With accomplished precision and gentle eloquence, Jhumpa Lahiri traces the crosscurrents set in motion when immigrants, expatriates, and their children arrive, quite literally, at a cultural divide. The nine stories in this stunning debut collection unerringly chart the emotional journeys of characters seeking love beyond the barriers of nations and generations.

Set against a background of political turbulence in Kerala, Southern India, The God of Small Things tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory, they try to craft a childhood for themselves amidst what constitutes their family - their lonely, lovely mother; their beloved uncle Chacko (pickle baron, radical Marxist and bottom pincher); and their avowed enemy, Baby Kochamma (ex-nun and incumbent grand-aunt).

Four Chinese women, drawn together by the shadow of their past, meet in San Francisco to play mah jong, invest in stocks, eat dim sum, and to "say" stories to each other. Nearly 40 years later, one of the women has died, and her daughter arrives to take her place. However, the daughter never expected to learn of her mother's secret lifelong wish - and the tragic way in which it has come true. The revelation creates among the women an urgent need to remember the past.

It is Ireland in the early 1950s and for Eilis Lacey, as for so many young Irish girls, opportunities are scarce. So when her sister arranges for her to emigrate to New York, Eilis knows she must go, leaving behind her family and her home for the first time. Arriving in a crowded lodging house in Brooklyn, Eilis can only be reminded of what she has sacrificed. She is far from home - and homesick.

In a crumbling, isolated house at the foot of Mount Kanchenjunga lives an embittered old judge. He only wants to retire in peace, but then his orphaned granddaughter, Sai, arrives on his doorstep. The judge's chatty cook watches over her, but his thoughts are mostly with his son, Biju, who is hop-scotching from one New York restaurant job to another. A novel of depth and emotion, Desai's second, long-awaited novel fulfills the grand promise established by her first.

Penguin presents the unabridged downloadable audiobook edition of Homegoing by Yaa Gyasi, narrated by Dominic Hoffman.

Effia and Esi: two sisters with two very different destinies. One sold into slavery, one a slave trader's wife. The consequences of their fate reverberate through the generations that follow.

In a country teetering on the brink of civil war, two young people meet - sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors - doors that can whisk people far away, if perilously and for a price.

Tara Westover was 17 the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches. In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged in her father's junkyard. Her father forbade hospitals, so Tara never saw a doctor or nurse. Gashes and concussions, even burns from explosions, were all treated at home with herbalism. Then, lacking any formal education, Tara began to educate herself. Her quest for knowledge transformed her.

In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents) and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her. 

This nationally best-selling novel from Pulitzer Prize-winner Jeffrey Eugenides was adapted into an acclaimed film by Academy Award-winner Sofia Coppola. A haunting yet wickedly funny tale, The Virgin Suicides has captivated countless readers with its intoxicating portrait of lost innocence. A brilliant fusion of dark humor and tragedy, it is an atmospheric, allegorical masterpiece about five oppressed, suicidal sisters and the boys who dream of rescuing them.

You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes - it would be too awkward - and you can't say no - it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past. Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. When Lydia’s husband’s tell-all profile of Javier, the jefe of the newest drug cartel that has gruesomely taken over the city, is published, none of their lives will ever be the same.

Yetu holds the memories for her people - water-dwelling descendants of pregnant African slave women thrown overboard by slave owners - who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one - the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities.

Ugwu, a boy from a poor village, works as a houseboy for a university professor. Olanna, a young woman, has abandoned her life of privilege in Lagos to live with her charismatic new lover, the professor. And Richard, a shy English writer, is in thrall to Olanna's enigmatic twin sister. As the horrific Biafran War engulfs them, they are thrown together and pulled apart in ways they had never imagined.