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Sashenka

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Sashenka

Von: Simon Sebag Montefiore
Gesprochen von: Tuppence Middleton
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Über diesen Titel

Random House presents the audiobook edition of Sashenka by Simon Sebag Montefiore, read by Tuppence Middleton.

Winter, 1916: In St Petersburg, Russia on the brink of revolution. Outside the Smolny Institute for Noble Young Ladies, an English governess is waiting for her young charge to be released from school. But so are the Tsar's secret police...

Beautiful and headstrong, Sashenka Zeitlin is just sixteen. As her mother parties with Rasputin and her dissolute friends, Sashenka slips into the frozen night to play her part in a dangerous game of conspiracy and seduction.

Twenty years on, Sashenka has a powerful husband with whom she has two children. Around her people are disappearing, but her own family is safe. But she's about to embark on a forbidden love affair which will have devastating consequences.

Sashenka's story lies hidden for half a century, until a young historian goes deep into Stalin's private archives and uncovers a heart-breaking tale of passion and betrayal, savage cruelty and unexpected heroism - and one woman forced to make an unbearable choice.

20. Jahrhundert Historische Liebesromane Historische Romane

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One Night in Winter Titelbild
One Night in Winter Von: Simon Sebag Montefiore

Kritikerstimmen

The perfect mixture of history and clever storytelling, with wonderful female characters and a seriousness of purpose that stands out. Gripping from start to finish. (KATE MOSSE, Author of Labyrinth and Sepulchre)
Intensely moving and gripping, with an unforgettable climax that will touch the hardest heart. (Jung Chang, author of WILD SWANS and MAO)

A furiously readable novel - it's hard to put SASHENKA down. SASHENKA is a brilliantly-plotted novel which brings home with unique intimacy the joys and hopes of Russian families, the Revolution, the horror of the Thirties - and a new generation's penetration of KGB files....

Montefiore has a scholar's knowledge of Russian history but he lets his knowledge serve the tale and become part of the texture. The glory and tragedy of Sashenka's story remains long after the last page is read

He writes beautifully, vividly, and passionately about things he has known and seen. (FAY WELDON)
Intricate, fast moving...so powerfully and persuasively set out that, by the time I finally put the book down, long after midnight, I was in tears. (Vanora Bennett, THE TIMES)
To write a good historical novel you have to recreate that world, both physically and intellectually - and there must be a sense that history is driving the plot forwards. Montefiore succeeds on all counts...The real achievement of this novel is that it describes the profound levels of self-deception required if you wanted to stay alive and be a loyal communist in Stalin's Russia. (EVENING STANDARD)
A dramatic, gripping tale of a passionate, beautiful woman living in pre-revolutionary Russia, and subsequently in Stalin's Soviet hell. Her story, set against richly textured backgrounds -- some lavish, some grim -- make this novel extraordinarily difficult to put down. (Robert Massie, author of Nicholas & Alexandria)
In SASHENKA, Simon Montefiore proves himself a true storyteller. The world of the Russian Revolution and of Stalin's Terror comes vividly to life in this deeply intimate novel, full of Russian atmosphere and color. I felt as if I'd lived through an epic movie. (Edward Rutherford, author of Sarum and Russka)
An absolutely rollicking tale which also manages to convey an authentic period atmosphere. Very colourful, very evocative, very readable, and very very real. (JOANNE HARRIS)
Agile plotting, vivid characterisation and the exuberant spectacle of a well-informed author enjoying a flourish of serious frivolity - convoluted plot twists, astonishing coincidences, tear-jerking family separations and all - combine to make Sashenka an addictive page-turner with an elegant, steely edge of verisimilitude. (SUNDAY TELEGRAPH)
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Clearly meant to be non fiction, doesn’t work as fiction. Suffers a lot from “woman written by a man” and “story told by an historian.”

Should have been an essay

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