"Trust me, I can handle me a dangerous man" Can obsessive love survive across social classes, death, and generations? This week, we're diving into Emily Brontë's 1847 Gothic masterpiece, “Wuthering Heights,” to explore themes of revenge, class struggle, and the illusion of choice in a society that offered women precious few options. We connect three Taylor Swift songs to this brutal, beautiful tale of Catherine and Heathcliff's destructive passion and its ripple effects on the next generation. From unrequited longing to toxic attempts at redemption to the devastating reality of betrayal, we unpack why this novel feels both deeply romantic and disturbingly amoral.

Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!

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Mentioned in this episode:

• Wuthering Heights, Emily Brontë
• Jane Eyre, Charlotte Brontë
• The Tenant of Wildfell Hall, Anne Brontë
• Great Expectations, Charles Dickens
• Rebecca, Daphne du Maurier
• Pride and Prejudice, Jane Austen
• E23: Mad Women

Episode Highlights

[01:14] “Wuthering Heights” Intro

[10:52] “Foolish One,” Fearless (Taylor’s Version)

[21:36] “Hoax,” Evermore

[29:14] “I Can Fix Him (No Really I Can),” The Tortured Poet’s Department

Follow AP Taylor Swift podcast on social!

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Affiliate Codes:

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Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"Only bought this dress so you could take it off." This week, we're deep diving "Dress" (reputation, 2017). We go line by line through this intimate friends-to-lovers anthem, exploring the transition from public persona to private moments, the dress as both armor and vulnerability, and why this song perfectly captures the spark that ignites a shift from friendship to something more. Join us as we unpack intentionality, agency, emotional nakedness, and discover why this song is the perfect soundtrack for choosing your person.

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Mentioned in this episode:

Hamlet, William Shakespeare

Summer I Turned Pretty (TV series)

Bridgerton (Episode 65 reference)

Episode Highlights:

[02:52] The title: What does the dress symbolize and represent?

[21:49] Taylor embracing more sensual lyrics

[46:44] Friends to lovers: The journey condensed in one song

[52:37] The dress as transition: From friends to lovers, the spark that initiates change

Follow AP Taylor Swift podcast on social!

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Instagram → instagram.com/APTaylorSwift

YouTube → youtube.com/@APTaylorSwift

Link Tree → linktr.ee/aptaylorswift

Bookshop.org → bookshop.org/shop/apts

Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z

"You had to make your own sunshine, but now the sky is opalite." In honor of the “Opalite” music video, we’re giving our After School Paid Subscribers early access to our “Opalite” deep dive! We explore why Taylor chose “opalite” over “opal,” what it means to create your own luck instead of waiting for it, and the song’s shift from being stuck in a cycle to finding resilience. Along the way, we debate who’s really speaking—is Mama Swift talking the whole time?—trace the song’s self-referential connections to “Daylight,” “Fearless,” “right where you left me,” and more, and unpack how this bubblegum pop track is actually a deeply philosophical song about agency, community, and paying it forward.

Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!

Stay up to date at aptaylorswift.com

Follow AP Taylor Swift podcast on social!

• TikTok → tiktok.com/@APTaylorSwift
• Instagram → instagram.com/APTaylorSwift
• YouTube → youtube.com/@APTaylorSwift
• Link Tree → linktr.ee/aptaylorswift
• Bookshop.org → bookshop.org/shop/apts
• Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"I don't want you like a best friend." What happens when we view Taylor Swift's music through the lens of Regency era romance? In this week's Show & Tell episode, we explore Taylor Swift’s songs through Shonda Rhimes's Netflix adaptation of Julia Quinn’s “Bridgerton” novels to uncover how Taylor's songs capture the tension, longing, and swoony moments that define the series. From secret romances in crowded rooms to enemies-to-lovers slow burns, we connect three iconic Bridgerton couples to Taylor Swift songs that perfectly capture their love stories. Whether you're Team Daphne and Simon, obsessed with Kate and Anthony, or rooting for Colin and Penelope, this episode has something for every Bridgerton fan.

Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!

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Mentioned in this episode:

• Bridgerton Series, Julia Quinn
• The Duke and I (Bridgerton #1), Julia Quinn
• The Viscount Who Loved Me (Bridgerton #2), Julia Quinn
• Romancing Mister Bridgerton (Bridgerton #4), Julia Quinn
• Bridgerton Netflix Series
• Queen Charlotte: A Bridgerton Story
• Marie Antoinette (2006), Sofia Coppola
• Romeo + Juliet (1996), Baz Luhrmann
• Moulin Rouge (2001), Baz Luhrmann
• Pride and Prejudice, Jane Austen
• E31: Shakespeare

Episode Highlights:

[00:26] Bridgerton Overview

[13:05] “I Wish You Would,” 1989

[24:08] “Wildest Dreams,” 1989

[34:18] “Dress,” Reputation

Follow AP Taylor Swift podcast on social!

• TikTok → tiktok.com/@APTaylorSwift
• Instagram → instagram.com/APTaylorSwift
• YouTube → youtube.com/@APTaylorSwift
• Link Tree →linktr.ee/aptaylorswift
• Bookshop.org → bookshop.org/shop/apts
• Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"I'd say I love you even at your darkest, and please don't go." This week, we continue our winter songs conversation with a deep dive into "Forever Winter" from Red (Taylor's Version). Content warning: This episode discusses mental health struggles, suicide, and grief. We explore the song line by line, examining themes of helplessness, survivor's guilt, the weight of supporting someone through mental illness, and how Taylor captures the raw emotions of loving someone at their darkest. Join us as we unpack what it means to promise "I won't go away" and why this vault track remains one of Taylor's most emotionally devastating songs.

Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!

