The Rose Field: The Book of Dust Volume Three Titelbild

The Rose Field: The Book of Dust Volume Three

The long-awaited and highly anticipated conclusion in the bestselling series

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The Rose Field: The Book of Dust Volume Three

Von: Philip Pullman, Christopher Wormell
Gesprochen von: Michael Sheen
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The spell-bounding conclusion to Philip Pullman’s bestselling The Book of Dust sequence . . .

‘Lyra: what will you do when you find this place in the desert, the opening to the world of the roses?’

‘Defend it,’ Lyra said. ‘Die defending it.’

When readers left Lyra in The Secret Commonwealth she was alone, in the ruins of a deserted city. Pantalaimon had run from her – part of himself – in search of her imagination, which he believed she had lost. Lyra travelled across the world from her Oxford home in search of her dæmon. And Malcolm, loyal Malcolm, too journeyed far from home, towards the Silk Roads in search of Lyra . . .

In The Rose Field, their quests converge in the most dangerous, breathtaking and world-changing ways. They must take help from spies and thieves, gryphons and witches, old friends and new, learning all the while the depth and surprising truths of the alethiometer. All around them, the world is aflame – made terrifying by fear, power and greed.

As they move East, towards the red building that will reunite them and give them answers – on Dust, on the special roses, on imagination – so too does the Magisterium, at war against all that Lyra holds dear.

‘Powerful, profound and utterly unforgettable: The Rose Field gives us a stunning trilogy conclusion’ - The Telegraph


'Ablaze with light and life . . . To read Pullman is to experience the world refreshed, aglow, in technicolour' - Independent

© Philip Pullman 2025 (P) Penguin Audio 2025

Action & Abenteuer Belletristik Epic Fantasy Fantasy Magischer Realismus

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Kritikerstimmen

‘A masterpiece for all eternity… Powerful, profound and utterly unforgettable: a stunning trilogy conclusion’
‘Pullman’s uncanny ability to conjure place is once again in full evidence . . . And when we reach it, the novel’s final showdown is a fantastically nail-biting ride.’ (The Guardian)
‘But for all its intricate interweavings of alchemy and folk tales, ballads and poetry, the book has the pacing of a thriller.’
Alle Sterne
Am relevantesten
I loved being allowed to sink back into this world but what was that ending? SPOILERS AHEAD! After following a beautifully told adventure through so many landscapes and situations, with the amount of details and time we are used to by this story, at the end we are suddenly presented with "the end". It is so abruptly so undetailed so unsatisfying that the phrase of "the end" actually has to be used in order for the listener to understand that this is meant to be it. There's a lot of loose threads not being picked up, and it rather feels as if Mr. Pullman didn't have the patience to find the proper ending for this book but rather took the first one he could find. No sir, we will be writing our own stories now. It is our of your hands.

Great storytelling, many interesting aspects

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I‘m so glad we finally know how the story ended! A lot remains open to the imagination, bit then this is what it’s all about, isn’t it? Read brilliantly again by Michael Sheen.

Closure

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Nach so vielen Stunden Hören gibt es immer noch kein befriedigendes Ende für so viele Fragen. Es bleibt komplett offen, wie es mi Leira weiter geht, wie es mit den Welten weiter geht, was mit dem "Geld" passieren wird, was passiert mit Alice, was mit der Beziehungen Leira-Malcom oder Bonneville-Malcom, ob die Fenster nun geschlossen werden oder aufbleiben, ob die Fenster gut oder schlecht sind (nachdem sie in der ersten Trilogie ja eigentlich alle geschlossen werden sollten) ect
Es ist ja eine Trilogie, also abgeschlossen. Aber eben leider überhaupt nicht
Wenn es jetzt noch ein kurzes Buch gäbe, es zu einen guten Abschluss zu bringen, dann könnten es 5 Sterne geben.

enttäuschendes Ende, grandioser Sprecher

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the only thing worse than the absolute mess of abandoned plot points, incoherent philosophy, the unforgivable retcons laced with groomy-style gaslighting about the appropriateness of 20 year old Lyra getting it on with her 31 year old ex-teacher who has known her since she was a baby, and Malcolm LITERALLY getting his life spared because of his pretty blond hair and freckled light skin (no, REALLY) is the posh twat panto style narration of this audiobook

in between yelling himself into a near climax every time there's a fight or some sort of danger, Michael Sheen pulls out every single bad racist stereotype comedy accent in his repertoire (the witches sound like they're doing Z-list British comedian impressions of Vladimir Putin, ser iis sie commedi tschermen off course, oh and ve 'have ze eevil freench sounding Diplomats, and a "generic cartoon Persian" for all the characters who probably have brown skin), he makes the queen of the Griffins sound like a washed up old pantomime Dame who got shitfaced in Blackpool after the last performance of her career, and Lyra and Malcolm sound like they're auditioning to play Clarrie and Eddie Grundy on the motherfucking Archers

Seriously, I am kind of in awe at just how terrible this conclusion of my favourite childhood book series has turned out to be.

Lyra Silvertongue deserved better.

Lyra deserved a better creator

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I waited forever and this is the final ending to this while story? I am so sad. so many story arks left unfinished, so many things seemd rushed, as if Mr. Pullman was in a hurry. The story was excellently narrated and I enjoyed that. but the ending is just... da sad.

very disappointed.

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