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The Witching Year

A Memoir of Earnest Fumbling Through Modern Witchcraft

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The Witching Year

Von: Diana Helmuth
Gesprochen von: Diana Helmuth
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Über diesen Titel

 A skeptic spends a year trying to find spiritual fulfillment by practicing modern Witchcraft in this fascinating memoir that’s perfect for fans of A.J. Jacobs and Mary Roach.

Diana Helmuth, thirty-three, is skeptical of organized religion. She is also skeptical of disorganized religion. But, more than anything, she is tired of God being dead. So, she decides to try on the fastest-growing, self-directed faith in America: Witchcraft.

The result is 366 days of observation, trial, error, wit, and back spasms. Witches today are often presented as confident and finished, proud and powerful. Diana is eager to join them. She wants to follow all the rules, memorize all the incantations, and read all the liturgy. But there’s one glaring problem: no Witch can agree on what the right rules, liturgy, and incantations are.

As with life, Diana must define the craft for herself, looking past the fashionable and figuring out how to define the real. Along the way, she travels to Salem and Edinburgh (two very Crafty hubs) and attends a week-long (clothing optional) Witch camp in Northern California. Whether she’s trying to perform a full moon ritual on a cardboard box, summon an ancient demon with scotch tape and a kitchen trivet, or just trying to become a calmer, happier person, her biggest question remains: Will any of this really work?

The Witching Year is a “compelling memoir” (Frances Denny, author of Major Arcana) that follows in the footsteps of celebrated memoirs by journalists like A.J. Jacobs, Mary Roach, and Caitlin Doughty, who knit humor and reportage together in search of something worth believing. Andere Religionen, Praktiken & heilige Texte
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I really enjoy listening to this book. The author‘s experience seems authentic and very much trail and error. I can relate to a lot of her thoughts, emotions and inner dialogues.

What I find irritating and sometimes annoying is her constant concern about cultural appropriation and political correctness.
Same goes for her constant emphasis on wearing a mask and finding witches who worry about Covid and her two Moderna shots. I realise her journey took place during the pandemic and has had an influence on it. Yet I dislike it taking up so much space in her book.

Authentic personal experience

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