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[00:01] Introduction and content warning - mental health and grief discussion

[02:53] Why Taylor has never performed this song live - the pattern of deeply personal songs

[16:44] Red era context: Mental health conversations in 2010 vs. today

[32:52] "I'll be summer sun for you forever" - The impossibility of being someone's savior

[34:06] Bridge analysis: "If I was standing there in your apartment"

[45:04] "Believe in one thing, I won't go away" - Poetry of immortalization

[59:32] The toll of supporting someone: When care requires its own support system

• TikTok → tiktok.com/@APTaylorSwift
• Instagram → instagram.com/APTaylorSwift
• YouTube → youtube.com/@APTaylorSwift
• Link Tree → linktr.ee/aptaylorswift
• Bookshop.org → bookshop.org/shop/apts
• Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z

"But then the cold came, the dark days when fear crept into my mind" What happens when we explore Taylor Swift's coldest, most melancholic songs? In this week's Show and Tell episode, we examine three winter songs—"Back to December," "The Moment I Knew," and "Forever Winter"—to uncover how Taylor uses winter as a literary device to explore themes of regret, loss, and missed opportunities. From the isolation of snowy landscapes to the clarity that comes with reflection, we discuss how winter symbolizes both endings and the quiet before renewal. Spoiler alert: these songs all appear on Spotify's "Saddest Taylor Swift Songs" playlist, so bring tissues. [And we have a content warning for our last song for themes and discussions of depression and self-harm]

Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!

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Mentioned in this episode:

The Shining, Stephen King

Frozen (2013)

"Stopping by Woods on a Snowy Evening," Robert Frost

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, C.S. Lewis

Fall Episode

Summer Episode

Holiday Episode

Greek Mythology Episode

“Right where you left me” deep dive

All Too Well 10 Minute Version Episode

Episode Highlights

[00:42] Winter as a literary device

[07:16] "Back to December"

[18:02] "The Moment I Knew"

[26:52] "Forever Winter" (content warning, themes of self-harm)

Follow AP Taylor Swift podcast on social!

• TikTok → tiktok.com/@APTaylorSwift
• Instagram → instagram.com/APTaylorSwift
• YouTube → youtube.com/@APTaylorSwift
• Link Tree →linktr.ee/aptaylorswift
• Bookshop.org → bookshop.org/shop/apts
• Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"All that time I sat alone in my tower, you were just honing your powers. Now I can see it all, see it all." This week, we're deep diving "The Fate of Ophelia" (The Life of a Showgirl, 2025). We go line by line through the lead single from Taylor's latest album, exploring everything from Hamlet references to fairy tale imagery, the contrast between "high brow" poetic language and colloquial modern speak, and why this song is actually packed with green flags about healthy relationships. Join us as we unpack the land, the sea, the sky, and discover why keeping it 100 might just be the antidote to drowning in melancholy.

Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!

Stay up to date at aptaylorswift.com

Mentioned in this episode:

Hamlet, William Shakespeare

Becoming, Michelle Obama

10 Things I Hate About You (1999 film)

Greek Mythology - Persephone and the Underworld

Winter's Tale, William Shakespeare

Cleopatra, William Shakespeare

Elizabeth Taylor as Cleopatra

Episode Highlights:

[02:42] The title and opening verse: Megaphones, pyros, and public declarations

[05:50] Drowning in melancholy: The Tortured Poets Department connection

[13:20] Pre-chorus analysis: Towers, graves, and lighting up the sky

[29:00] "Keep it 100 on the land, the sea, the sky" - Jenn's breakthrough moment

[36:33] Pledge allegiance vs. swore my loyalty: Communal vs. individualistic language

[43:44] Verse two: Fantasy, scorpions, and Cleopatra references

[56:32] "Wrap around me like a chain, a crown of vines" - Self-referential Taylor

[01:02:17] The bridge: "'Tis locked inside my memory" and the Laertes connection

[01:09:32] The purpose: Rewriting endings and finding people who show up

Follow AP Taylor Swift podcast on social!

• TikTok → tiktok.com/@APTaylorSwift
• Instagram → instagram.com/APTaylorSwift
• YouTube → youtube.com/@APTaylorSwift
• Link Tree → linktr.ee/aptaylorswift
• Bookshop.org → bookshop.org/shop/apts
• Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z

"Pretend he doesn’t know that he’s the reason why you’re drowning." This week we're exploring Shakespeare's "Hamlet" through Taylor Swift's lens, diving into the psychological depths of revenge, agency, and the fate of being a silenced woman. From the “Real Housewives of Shakespeare” (yes, really) to the drowning weight of societal expectations, we unpack how Taylor uses one of literature's most tragic figures to explore modern questions about independence, relationships, and female agency.

Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!

Stay up to date at aptaylorswift.com

Mentioned in this episode:

Hamlet, William Shakespeare

Rosencrantz and Guildenstern Are Dead, Tom Stoppard

The Lion King

The Traitors

Real Housewives

E92: Revenge Narratives

The Sound of Music

Sister Act

The Female Malady, Elaine Showalter

E31: Show and Tell - Shakespeare

E23: Mad Woman

***

Episode Highlights

• [01:03] Hamlet 101
• [11:02] “I Knew You Were Trouble,” RED
• [23:50] “Anti-Hero,” Midnights
• [34:56] “The Fate of Ophelia,” The Life of a Showgirl

Follow AP Taylor Swift podcast on social!

• TikTok → tiktok.com/@APTaylorSwift
• Instagram → instagram.com/APTaylorSwift
• YouTube → youtube.com/@APTaylorSwift
• Link Tree →linktr.ee/aptaylorswift
• Bookshop.org → bookshop.org/shop/apts
• Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.