Hours before his wedding, fifteen-year-old Conrad, heir to the house of Otranto, is crushed to death. His father, Manfred, Lord of Otranto, sees only one recourse to protect the family lineage. He will divorce his wife and marry the boy’s bride-to-be. Her wishes be damned. When the fearful and resistant Isabella takes flight, Manfred follows in mad pursuit. But it is he who must outrun a greater fear: a curse cast on his family generations ago.

Created by an Irish clergyman, Melmoth is one of the most fiendish characters in literature. In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

In A Philosophical Enquiry, Edmund Burke sets out to define the nature of beauty and sublimity, and establish an objective criterion for discussing aesthetics. His definition of beauty as rooted in pleasure and sexuality, and the sublime in pain and survival, aligned him with the empiricists John Locke and David Hume, as he replaced the metaphysics of Plato's aesthetics with a psychological and physiological perspective. 

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

The Golden Bough, the monumental study of religious rites and practices in ‘primitive’ societies, was one of the earliest influential texts in anthropology. Its author, Sir James Frazer, surveyed the wide range of cultural habits, taboos and beliefs in communities across the world concluding that there was an observable pattern in the way magic developed into religion, though formal expression emerged in different ways.