Charles Bukowskis Figuren sind die Verlierer im Rennen um den amerikanischen Traum. Ihnen widmet er sich in seinen Geschichten, entwirft körnige Momentaufnahmen vom Rand der Gesellschaft. In "Kaputt in Hollywood", "Love It or Leave It" und "Eine verregnete Weibergeschichte" begegnen wir ihnen: den hoffnungslosen Säufern, den Weibern mit verschmiertem Lippenstift, den Schlägern und Spielern.

One of Charles Bukowski's best, this beer-soaked, deliciously degenerate novel follows the wanderings of aspiring writer Henry Chinaski across World War II-era America. Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant way from one drink to the next.

"It began as a mistake." By middle age, Henry Chinaski has lost more than 12 years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.

In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years, and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at 50, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

Zwei Giganten treffen aufeinander. Götz George - Deutschlands "He-Man"-Schauspieler Nr. 1, unsterblich in der Rolle des ungehobelten Ruhrpott-Kommissars Schimanski - liest Charles Bukowski - Amerikas Taufpaten des dreckigen Neo-Realismus, die dunkle Seite der Beat-Literatur.

This collection of Buk's grimmest diaries gives an insight into the noir and brutal Los Angeles that Bukowski observed and lived so well. He was a legend in his time: a madman, a recluse, a lover...tender, vicious...never the same. These are exceptional stories that came pounding out of his violent and depraved life - horrible and holy. You cannot listen to them and come away the same again.

The definitive collection from a writer whose transgressive legacy and raw, funny, acutely observant writing has left an enduring mark. Here is Bukowski eating walnuts and scratching his back, rolling a cigarette while listening to Brahms, showering with Linda in the midafternoon. Here is Bukowski knowing that the secret is beyond him, that people who never go crazy live truly horrible lives, that there's a bluebird in his heart that wants to get out.

Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Bukowski's own brand of humour and realism, opening up a landscape of seamy Los Angeles.

"The dull ones would never understand Cass. To the men she was simply a sex machine and they didn't care whether she was crazy or not." Bukowski's alter ego finds himself in a slow dance with the most beautiful girl in town, who also happens to be its saddest; a tale of loss and what might have been.

Big Brother is watching you.... 1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party’s power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party’s department for propaganda, Winston Smith’s job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair.

South of No North is a collection of short stories written by Charles Bukowski that explore loneliness and struggles on the fringes of society.

"But I was so much older then, I'm younger than that now." (Bob Dylan). Robert Beck wollte einst Musiker werden, doch stattdessen setzte er auf Sicherheit und wurde Lehrer. Nun ist er Ende dreißig und angeödet von seinem Leben. Bis er in seiner Klasse den Außenseiter Rauli Kantas aus Litauen entdeckt. Ein Musikgenie, das singt und E-Gitarre spielt wie ein junger Gott. Beck will ihn als Manager groß ausbringen, allerdings nicht nur aus Selbstlosigkeit: der Junge ist gleichzeitig seine letzte Chance, um sich seine Träume von der Musikkarriere doch noch zu erfüllen.

Filled with his usual obsessions - sex, booze, gambling - More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly-veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters - climaxing with a long, hilarious adventure among French filmmakers.

Bukowski's mad immortal origins, surfaced from the literary underground, have addicted legions of audiences who've recognized Bukowski as one of America's greatest realist writers and poets. Audible Studios narrator and OBIE winner Will Patton ( Remember the Titans, The Good Wife, Armageddon) gives a tour de force performance of Bukowski's greatest work in his prime.