k, Elton Novara, Interzone78, Jackson_Baker, Jvance325, KDurden, Lucy Lawson, MagicBloat, mcdudely, Nate Izod, Nathan Kelley, Robert, Robert Stinson, Spacemonkey73

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

The people have spoken. 🗳️

For the second month in a row, our CinemaShock+ members took over the programming, casting their votes for our newest release review. After tackling the meta-madness of ANACONDA last month, the community decided to pivot to something much, much darker.

This week, we are entering THE BONE TEMPLE.

We are reviewing 28 YEARS LATER: THE BONE TEMPLE, the second chapter in the new rage-virus trilogy. With Nia DaCosta (CANDYMAN) taking over directing duties from Danny Boyle, and Alex Garland continuing to weave the narrative web, expectations are sky-high.

In this deep dive, we debate how DaCosta’s visual style shifts the energy from Boyle’s kinetic opener and try to decode the expanding mythology of the infection itself. We also ask the hard questions about this middle chapter: Does the "Bone Temple" concept actually work, or is this just a bridge to the finale? And after nearly three decades, is the infected rage still as terrifying as it used to be?

If you haven't made it to the theater yet, don't worry—the majority of this discussion remains completely spoiler-free. We save the specific plot details for the final act of the show, with spoiler territory officially beginning at 47:38.

If you want to have a say in what we watch next month, join the community at CinemaShock+! Members get exclusive voting rights on our New Release reviews, plus access to all sorts of bonus content (like our Twin Peaks: The Return watch-along starting very, very soon). Join now at cinemashock.net/plus

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster, asotirov, Benjamin Yates, courtland ashley, curtcake5k, Elton Novara, Interzone78, Jackson_Baker, Jvance325, KDurden, LillymckY, Lucy Lawson, MagicBloat, mcdudely, Nate Izod, Nathan Kelley, Robert, Robert Stinson, Spacemonkey73

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net