How can one writer hurt another where it really counts? The answer: attack his reputation. This is the problem facing novelist Richard Tull, contemplating the success of his friend and rival Gwyn Barry. Revenger's tragedy, comedy of errors, contemporary satire - The Information skewers high life and low in Martin Amis's brilliant return to the territory of Money and London Fields.

Detective Mike Hoolihan has seen it all. A 15-year veteran of the force, she's gone from walking a beat, to robbery, to homicide. But this one case has gotten under her skin. When Jennifer Rockwell, darling of the community and daughter of a respected career, now top-brass, cop takes her own life, no one is prepared to believe it … especially her father, Colonel Tom. Mike Hoolihan, longtime colleague and friend of the Colonel, is ready to "put the case down." Suicide. Closed. Until Colonel Tom asks her to do the one thing any grieving father would ask: take a second look.

Not since his celebrated novel Money has Amis turned his focus on America to such remarkable effect. Fusing brilliant wordplay with all the elements of a classic whodunit, Amis exposes a world where surfaces are suspect (no matter how perfect), where paranoia is justified (no matter how pervasive), and where power, price and pride are brought to a low by the hidden recesses of our humanity.

The story of John Self and his insatiable appetite for money, alcohol, drugs, porn, and more. Ceaselessly inventive and thrillingly savage, it is a tale of life lived without restraint; of money and the disasters it can precipitate.

A producer. A novelist. An actress. It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. While the world is reeling, our trio is involved in making a rackety Swingin' '60s British movie in sunny Brighton. All are leading secret lives. As the film is shot, with its usual drastic ups and downs, so does our trio's private, secret world begin to take over their public one. Pressures build inexorably - someone's going to crack. Or maybe they all will.

Abe Ravelstein is a brilliant professor at a prominent Midwestern university and a man who glories in training the movers and shakers of the political world. He has lived grandly and ferociously - and much beyond his means. His close friend Chick has suggested that he put forth a book of his convictions about the ideas that sustain humankind, or kill it, and much to Ravelstein’s own surprise, he does and becomes a millionaire.

London, 1939, and in the grimy publands of Earl's Court, George Harvey Bone is pursuing a helpless infatuation. Netta is cool, contemptuous and hopelessly desirable to George. George is adrift in a drunken hell except in his dead moments, when something goes click in his head and he realises, without a doubt, that he must kill her.

Jim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons. As long as Jim can survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Machines Like Me occurs in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda’s assistance, he co-designs Adam’s personality. This near-perfect human is beautiful, strong and clever - a love triangle soon forms. These three beings will confront a profound moral dilemma.

Nat, a 47-year-old veteran of Britain's Secret Intelligence Service, believes his years as an agent runner are over. He is back in London with his wife, the long-suffering Prue. But with the growing threat from Moscow Centre, the office has one more job for him. Nat is to take over The Haven, a defunct substation of London General with a rag-tag band of spies. The only bright light on the team is young Florence, who has her eye on Russia Department and a Ukrainian oligarch with a finger in the Russia pie.