This week, we review a supporter-recommended iClone fantasy machinima that surprised us with its polish: “Quest of a Key - Chapter One” by AuroraTrek. We’re always saying we want more story-driven iClone machinima (and fewer tech-demo vibes)… and this one delivers on craft: strong shot selection, confident editing, excellent music cues, and character animation that’s smoother than you’d expect.

But then the conversation gets interesting.

We dig into sound mastering and spatial audio, the difference between “dry” dialogue and believable room tone, how stylized realism can drift into “clay-face” territory, and what happens when a series leans hard into character introductions without giving the audience enough plot hooks to chase. Tracy goes deep on the structure across multiple chapters, and we talk about why view counts can drop when episodes feel like long-form animation sliced into shorts.

We also get into pipeline talk: Daz characters into iClone, motion capture vs animation libraries, and the very real challenge of stepping from an established fan universe (Star Trek / Star Wars) into an original world where you don’t get story shorthand for free.

If you make machinima, virtual production, iClone films, or Unreal/CG shorts, this ep is packed with practical takeaways: pace, hooks, sound space, visual texture, and how to reveal character through action inside the plot.

👇 Join the discussion: did you watch all the chapters, and do you feel the “quest” kicks in soon enough?

Timestamps

00:00 Cold open – we found story-driven iClone
01:00 Intro + this week’s pick (supporter recommendation)
03:00 First impressions: craft, animation, voice acting, direction
06:45 Sound nerd corner: mastering, stereo placement, reverb/space
08:45 Visual style: realism vs stylized realism, texture “clay-face” notes
10:00 Pipeline talk: motion capture, Daz → iClone, avoiding clipping
14:19 Series structure: shorts vs long-form, pacing, “padding” vs plot
33:46 Views vs hooks: what the audience drop-off might signal
42:27 Fan universe vs original IP: why discovery is harder without shorthand
46:26 Creator lesson: reveal character through story action
50:00 Wrap + audience question

Credits –

Hosts: Ricky Grove, Phil Rice, Damien Valentine, Tracy Harwood

Producer: Ricky Grove

Editor: Phil Rice

Music: Phil Rice and Suno AI

This week on And Now for Something Completely Machinima, snacks are flowing, pretzels are implied, and Tracy throws us a curveball of a film pick. 🍪🎬

We dive into “Demoram” by Livviathen, a lightning-fast, 90-second burst of animated chaos made in Team Fortress 2 and Garry’s Mod—and somehow packed with more storytelling, personality, and punch than films ten times its length.

At first glance, it looks like old-school machinima. But look again, and you’ll spot razor-sharp animation choices, perfectly timed sound design, and a wild, Warner Bros.–style cartoon energy that feels both nostalgic and fresh. A furious Scottish cyclops ram, a doomed Scout, explosive slapstick violence, and blink-and-you-miss-it details all collide in a miniature masterpiece.

We talk about:

• Why less than half the action is actually shown—and why that makes it brilliant
• How sound design carries the story as much as the visuals
• The genius of using gaps, cuts, and implication instead of over-animating
• Why Livviathen’s claim of “not being an animator” absolutely does not convince us
• And how this short channels Bugs Bunny, Road Runner, and Ren & Stimpy… inside Source Filmmaker

Plus, we explore Livviathen’s behind-the-scenes channel, her creature work (including the unsettlingly awesome Spantis), and why her workflow proves that instinct and timing matter just as much as polish.

Short, silly, ferocious, and shockingly smart—Demoram is proof that machinima can still surprise us.

👉 Watch along, then tell us: what do YOU call someone who animates like this if not an animator?

Credits -
Co-hosts: Phil Rice, Tracy Harwood, Damien Valentine
Producer/Editor: Phil Rice
Music: Phil Rice & Suno AI