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The Girl in the Spider's Web

the return of The Girl With The Dragon Tattoo

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The Girl in the Spider's Web

Von: David Lagercrantz, George Goulding - translator
Gesprochen von: Saul Reichlin
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THE GIRL WITH THE DRAGON TATTOO IS BACK.

Lisbeth Salander and Mikael Blomkvist have not been in touch for some time.

Then Blomkvist is contacted by renowned Swedish scientist Professor Balder. Warned that his life is in danger, but more concerned for his son's well-being, Balder wants Millennium to publish his story - and it is a terrifying one.

More interesting to Blomkvist than Balder's world-leading advances in Artificial Intelligence, is his connection with a certain female superhacker.

It seems that Salander, like Balder, is a target of ruthless cyber gangsters - and a violent criminal conspiracy that will very soon bring terror to the snowbound streets of Stockholm, to the Millennium team, and to Blomkvist and Salander themselves.

(P)2015 WF Howes Ltd©2015 David Lagercrantz Hobbydetektive Krimis Politik & Spionage Spionage Thriller Weibliche Detektive
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Kritikerstimmen

Lagercrantz has constructed an elegant plot around different concepts of intelligence . . . his continuation, while never formulaic, is a cleaner and tighter read than the originals . . . Without ever becoming pastiche, the book is a respectful and affectionate homage to the originals. (Mark Lawson)
As I read Lagercrantz's The Girl in the Spider's Web, I found that I kept forgetting for several pages at a time that I wasn't reading genuine Larsson . . . One devours Larsson's books for the plots, the action, the anger, and most of all for Lisbeth Salander . . . Lagercrantz has caught her superbly, and expertly spun the sort of melodramatic yarn in which she can thrive. (Jake Kerridge)
Fans of Stieg Larsson's captivating odd couple of modern detective fiction - the genius punk hacker Lisbeth Salander and her sometime partner, the crusading investigative journalist Mikael Blomkvist - will not be disappointed . . . Salander and Blomkvist have survived the authorship transition intact and are just as compelling as ever. (Michiko Kakutani)
Elegantly paced, slickly executed, and properly thrilling. (Alison Flood)
First, the conclusion. David Lagercrantz has done well . . .The Girl in the Spider's Web conveys the essence and atmosphere of Larsson's Millennium novels. He has captured the spirit of their characters and devised inventive plots, most of them suitably exaggerated . . . On the evidence of Spider's Web, most Millennium fans will want to continue following their Lisbeth. (Marcel Berlins)
Lagercrantz's real achievement here is the subtle development of Lisbeth's character; he allows us access to her complex, alienated world but is careful not to remove her mystery and unknowability. Lisbeth Salander remains, in Lagercrantz's hands, the most enigmatic and fascinating anti-heroine in fiction. (Barry Forshaw)
Rest easy, Lisbeth Salander fans - our punk hacker heroine is in good hands . . . Swedish crime novelist David Lagercrantz takes the reins with prowess, not only mimicking Larsson's shamelessly pulpy prose, but admirably expanding the deliciously depraved world of the novels. (Patrick Ryan)
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Most of us were devastated, when we realized that we will not hear from Salander again after we finished the third part of the Millenium trilogy. She was such an unusual heroine and she stole her way into our hearts. Now David Lagercrantz made it possible, Salander is back and she did not lose anything of her ass kicking, grumpy attitude.

Overall Lagercrantz did not do a bad job, the characters are authentic and we really get the feeling of meeting old friends again. Still, there are a couple of minor things. Salander became a superhero, she is all by herself cracking the most advanced encryption of the NSA, she takes on the most skillful killers and beats the living daylight out of them and she does all of that with a gunshot wound to her shoulder. A little bit less of the good stuff and a little bit more humanity might have been better.

It seems to be the bane of sequel writers to feel forced to expand the plot continuously. This is true here as well. It is not just organized crime, it is the NSA, software giants and corrupt politicians high up in the hierarchy. Salander has to save the world, no more, no less.

I also missed some of the erotic touch of the former Salander. The tension laden relationship between Salander and Blomkvist was part of the intriguing attraction of the story. Salander and Blomkvist do not meet in person during the whole story. Only at the very end, they have a personal encounter. Unfortunately Lagercrantz seems to be a little bit of a prude.

As far as the plot is concerned, it is has a lot of sidelines, but it is not too complex. An IT genius and AI specialist gets killed and his autistic son is the only witness. Blomkvist picks up the story and very soon it becomes clear that organized crime and the NSA are deeply involved. He would not get anywhere with his investigation and probably not survive the turmoil, he created, if Salander would not have helped him.

It is not a Stieg Larrson, but it is an enjoyable read after all.

Good to meet Salander and Blomkvist again

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absolutely brilliant and fascinating story with lots of unexpected turnovers and sideways. Love the clear and sometimes calm voice of the speaker

perfect

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Admittedly strong and interesting story line, sometimes too hung up on the details.
However, the speaker sounded too dull, especially in dialogs. Poor performance in my eyes.

Nice story, but way behind the original trilogy

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Nice book but lacks the touch of the original Stieg Larrson. could have been longer. the narration was great for certain characters like ed the ned, but could have been better.

butoverall a nice plot and kudos to continue the mikael and salander story.

not stieg larrson

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Das erste drittel des Buches war sehr anstrengend und zäh. nahm dann jedoch Fahrt auf und wurde spannend. Der Sprecher überzeugt nicht, da er viele Akteure im Buch durch einen ausländischen Akzent eher unterdurchschnittlich intelligent wirken lässt. Dies wird den Persona im Buch nicht gerecht. Schade. Ebenso die Gespräche die als Telefon Kommunikation angelegt sind sind auf Dauer anstrengend zuzuhören.

Was lange währt wird endlich gut

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