A new documentary attempting to put both a personal and a political perspective of Omaha on screen is the aptly titled My Omaha, directed by Nick Beaulieu, which embarks on its director’s dueling journey to balance the tense relationship he has with his terminally ill father, a big supporter of Donald Trump with his exposure to the legacy of Malcom X and activist Leo Louis II, each representing radically different worldviews in a polarized climate. In doing so, Beaulieu explores his Omaha, but also Omaha as a microcosm of a country that is full of contradictions so deep that they may never be reconciled. And, if one confronts that prospect, then what?

My Omaha premiered at the Slamdance Film Festival and is currently making its way around the country, starting its journey toward readily available viewing. Watch out for it as it likely comes to your neck of the woods sometime soon. Find showtimes and events at myomahafilm.com.

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Some years, one film locks in early as a popular, unbeatable favorite to win all of the major awards at all of the major ceremonies, such as last year’s Oppenheimer, which grossed nearly a billion dollars and swept the Oscars. This year? It’s not so clear what the frontrunner is, how various controversies might have affected Academy voting, or what the significance of the awards might be in the age of streaming. This week's first segment is an attempt to parse through these questions with filmmaker, critic, and host of KIOS at the Movies Joshua LaBure. Then, we're replaying parts of a 2024 conversation with Michael Schulman, author of Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears—a sweeping history of what has been nearly a century of Academy Awards. Get it now wherever you buy books.

Keep the conversation going in the comments. Follow The Entertainment on Facebook, Instagram, or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth. Thank you for listening.

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Guy Maddin, director of My Winnipeg, The Saddest Music in the World, and Brand Upon the Brain is a filmmaker who seemingly operates by no rules and often merges the surreal, the traditional, and the experimental. The idea of discomfort at the merger of traditional ideas with the inexplicable, of the familiar with the bizarre, is both true of his style and also the substance of his latest film, Rumours—which he directed with Evan Johnson and Galen Johnson. Available now on video on demand, the film follows a G-7 meeting between leaders from the U.S., Canada, France, Germany, Italy, Japan, and the U.K in the midst of an apocalyptic event that leaves them alone in the woods, having to fend for themselves without any of their systems of support. This week's show is a conversation with Maddin about both the construction of the movie but also its context as an artifact of a world in transition, whether its leaders want to admit it or not.

Keep the conversation going in the comments. Follow The Entertainment on Facebook, Instagram, or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth. Thank you for listening.

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