
Mordew
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Gesprochen von:
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Kobna Holdbrook-Smith
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Von:
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Alex Pheby
Über diesen Titel
Welcome to Mordew - the first in a fantastic new trilogy from the Wellcome Book Prize-shortlisted writer Alex Pheby.
God lies defeated, his corpse hidden in the catacombs beneath Mordew. On the surface, the streets of this the sea-battered city are slick with the Living Mud and the half-formed, short-lived creatures it spawns - creatures that die and are swept down from the Merchant Quarter by the brooms of the workers and relentless rains, where they rot in the slums.
There, a young boy called Nathan Treeves lives with his parents, eking out a meagre existence by picking treasures from the Living Mud - until one day his mother, desperate and starving, sells him to the mysterious Master of Mordew.
The Master derives his power from feeding on the corpse of God. But Nathan, despite his fear and lowly station, has his own strength - and it is greater than the Master has ever known. Great enough to destroy everything the Master has built. If only Nathan can discover how to use it.
So it is that the Master begins to scheme against him - and Nathan has to fight his way through the betrayals, secrets and vendettas of the city where God was murdered and darkness reigns....
Experience this critically acclaimed masterpiece, perfect for fans of Philip Pullman and Ben Aaronovitch.
©2020 Alex Pheby (P)2021 W F HowesKritikerstimmen
"Brilliant.... Extraordinary.... An extravagant and unnerving marvel." (The Guardian)
"A treat.... The world of Alex Pheby's fourth novel is dizzying...a beguiling splicing of Dickensian social satire and rackety steampunk fantasy. Written with combustible verve." (The Spectator)
"Weird and wonderful, bleak and beautiful...[Mordew] is an extraordinarily vivid piece of world-building." (The Sunday Express)
The story itself did not reach me. Perhaps because the main character had no goal, no vision. Almost any other character seemed to know more about him, his background and his potential. However, nobody bothered to inform him (not even about the general history of the country in question) or give him a chance to make a choice.
Everything more or less happens to the main character; and with him to the listener.
The plot reminds me of fairy tale, driven too far into fantasy.
For comparison: Stories I really appreciate in the fantasy genre are Lord of the Rings, Harry Potter, various Jasper Fforde‘s, Ben Aaronovitch‘s or Tom Hillenbrands.
Extraordinary speaker, mediocre story
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